Upon its US release in the mid-1990s Ghost in the Shell, directed by Mamoru Oshii, quickly became one of the most popular Japanese animation films, or anime, in the country. Despite these accolades, Oshii is known as a contrarian within anime, a self-proclaimed "stray dog," with a unique cinematic vision. Working in both live-action film and animation, directing everything from absurdist comedy to thrillers to meditations on the nature of reality, Oshii defies the confines of genre and form. Stray Dog of Anime is the first book to take an in-depth look at his major films, from the early days working on Urusei Yatsura to Avalon, his most recent feature. Ruh details Oshii's evolution as a director, paying special attention to his personal style and symbolism, resulting in a unique guide that will appeal to anime fans and cineastes of all kinds.
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很用了几天时间才看完，研究押井守的英文学术专著，从美国人视角确认了押井守为代表的日本科幻动画对好莱坞科幻片的深刻影响，将其作为Anime作者的创作履历、内容、风格进行完整的分析，很多观点可以被我化用到Pre里面。
评分很用了几天时间才看完，研究押井守的英文学术专著，从美国人视角确认了押井守为代表的日本科幻动画对好莱坞科幻片的深刻影响，将其作为Anime作者的创作履历、内容、风格进行完整的分析，很多观点可以被我化用到Pre里面。
评分很用了几天时间才看完，研究押井守的英文学术专著，从美国人视角确认了押井守为代表的日本科幻动画对好莱坞科幻片的深刻影响，将其作为Anime作者的创作履历、内容、风格进行完整的分析，很多观点可以被我化用到Pre里面。
评分很用了几天时间才看完，研究押井守的英文学术专著，从美国人视角确认了押井守为代表的日本科幻动画对好莱坞科幻片的深刻影响，将其作为Anime作者的创作履历、内容、风格进行完整的分析，很多观点可以被我化用到Pre里面。
评分我还上推看看了这作者……挺有意思的。看他写的能找到很多类似的感想，所以挺有意思的。
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