United Tates Of America

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出版者:Scholastic Paperbacks (2003年6月1日)
作者:Paula Danziger
出品人:
页数:144 页
译者:
出版时间:2003年06月
价格:42.00
装帧:平装
isbn号码:9780590692229
丛书系列:
图书标签:
  • 美国
  • 历史
  • 政治
  • 文化
  • 社会
  • 政府
  • 经济
  • 北美洲
  • 联合王国
  • 独立战争
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具体描述

Sarah Kate Tate, otherwise known as Skate Tate, has mixed feelings about middle school. Her best friend, Susie, seems to be undergoing a sea change, causing her to hang around with a girl named Kiki ("I think that Kiki is a silly name. It sounds like a choking sound, Kiki."), dye her hair blue, and lose interest in The Happy Scrappys, the scrapbook-making club they've been in since third grade. Fortunately, Skate's favorite person in the world, GUM (Great Uncle Mort), is always helping her remember not to be afraid of what's "around the corner." But when tragedy strikes, how can Skate find the courage to go on, let alone see what's around the corner?

Paula Danziger (Snail Mail No More, The Cat Ate My Gymsuit, the Amber Brown series, etc.) has her finger directly on the pulse of sixth-grade life in this authentic novel about the very normal, bubbly Skate. Her scrapbook insert could be out of any middle-school girl's world, with happy faces, goofy photos, silly captions, and mementos from vacation spots. Readers will probably want to go out and start "cropping" their own scrapbook right away! (Ages 9 to 12) --Emilie Coulter --This text refers to the Hardcover edition.

Young scrapbook artists, in particular, will take delight in this book's unique artwork, which could come straight out of any middle-schooler's collection of memorabilia. The pictures (collages of photos, stickers, cut-outs and humorous captions) synchronize perfectly with Danziger's (the Amber Brown books) sparkling narrative. Both effectively capture some significant moments in Sarah Kate ("Skate") Tate's sixth-grade year. At first, the 11-year-old narrator has mixed feelings about middle school. She struggles to get her locker open and hates having to take industrial arts ("Industrial arts sounds like factories are turning art out and selling it in art shows in local hotels"). She grows apart from her best-friend-and-cousin, Susie, but Skate also makes some new acquaintances, like Huey, Duey and Louie, the "D.D.T." (the "Donald Duck Trio"), who ride her bus (and "quack"), and cute Garth Garrison, who shares her passion for art. These minor changes pale in comparison to the loss of Skate's favorite uncle, a world traveler, who dies suddenly. However, his adventurous spirit is kept alive in the form of his last wish, a unique legacy. As always, the author is right on target, encapsulating the fluctuating emotions, intensified passions, quirky humor and secret dreams of preadolescent girls. The book, climaxing with a family trip to Plymouth, Mass., advocates trying new activities and making new friends, pertinent encouragement for "tweens," who may be intimidated about starting middle school. Skate's sample scrapbook pages may well inspire those who already indulge and attract budding "scrappys" to the cause. Ages 8-12.

Copyright 2002 Cahners Business Information, Inc. --This text refers to the Hardcover edition.

Grade 4-8-Danziger offers up more of the contemporary family fiction that has made her a favorite with middle-grade readers for over two decades. Sarah Kate "Skate" Tate confronts the difficulties of starting sixth grade in a new school, Biddle Middle. Her cousin and best friend, Susie, seems to be changing before her eyes, even losing interest in the "Happy Scrappys," a group of friends who get together to work on their favorite hobby, scrapbooking. Luckily, Skate has an extremely supportive family to see her through, especially GUM, Great Uncle Mort, an eccentric and fun-loving globe-trotter who encourages his family to enjoy life and notice the world around them. When he dies unexpectedly, the family is devastated, but determined to fulfill his wish that they visit some of the places he loved. The novel ends with the family's trip to Plymouth Rock, and readers are then treated to Skate's scrapbook of the trip and her sixth-grade year. As always, Danziger's characters are likable, and the dialogue and situations ring true, but, aside from the scrapbook art, there isn't anything new or different here. That gimmick is fun, and will likely inspire some creative readers to start a new hobby.

Ronni Krasnow, New York Public Library.

Copyright 2002 Cahners Business Information, Inc. --This text refers to the Hardcover edition.

You gotta love Paula Danziger's dry delivery as she voices Mrs. Lipschitz, the teacher who oversees the student newspaper at Biddle Middle School, in this full-cast (16 voices) recording. Sixth-grader Skate Tate (convincingly voiced by teen actress Carmen Viviano-Crafts) is on staff as artist and travel correspondent, coping with unfaithful friends, budding crushes, and, worst of all, the untimely death of her beloved Great Uncle Mort. When the young voices in the cast choke up as they try to express their grief, you're guaranteed to get a lump in your own throat. Funny, real, and like, totally sixth grade, "United Tates" is a great place to visit. M.C. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.

