From Library Journal
This is the first retrospective collection of the work of Indian photographer Singh (The Grand Trunk Road: A Passage Through India, Aperture, 1995), whose work is in the permanent collections of several major U.S. museums. Singh has been compared to Henri Cartier-Bresson in his ability to capture the day-to-day life of ordinary people. In the book's preface, David Travis, curator of photography at the Art Institute of Chicago, remarks that in Singh's photographs, "the wise and mad cultural heritage of India is out in the streets for everyone to see." Unlike Cartier-Bresson, however, Singh uses color with aplomb. In his introductory essay, "River of Color: An Indian View," Singh voices his theories about color, photography, and art in general. This large-format volume features 128 full-page and two-page color photographs, divided by theme. They are followed by four pages of notes. Highly recommended for photography and art collections.?Ravi Shenoy, Hinsdale P.L., IL
Copyright 1999 Reed Business Information, Inc.
The New York Times Book Review, Andy Grundberg
At their best his pictures are filled with narrative incident and visual surprise, in a manner that is based in the decisive-moment approach of Henri Cartier-Bresson but that also is indebted to the more radical framing of Garry Winogrand. Of all of Singh's books to date, this is the most essential and stirring.
Born in Jaipur, Raghubir Singh was a self-taught photographer who worked in India and lived in Paris, London and New York. In the early 1970s he was one of the first photographers to reinvent the use of color at a time when color photography was still a marginal art form.
In his early work Singh focused on the geographic and social anatomy of cities and regions of India. His work on Bombay in the early 1990s marks a turning point in his stylistic development; at the contact of the metropolis his visual language acquires a new complexity. In addition to his photographic work, Singh teaches in New York at the School of Visual Arts, Columbia University and Cooper Union. In 1998 the Art Institute of Chicago organized a retrospective exhibition of his work which was still on show at the time of his death. The book River of Colour was published on the occasion of this exhibition.
In his last work A Way into India, published posthumously, the Ambassador car becomes a camera obscura. Singh uses its doors and windshield to frame and divide his photographs. In the accompanying text John Baldessari compares Raghubir Singh to Orson Welles for his juxtaposition of near and far and to Mondrian for his fragmentation of space. In recent years a dialogue has been established between his work and that of contemporary artists
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这本书的名字本身就有一种流动的美感,"River of Colour" 预示着一种生动、鲜活的视觉体验,而 "The India of Raghubir Singh" 则将这份色彩赋予了一个具体的灵魂,一位艺术家。我对摄影集一直有着特别的偏爱,尤其是那些能够捕捉到文化精髓的作品。Raghubir Singh 这个名字对我来说并不陌生,他被誉为印度最重要的摄影师之一,他的作品常常被描述为对印度色彩、生命力和复杂性的深刻洞察。因此,当我看到这本书的标题时,我的好奇心就被瞬间点燃了。我期待着通过他的镜头,去感受一个充满活力、文化多样且常常令人惊叹的印度。
评分"River of Colour" 这个词组,让我想起印度各种节日庆典中那缤纷的色彩,仿佛整个国家都沉浸在一片绚烂的海洋中。我想象着 Raghubir Singh 如何捕捉这些瞬间,是如何在熙攘的人群中找到那个最能代表印度灵魂的画面。
评分我一直对能够通过艺术作品深入了解不同文化充满热情,而这本书的书名,"River of Colour: The India of Raghubir Singh",正是我一直在寻找的。
评分"River of Colour" 让我联想到印度丰富而多样的文化景观,从北部的喜马拉雅山脉到南部的热带海滩,从沙漠的金色沙丘到恒河的圣洁之水,每一种景致都充满了独特的色彩。
评分从书名就能感受到,这不仅仅是一本摄影集,更是一种对印度精神的探索。Raghubir Singh 作为一个印度本土的艺术家,他镜头下的印度,想必会有着外人难以捕捉到的细腻和真实。我希望这本书能够展现印度那些鲜为人知的一面,不只是宏伟的建筑或著名的地标,而是街头巷尾的生活,人们的表情,他们日常的喜怒哀乐。
评分这本书的标题,"River of Colour: The India of Raghubir Singh",仿佛是一首无声的诗,描绘了一个充满生命力和色彩的国度。
评分Raghubir Singh 的名字,让我对这本书充满了期待。他被认为是印度最伟大的摄影师之一,他的作品以其强烈的个人风格和对印度社会的深刻洞察而闻名。
评分我一直在寻找能够真正触动我内心深处的艺术作品,那些能够超越语言障碍,直击情感的。这本书的书名,"River of Colour: The India of Raghubir Singh",给我一种强烈的预感,它将带领我踏上一场感官的盛宴。我特别喜欢 "River of Colour" 这个比喻,它暗示着色彩不仅仅是视觉上的呈现,更是一种流动、一种生命力的象征,如同河流般奔腾不息,不断变化,又彼此连接。这让我联想到印度的河流,它们承载着历史、文化和信仰,滋养着这片土地上的人民。
评分"River of Colour" 这个词组,让人不禁联想到印度文化中那些标志性的色彩,如节日庆典中的鲜艳服饰,市场上的香料和织物,以及寺庙中神圣的描绘。
评分这本书的书名,"River of Colour: The India of Raghubir Singh",唤起了我对印度复杂而迷人的文化的深切渴望。我曾读过一些关于印度的书籍,看过一些关于印度的纪录片,但总觉得隔着一层纱,无法真正触摸到它跳动的脉搏。
评分最爱的印度摄影师/5年后男盆友开始接触摄影,想送给他一本摄影画册,想来想去觉得不错的摄影师又想到了这一位!
评分Raghubir Singh应该是印度最著名的摄影师,一辈子只拍过这一个国家,他眼里的印度充满奇光幻影,场景混乱复杂,颜色热烈毫无拘束,当地人的眼睛闪闪发亮,虽然现在看来已经失去新奇感,却还有一种强烈的吸引力。
评分Raghubir Singh应该是印度最著名的摄影师,一辈子只拍过这一个国家,他眼里的印度充满奇光幻影,场景混乱复杂,颜色热烈毫无拘束,当地人的眼睛闪闪发亮,虽然现在看来已经失去新奇感,却还有一种强烈的吸引力。
评分最爱的印度摄影师/5年后男盆友开始接触摄影,想送给他一本摄影画册,想来想去觉得不错的摄影师又想到了这一位!
评分最爱的印度摄影师/5年后男盆友开始接触摄影,想送给他一本摄影画册,想来想去觉得不错的摄影师又想到了这一位!
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