具體描述
Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.
Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.
著者簡介
圖書目錄
讀後感
評分
評分
評分
評分
用戶評價
大學圖書館居然有這本.
评分Among
评分從誇張的色彩和釘在臉上密密麻麻的釘子開始，到屠殺一隻豬的淋灕盡緻，再到通過愛貓展示自己所看到的世界，到總有一些異樣的每一年的傢庭照，與妻子快樂地躍起來的閤照，再到後來瘋狂的鏡頭對著自己的幾百張相片、與不同的人擁吻的照片、浴缸裏的照片、把自己放置在城市裏每一個角落的照片...可以感受到Fukase孤寂的極緻。
评分深瀨昌久全集。日文版9月一上市就賣斷貨，英文版現在還可以買到。
评分《鴉》的部分確實很大師，一進入彩色就很實驗。傢庭閤影簡直是行為藝術瞭，既延續瞭傢族照相館的傳統，又在傳統中加入一個裸體就全部顛覆瞭它。另外，拍貓絕對不輸荒木啊。
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