Gr. 4-6. Eleven-year-old Sarah Kate "Skate" Tate is having difficulty adjusting to sixth grade at a new school in New Jersey. Still, she has her favorite activity, "scrapbooking," and her favorite person, Great Uncle Mort (GUM), who provides unconditional love and support. Then GUM unexpectedly dies, leaving Skate devastated at first, then comforted by a legacy of joyful memories. Danziger characteristically blends droll wit and insight in an engaging, compassionate story of adapting to change. GUM is a great character, likely to win kids' hearts, and Skate is a likable, sympathetic protagonist whose journal-like narrative entertains as it explores issues kids will easily relate to--school, friendship, and family relationships. Skate's enthusiastic scrapbooking tips, and the 32-page color insert (black-and-white in the galley) meant to be Skate's scrapbook (it's a photo melange of real people and places) may inspire kids' creativity. A balance of humor, heart, and art. Shelle Rosenfeld

Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Carmen Viviano-Crafts accurately captures the emotions of the adolescent protagonist. An unforgettable audiobook. -- Booklist, January 2003 --This text refers to the Audio Cassette edition.

本书并非一本描绘美国地理版图、列举其州份名称或地理边界的工具书。它更像是一场穿越时空的旅程,邀请读者一同探索一个国家如何从一系列独立的地域聚集体,逐渐演变成一个多元而复杂的政治实体。 我们将目光投向那些塑造了“美利坚合众国”这一概念的早期力量,关注那些驱动殖民地走向联合的共同愿望和冲突。想象一下,当最初的 settlers 带着不同的抱负、信仰和文化背景,踏上这片新大陆时,他们所面临的挑战、建立的社区以及彼此之间微妙的关系。本书将深入挖掘这些初期社会是如何在陌生的环境中扎根,如何发展出各自独特的身份,同时又孕育出对更广泛联合的朦胧憧憬。 我们不会简单地罗列州名,而是试图理解每个州(或早期殖民地)的形成过程。这包括了地理环境对其经济发展的影响,如沿海的港口城市如何成为贸易的枢纽,内陆的平原如何孕育出农业的繁荣,以及山区如何催生出矿业的活力。同时,我们也将审视那些塑造了地方政治格局的早期法律、习俗和社会结构。这些差异性的发展,为日后“统一”奠定了复杂的基础。 本书将重点描绘那些促使独立力量汇聚的关键时刻和思想潮流。这并非一次简单的政治宣言的堆砌,而是对那些推动人们超越地域界限,思考共同命运的深层动力的探寻。我们会审视启蒙运动的思想如何传播,自由、平等、自治的理念如何在不同殖民地生根发芽,以及这些理念如何成为联合的共同语言。同时,我们也无法忽视那些迫使不同地域站在一起的外部压力,以及它们如何激发了危机感和互助的决心。 “United Tates Of America” 的表述,或许暗示着一种更深层次的联合,一种超越简单地理合并的意义。因此,本书将不仅仅局限于政治和地理的层面,更会深入探讨文化、经济和社会层面的融合与张力。我们将看到,不同族裔、不同背景的人们如何在这片土地上互动,他们的交流、冲突、融合,如何逐渐编织出这个国家独特的社会肌理。经济上的相互依存,例如南北方在特定商品上的互补,以及工业化浪潮对各地社会结构的影响,也将是本书探讨的重要部分。 本书还会审视那些在联合过程中扮演关键角色的个体和群体。他们可能是那些提出新思想的哲学家,那些在谈判桌上斡旋的政治家,那些在战场上浴血奋战的士兵,也可能是那些默默无闻的普通民众,他们的日常劳动和生活,构成了国家发展的基石。我们将尝试理解他们的动机、他们的挣扎,以及他们对“国家”这一概念的理解是如何随着时间推移而演变的。 “Tates” 的概念,也可能暗示着一种不断形成、不断调整的状态。本书不会将美国的形成视为一个已经完成或固定的过程,而是将其描绘成一个持续演进的动态系统。我们会看到,每一次联合的尝试都伴随着挑战和妥协,每一次对国家认同的重塑都伴随着内部的辩论和斗争。从邦联到联邦,从早期的经济壁垒到后来的全国性市场,每一个阶段都充满了变革的张力和调整的智慧。 总而言之,本书旨在揭示“美利坚合众国”这一名称背后所蕴含的丰富历史叙事。它不是关于地图上的线条,而是关于那些连接这些线条的力量;不是关于行政区划的列表,而是关于构成这些区划的社会、经济和文化景观;不是关于一个静态的实体,而是关于一个持续被塑造、被定义、被追求的“联合”。通过对早期历史的深入剖析,我们可以更好地理解,是什么让这些分散的力量凝聚在一起,又是如何在持续的挑战中,努力实现一个更加紧密的“合众”。

