When Thomas Gainsborough (1727-1788) arrived in the spa town of Bath, at the age of 31, he was an artist of modest reputation. When he left 16 years later, he had completed such major works as "The Blue Boy" and "Peasants Going to Market" and was recognized as one of Europe's foremost painters. In this study, Susan Sloman examines how this transformation took place. She offers a view of Gainsborough's development during his middle years as well as information about Bath and its role, for a few decades in the 18th century, as a cultural centre of Europe. Drawing on documents and a variety of little-known contemporary published sources, the book seeks to illuminate artistic activity in Bath, and Gainsborough's part in it. Sloman describes the supporting players in the artist's career, including his banker, patrons, suppliers, wine merchant, tailor and other artists and writers, and considers how Gainsborough's place in the commercial life of the town influenced his portrait practice and the evolution of his personal style. The work also explores how his family life regularly impinged on his professional career and how his wife's relationship with the dukes of Beaufort influenced the patronage he enjoyed and his friendship with members of the Price family. Sloman reveals how Gainsborough's prominence as an artist and Bath's as a cultural hub were intimately connected during the middle years of the 18th century, a period during which the artist and his town flourished together.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有