圖書標籤: 文學理論 社會學 文化史
发表于2024-11-27
On Symbols and Society pdf epub mobi txt 電子書 下載 2024
Kenneth Burke's innovative use of dramatism and dialectical method have made him a powerful critical force in an extraordinary variety of disciplines--education, philosophy, history, psychology, religion, and others. While most widely acclaimed as a literary critic, Burke has elaborated a perspective toward the study of behavior and society that holds immense significance and rich insights for sociologists. This original anthology brings together for the first time Burke's key writings on symbols and social relations to offer social scientists access to Burke's thought.
In his superb introductory essay, Joseph R. Gusfield traces the development of Burke's approach to human action and its relationship to other similar sources of theory and ideas in sociology; he discusses both Burke's influence on sociologists and the limits of his perspective. Burke regards literature as a form of human behavior--and human behavior as embedded in language. His lifework represents a profound attempt to understand the implications for human behavior based on the fact that humans are "symbol-using animals." As this volume demonstrates, the work that Burke produced from the 1930s through the 1960s stands as both precursor and contemporary key to recent intellectual movements such as structuralism, symbolic anthropology, phenomenological and interpretive sociology, critical theory, and the renaissance of symbolic interaction.
伯剋在此書中提到瞭他著名的"辭屏"(terministic screen)概念,這一概念來自攝影:“當我談到辭屏時,我想起來我曾見過的一些攝影。他們是同一物體的不同照片,其差彆在於拍攝它們時,攝影師使用瞭不同的濾色鏡。‘呈現事實’的照片可以在特點,甚至在形式上錶現齣明顯差異,這取決於攝影師使用瞭不同的濾色鏡對所記錄事件進行紀錄片式的描述。”人們交際時使用的詞語就是一個獨特的濾色鏡,是一種辭屏,正如攝影師依靠鏡頭捕捉物體的形象和色彩進行拍攝,人們交往需要使用語言這一鏡頭,人們通過其觀察認識世界。但鏡頭所攝的照片並非原物,有選擇地將受眾注意力引嚮拍攝對象的某些特徵。因此,也掩蓋瞭其他的特徵。通過語言濾色鏡看到的現實,也非原本的現實,詞語對現實而言是有選擇性的,它既是對現實的反映也是對現實的背離。
評分伯剋在此書中提到瞭他著名的"辭屏"(terministic screen)概念,這一概念來自攝影:“當我談到辭屏時,我想起來我曾見過的一些攝影。他們是同一物體的不同照片,其差彆在於拍攝它們時,攝影師使用瞭不同的濾色鏡。‘呈現事實’的照片可以在特點,甚至在形式上錶現齣明顯差異,這取決於攝影師使用瞭不同的濾色鏡對所記錄事件進行紀錄片式的描述。”人們交際時使用的詞語就是一個獨特的濾色鏡,是一種辭屏,正如攝影師依靠鏡頭捕捉物體的形象和色彩進行拍攝,人們交往需要使用語言這一鏡頭,人們通過其觀察認識世界。但鏡頭所攝的照片並非原物,有選擇地將受眾注意力引嚮拍攝對象的某些特徵。因此,也掩蓋瞭其他的特徵。通過語言濾色鏡看到的現實,也非原本的現實,詞語對現實而言是有選擇性的,它既是對現實的反映也是對現實的背離。
評分the author is a poet...so the articles are vague...
評分the author is a poet...so the articles are vague...
評分the author is a poet...so the articles are vague...
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On Symbols and Society pdf epub mobi txt 電子書 下載 2024