具體描述
This work argues that Kevin Hart's poetry has a close relationship with western traditions and there are dual realities in Kevin Hart's poetic space, and this space includes the elements of classicism, romanticism,modernisms(cubism,surrealism),dual tradition of theology (positive the-ology and negative theology), and French post-phenomenological thinking. The dual realities are testified to by some binary pairs in Hart's poetry: the concrete, conscious, definite, familiar, natural, phenomenal, physical,and positive standing side by side with the abstract, higher, ideal, in-definite, intellectual, metaphysical, negative, philosophical, surreal, transcendental, and unconscious. The latter are achieved from the former through a process of transcending or going beyond, and the mediums be tween the two poles of binary pairs are death, denial, denudation, deprivation, dying, idealisation, negation, rejection, transgression, transcendence,and transformation.
著者簡介
圖書目錄
Section I Introduction
Section II Ha rt’S Backg round and Achievements
Section III Literatu re Review．1978—2003
Section IV Methodology
Part II From Classicism to Romanticism
Section I Classical Elements in Hart’S Poems
Section II Hart’S Romantic Internalized Quest
Part III Modernisms in Hart's Poems
Section I Elements 0f Cubism
Section II Elements 0f Su rrealism
Part IV Hart's Faith and the Dual Tradition of Theology
Section I Positive Theology
Section II Negative Theology
Part V Relingion without Religion
Section I Questing fOr“Continuity of Being”through Desi re and Death
Section II Seeking for“Exteriority”th rough Transcendence
Section III Religion without Religion
Part VI Cone husion
Attac hments:
1.Bibliography
2.15poms by Hart in transiation
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