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喜欢 L'origine de la perspective 的读者还喜欢

Hubert Damisch的《透视之源（the Origin of Perspective）》一书试图以结构主义的视角将透视看做是一个自洽的象征系统，以此来反对艺术史研究中将透视看做一种作画工具的惯例。在Damisch看来，“再现”并不是作画的主要目的，透视更不是仅仅完成准确“再现”的科学手段。透视...  

Anglo-American art history barely registered the passage of Structuralism. This philosophical movement, which had such profound reverberations for other fields in the humanities, most notably linguistics and anthropology, was resolutely ignored by most art ...

Hubert Damisch的《透视之源（the Origin of Perspective）》一书试图以结构主义的视角将透视看做是一个自洽的象征系统，以此来反对艺术史研究中将透视看做一种作画工具的惯例。在Damisch看来，“再现”并不是作画的主要目的，透视更不是仅仅完成准确“再现”的科学手段。透视...  

Anglo-American art history barely registered the passage of Structuralism. This philosophical movement, which had such profound reverberations for other fields in the humanities, most notably linguistics and anthropology, was resolutely ignored by most art ...

Anglo-American art history barely registered the passage of Structuralism. This philosophical movement, which had such profound reverberations for other fields in the humanities, most notably linguistics and anthropology, was resolutely ignored by most art ...