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这本书的叙事节奏处理得极其巧妙,它不像那种教科书式的流水账,而是充满了张力与戏剧性。作者似乎深谙如何在高密度的信息输入中,穿插那些足以让人屏息凝神的叙事高潮点。我记得有一个关于早期工业化进程的章节,原本以为会是枯燥的数据堆砌,结果作者笔锋一转,切入了一个普通工人的家庭故事,那种从宏大叙事突然坠入个体命运的冲击力,让人瞬间红了眼眶。这种叙事上的“呼吸感”非常重要,它让读者在紧绷的思考之后,能有一个情感的出口进行缓冲,而不是被无休止的论述压垮。不同主题间的过渡衔接处理得自然而然,仿佛是河流汇入大海,水流的方向和速度变化都遵循着内在的逻辑,你几乎察觉不到明显的转折点,但一回过神来,视角已经完全转换到了另一个时空或议题之上。这不仅仅是写作技巧,更是对读者心流的精准把控。

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如果从学术严谨性的角度来审视,这本书的参考文献和资料引用可以说达到了惊人的深度。我特意去查证了其中几个相对冷僻的事件细节,发现作者引用的原始文献出处标注得非常精确,甚至连手稿版本和数字化存档的链接都有提及。这表明作者投入了大量的时间和精力进行了一次近乎“考古式”的研究。它不是那种基于二手资料的泛泛而谈,而是真正深入到了历史的第一现场。更难能可贵的是,作者在处理这些复杂、多源的资料时,并没有让论证过程显得晦涩难懂,他懂得如何提炼出核心的论点,并将复杂的逻辑链条用清晰易懂的语言串联起来。这种对事实的尊重和对分析深度的追求,使得这本书的论点极具说服力,让人在阅读完毕后,对所探讨的主题建立起一个坚实可靠的认知框架,而不是停留在浮光掠影的认知层面。

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这本书的装帧设计着实让人眼前一亮,封面那种粗粝的质感,带着一种复古的印刷油墨味道,让人仿佛能触摸到历史的纹理。内页的纸张选择也相当考究,微微泛黄,墨色浓郁而不晕染,捧在手里有一种沉甸甸的、值得细品的重量感。光是翻阅这本书的物理形态,就已经是一种享受了。作者在排版上的用心也可见一斑,那些穿插在正文中的一些老照片、手绘插图,清晰度极高,每一张都像是精心挑选的文物,配合着恰到好处的留白,使得阅读体验非常舒适,眼睛不容易疲劳。我特别喜欢它在章节标题上的处理,字体风格的细微变化,似乎也在暗示着接下来探讨主题的时代基调或情感色彩。这本书的实体本身,就已经超越了普通阅读材料的范畴,更像是一件值得收藏的艺术品。从这个角度来说,它无疑是成功的,光是放在书架上,就足以彰显主人不俗的品味和对知识载体的尊重。

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我发现这本书最让我震撼的一点,是它提供了一种近乎悖论的视角——即在探讨一个庞大集合体的过程中,作者始终没有忘记个体声音的价值。它没有陷入那种将群体浪漫化或妖魔化的窠臼,而是始终保持着一种审慎的、拒绝简单标签化的态度。例如,在讨论某些重大社会变革时,作者会并置截然相反的两种民间叙事,并对它们为何同时存在、并驾驭了不同的群体心理进行了深入的探讨。这种处理方式体现了一种高贵的智识谦逊,即承认历史真相的复杂性,拒绝提供单一、廉价的“答案”。它鼓励读者进行批判性思考,去质疑那些被过度简化的叙事,去体察在任何历史洪流之下,总有无数双被忽略的眼睛和无数条被压抑的生命轨迹。这本书真正做到了,让我们在仰望星空的同时,也关注脚下的每一粒尘埃。

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这本书的语言风格展现出一种非常独特的“双重人格”。在描述宏观的政治博弈和经济变迁时,文字冷静、精准,充满了学院派的克制与力量,仿佛是冷静的显微镜在观察社会肌理。然而,一旦涉及到对特定历史人物的肖像描摹,笔锋立刻变得细腻而富有洞察力。那些对人物内心挣扎、动机转变的剖析,简直是神来之笔,让你感觉自己不是在读历史,而是在读一部精彩的心理小说。作者似乎能够轻易地在“客观记录者”和“情感诠释者”之间无缝切换。这种风格的交错运用,极大地丰富了阅读体验,避免了单一语调带来的疲劳感,让原本可能严肃至极的主题变得鲜活、可亲近,仿佛那些遥远的历史人物也拥有了我们能理解的复杂人性。

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