In Close to the Knives, David Wojnarowicz gives us an important and timely document: a collection of creative essays - a scathing, sexy, sublimely humorous and honest personal testimony to the "Fear of Diversity in America." From the author's violent childhood in suburbia to eventual homelessness on the streets and piers of New York City, to recognition as one of the most provocative artists of his generation - Close to the Knives is his powerful and iconoclastic memoir. Street life, drugs, art and nature, family, AIDS, politics, friendship and acceptance: Wojnarowicz challenges us to examine our lives - politically, socially, emotionally, and aesthetically.
David Wojnarowicz was a gay painter, photographer, writer, filmmaker, performance artist, and activist who was prominent in the New York City art world of the 1980s.
He was born in Red Bank, New Jersey, and later lived with his mother in New York City, where he attended the High School of Performing Arts for a brief period. From 1970 until 1973, after dropping out of school, he for a time lived on the streets of New York City and worked as a farmer on the Canadian border.
Upon returning to New York City, he saw a particularly prolific period for his artwork from the late 1970s through the 1980s. During this period, he made super-8 films, such as Heroin, began a photographic series of Arthur Rimbaud, did stencil work, played in a band called 3 Teens Kill 4, and exhibited his work in well-known East Village galleries.
In 1985, he was included in the Whitney Biennial, the so-called Graffiti Show. In the 1990s, he fought and successfully issued an injunction against Donald Wildmon and the American Family Association on the grounds that Wojnarowicz's work had been copied and distorted in violation of the New York Artists' Authorship Rights Act.
Wojnarowicz died of AIDS on July 22, 1992. His personal papers are part of the Downtown Collection held by the Fales Library at New York University.
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老实说,我拿到这本书的时候,对它抱持着一种近乎敬畏的期待,毕竟听说它的影响力非同一般。然而,真正翻开后,我发现它完全颠覆了我对“传记”或者“回忆录”的既有认知。这不是那种温文尔雅、按部就班的线性叙述,它更像是一系列破碎的、但又紧密相连的记忆碎片,被一种近乎狂暴的内在逻辑串联了起来。作者的语言风格充满了张力和棱角,毫不留情地撕开了那些光鲜亮丽的表象,直指事物最核心的、最丑陋却也最真实的内核。我常常需要放下书本,走到窗边,看着街景,让那些文字在我脑海中沉淀一会儿,否则那种强烈的冲击感会让我喘不过气。这本书的节奏感非常强,有时快如疾风骤雨,信息量爆炸;有时又突然慢下来,用极其缓慢的镜头捕捉一个眼神、一个微小的动作,那种慢镜头下的细节,其爆炸力丝毫不弱于那些宏大的场面。它更像是一部地下电影,充满了粗砺的质感和不加修饰的力量。
评分坦率地说,这本书的阅读体验是“沉重”的,但绝不是“枯燥”的。那种沉重感来源于作者对痛苦的精准捕捉和毫不回避的直视。它没有使用任何矫饰的辞藻来美化那些经历过的磨难,一切都赤裸裸地呈现在眼前,甚至带着一种令人不安的清晰度。这种直白,反而形成了一种强大的艺术感染力。我发现作者非常擅长运用意象,一些反复出现的物体或场景,被赋予了超越其字面意义的象征性重量,它们如同暗语,串联起整部作品的情感脉络。比如,他对某些特定环境光线的描写,总能精准地烘托出人物内心的压抑和绝望,那种氛围的营造能力,简直令人拍案叫绝。它更像是一部交响乐,虽然主旋律是关于挣扎和对抗,但中间穿插的那些微弱的、近乎耳语的段落,却像是乐章中的弱音,充满了令人心碎的张力。看完后,我感觉自己像刚经历了一场漫长而艰苦的攀登,虽然精疲力竭,但眼前的风景却因此变得格外开阔和珍贵。
评分这本书的叙事手法极其精妙,作者仿佛是一位深谙人性的魔术师,将那些最隐秘、最难以启齿的情感和经历,以一种近乎残酷的坦诚展现在我们面前。阅读的过程,与其说是在看一个故事,不如说是在经历一场灵魂的洗礼。文字的密度高得惊人,每一个词语都像经过千锤百炼,掷地有声,承载着巨大的信息量和复杂的情绪张力。我尤其欣赏作者在描绘人物内心挣扎时的细腻笔触,那种在光明与阴影间摇摆不定的状态,被刻画得入木三分,让人不得不停下来,反复咀嚼那些句子,感受那种扑面而来的真实感。它没有给我们提供任何廉价的安慰或简单的答案,相反,它逼迫着我们直面那些社会建构下的虚伪和个体在巨大结构面前的无力。那种对社会边缘群体的深刻洞察,以及对权力运作机制的犀利剖析,让这本书超越了一般的文学作品,成为了一份极具批判性的社会文本。整本书读下来,心头是沉重的,但精神上却获得了某种奇特的释放,仿佛卸下了一副沉重的伪装,得以暂时喘息。
评分这本书最让我感到震撼的地方,在于它对于“界限”这个概念的不断试探与消解。作者似乎在有意地模糊私密与公共、个人叙事与集体创伤之间的界限,使得读者在阅读过程中,产生了一种强烈的“在场感”。你不仅仅是在阅读他人的经历,更像是被强行拉入了那个特定的时空场域,与叙述者一同感受那种被压抑、被边缘化的生存状态。我对其中关于身份认同的探讨尤为着迷,它没有给出任何固定的标签,而是展示了身份是如何在与外界的不断碰撞、摩擦、甚至自我撕裂中被塑造和重塑的。这种动态的、流动的身份观,与当下社会对“清晰身份”的狂热追求形成了鲜明的对比,引人深思。我甚至觉得,这本书本身就是一种反抗,反抗所有试图将复杂的人性简化为易于理解的单元的努力。它要求读者付出极大的心力去理解其复杂性,但回报是精神上的极大拓展。
评分这本书的结构设计非常大胆,它拒绝了传统的线性叙事逻辑,更像是一座用复杂的心灵迷宫构建而成的建筑。你常常需要在不同的时间点和空间维度之间跳跃,这要求读者必须保持高度的专注力,否则很容易迷失在那些层层叠叠的叙述结构中。然而,一旦你适应了这种节奏,你会发现这种非线性反而更贴合记忆和创伤本身的运作方式——它们往往是跳跃的、非逻辑的、却又无比真实的。我个人非常欣赏作者对“声音”的捕捉。不仅仅是对话,还包括环境的噪音、内心的独白、被压抑的沉默,这些“声音景观”的描绘,构建了一个立体而充满张力的世界。它不像是在讲述一个故事,更像是在重现一段被强烈编码的记忆场域,充满了象征意义和隐喻。这本书的价值,不在于它提供了多少“事实”,而在于它如何引导我们去质疑我们所接受的“现实”和“规范”,它像一把锋利的凿子,敲击着我们习以为常的认知外壳。
评分haven't seen his other works, but wojnarowitcz is definitely a talented writer. His language is so beautiful. tender love, intense living. moved.
评分补卡/他的文字真的太美太温柔了,但又很有力量
评分haven't seen his other works, but wojnarowitcz is definitely a talented writer. His language is so beautiful. tender love, intense living. moved.
评分补卡/他的文字真的太美太温柔了,但又很有力量
评分If you’ve never read David Wojnarowicz’s heartbreaking CLOSE TO THE KNIVES: A Memoir of Disintegration, you’re in for an incredible ride. It’s an uncomfortably passionate and raw book — a scathing, sexy, sublimely humorous and honest personal testimony to the “Fear of Diversity in America.”
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