Picasso and the Invention of Cubism pdf epub mobi txt 電子書下載 2024

☆☆☆☆☆
簡體網頁||繁體網頁

Karmel, Pepe

Yale Univ Pr

2003-6

240

$ 79.10

HRD

9780300094367

圖書標籤: art Cubism 英文藝術史書單藝術美術古技文 the

喜歡 Picasso and the Invention of Cubism 的讀者還喜歡

下載链接在页面底部

點擊這裡下載

facebook linkedin mastodon messenger pinterest reddit telegram twitter viber vkontakte whatsapp 複製鏈接

想要找書就要到小哈圖書下載中心

qciss.net

立刻按 ctrl+D收藏本頁

你會得到大驚喜!!

发表于2024-11-04

Picasso and the Invention of Cubism epub 下載 mobi 下載 pdf 下載 txt 電子書下載 2024

Picasso and the Invention of Cubism pdf epub mobi txt 電子書下載 2024

圖書描述

This work seeks to transform our understanding of Cubism, showing in detail how it emerged in Picasso's work of the years 1906-13, and tracing its roots in 19th-century philosophy and linguistics. Linking well-known paintings and sculptures to the hitherto-ignored drawings that accompanied them, Pepe Karmel demonstrates how Picasso's quest to depict the human body with greater solidity led, paradoxically, to its fragmentation; and how Picasso used the archaic model of stage space to free himself from conventional perspective, replacing the open window of Renaissance painting with a new projective space. Rejecting the usual distinction between "analytic" and "synthetic" Cubism, Karmel shows how Picasso's changing artistic goals were realized in the crystalline Cubism of 1907-09, the gridded Cubism of 1910-11, and the planar Cubism of 1912-13. In other chapters, Karmel discusses the empiricist philosophy championed by Hippolyte Taine, which encouraged the breakdown of painting into its abstract elements, and laid the groundwork for an art of mental association rather than naturalistic figuration. Similarly, contemporary philology provided the model for a visual language employing both metaphoric and metonymic (but not arbitrary) signs.

Picasso and the Invention of Cubism 下載 mobi epub pdf txt 電子書

著者簡介

圖書目錄

Picasso and the Invention of Cubism pdf epub mobi txt 電子書下載

想要找書就要到小哈圖書下載中心

qciss.net

立刻按 ctrl+D收藏本頁

你會得到大驚喜!!

用戶評價

評分☆☆☆☆☆

序言：立體主義中的形式與內容；1思想：經驗論、象徵論與裝飾；立體主義的學說；2空間：舞颱空間；風景與舞颱空間；投影空間1906－09；兩維格柵，08－09；三維網格10－12；3身體：反印象派；削切；開放形式起源；從體到量；從格到條；疊加麵；新矛盾；4符號化：畢加索與符號；索緒爾的符號；語言與符號；藝術與語言；作為語言的立體主義；分解化幾何；提喻式形像；提喻與疊加；簡化與轉化；布拉剋與貼紙法；係列法與變形法；符號與建構；意義與快感；

評分☆☆☆☆☆