The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with-space and time-into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.The Viewpoints are a set of names given to certain principles of movement through time and space-they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form.Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life.Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include "Alice's Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing"; and "The Baltimore Waltz."Tina Landau, noted director and playwright, whose original work includes "Space "("Time "magazine 10 Best), "Dream True" (with composer Ricky Ian Gordon) and "Floyd Collins "(with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.
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这本书简直像打开了一个全新的世界,作者的叙事方式极其细腻,每一个场景的描绘都充满了画面感,让你仿佛能亲身感受到故事中人物的情绪波动。我特别欣赏作者在角色塑造上的功力,那些配角也同样立体饱满,他们的选择和挣扎,都深深地触动了我。读到某个关键转折点时,我甚至停下来,反复咀嚼着那些文字,思考着如果是我会如何应对。情节的铺陈不疾不徐,却步步紧逼,张力十足,直到最后谜底揭晓的那一刻,那种豁然开朗的震撼感,久久不能平息。这本书不仅仅是一个故事,更像是一场关于人性的深刻探讨,让我对生活中的许多现象有了更深层次的理解和反思。它需要你慢下来,用心去体会那些潜藏在字里行间的微小细节,才能真正领略到其精妙之处。
评分这本书的文风简直是一股清流,充满了老派的优雅和一种沉静的力量。它不依赖于花哨的辞藻堆砌,而是用精准、凝练的语言,构建出一个宏大而又错综复杂的世界观。我特别喜欢作者处理时间线的方式,那种在不同年代间自由穿梭的叙事技巧,让整个故事的维度得到了极大的拓展,每一次跳跃都伴随着新的信息和视角,让人目不暇接却又井然有序。阅读过程就像是解开一个层层包裹的古老谜团,每一次剥开外壳,都能发现更深层的结构。对于那些追求文字质感和思想深度的读者来说,这本书无疑是一份厚礼。它不迎合快节奏的阅读习惯,反而要求读者投入大量的时间和心力去品味那些充满哲思的对话和环境描写。
评分说实话,这本书的开篇稍微有些挑战性,信息的密度非常大,初读时感觉像是在迷雾中摸索,需要集中十二分的注意力去梳理人物关系和背景设定。但是,一旦你跨过了最初的门槛,接下来的阅读体验简直是层层递进的惊喜。作者的逻辑推理能力令人叹服,那些看似散乱的线索,最终都被巧妙地收拢到一起,形成一个严丝合缝的整体。这种智力上的博弈感,是我阅读体验中非常看重的一部分。它不是那种一眼就能看穿的通俗故事,而是需要读者积极参与思考的智力游戏。读完之后,我有一种完成了一场马拉松的满足感,不仅为故事的结局叫好,更为作者构建如此精密框架的能力感到由衷的钦佩。
评分这本书的氛围营造简直是教科书级别的范本,光是阅读文字,我都能闻到故事发生地点的气味,感受到那里特有的光线和湿度。作者对于环境细节的把握极其到位,无论是宏伟的自然景观,还是狭小闭塞的室内空间,都描绘得入木三分,这些环境本身似乎也成为了推动情节发展的重要力量。我尤其被那种挥之不去的情感基调所吸引,它不是外放的激烈情感,而是一种渗透在每一个角落的,带着淡淡忧伤的宿命感。读完后,我的内心久久不能平静,仿佛自己也沾染上了故事中人物的某种情绪烙印。这种能与读者建立深层情感共鸣的作品,是极其难得的。
评分我必须承认,这本书在处理一些社会议题时所展现出的犀利和不留情面,让我感到既震撼又不安。作者的笔触毫不留情地揭示了人性中那些阴暗、复杂甚至自相矛盾的一面,拒绝给出任何廉价的道德评判。它强迫你面对那些舒适区之外的真相,并要求你重新审视自己对于“对”与“错”的固有认知。这种挑战读者的舒适区的勇气,正是这本书最有价值的地方。它不是提供慰藉,而是提供洞察。如果你期待的是一个简单的英雄故事或者圆满的结局,这本书可能不适合你;但如果你渴望一场思想上的洗礼,去探索人类经验的边界,那么,毫无疑问,你绝对应该拿起它。
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