The novel is set in the distant future as a group of space travellers, marooned in an inhospitable planetary system, attempt to terraform a moon and create a sufficient civilisation on it to refuel their ship so they can continue to their original destination.
[Plot introduction]:
A couple of centuries from the present, artificial intelligences and nanotechnology are in widespread use in the Solar System and in some cases have caused disasters. Some people do not trust these technologies and plan a simpler life in a distant planetary system, where they plan to terraform a planet called Ymir. Once Ymir is habitable, they will abandon use of all advanced technology. Three sleeper ships leave the Solar System bound for Ymir, using suspended animation to keep the crew and settlers alive during the sub light-speed journey. While in transit, all communication with the Solar System ends; by implication, human civilisation has fallen. The lead ship, John Glenn, is crippled by a design flaw en route, and uses all its antimatter fuel to reach the nearest star system, Apollo. It warns the other two ships, which can correct the flaw, but there is no word from them about whether they reach Ymir.
The John Glenn creates a substantial moon around the gas giant Harlequin by colliding several smaller moons together, and give it an atmosphere, seas, and the beginnings of an ecosystem. This takes 60,000 years, with almost all the passengers of the ship in hibernation during the entire time. The person in charge of creating and terraforming the new moon, Selene, is Gabriel.
Apart from a brief prologue, the novel begins as the second generation of people born on Selene approach adulthood.
[Plot summary]:
Gabriel is teaching a group of moon-born teenagers about agriculture. Rachel is one of these; she passes her exams and is selected by Gabriel to become a leader of the moon-born. Andrew is another; he fails his exams because he plays a practical joke on Rachel. Gabriel takes Rachel to the John Glenn. As the first moon-born to visit the ship, she arouses hostility from some of the leaders there. She learns that there are three classes amongst the space travelers: five are High Council, who rule until Ymir is reached; some dozens are Council, including Gabriel, and have extended privileges; and the remaining "Earth-born" are colonists, many of them not having been unfrozen since leaving Earth and with few rights. She also learns to use the vast repository of knowledge in the ship's library, and makes contact with the AI "Astronaut" who is kept severely restricted because the High Council doesn't trust high technology. Rachel comes to realise that when the moon-born have helped restock the ship with antimatter the John Glenn will continue on to Ymir without them, leaving them on a moon that can only sustain life for a century or two.
Gabriel decides there is no immediate need for him and Rachel to return to Selene, and that as a leader Rachel would be most useful with the longer lifespan that is conferred by the suspended animation process, and has himself and Rachel frozen for a year. Problems with radiation flares intervene, and without Gabriel to stand up for her, they are left frozen for twenty years. Rachel returns to Selene to find her best friend killed in an accident, her boyfriend married and with children almost her own age, and her remaining friends more than twice as old as she is. She also realizes that the moon-born are being treated as slaves, with Earth-born as overseers. The moon-born must develop the technological infrastructure to refine antimatter, but there are major risks involved in the refining which could destroy the population of Selene.
Rachel becomes a teacher of the next generation of moon-born. She teaches them what she is supposed to, but she also includes concepts from Earth history that she learns from the library and Astronaut - concepts such as democracy and passive resistance. She has a few friends among Council, and Astronaut is able to conceal her communications with them from other Council and High Council. Andrew (a childhood enemy) plays a more active role in stirring up rebellion, but the moon-born have no power to change their role. The Council notices the passive resistance and their members begin carrying weapons. Some years later, one of the ship's boats crash lands on Selene and is abandoned there. It has sufficient electronics to house an AI, and Rachel's Council friends make a copy of Astronaut there, Vassal, unknown to High Council.
Ten years after Rachel was unfrozen, an accident leads to a Council member shooting one of the moon-born. Andrew leads a revolt and takes a Council member hostage. The rebellion is halted by a flare which requires everyone to shelter together, and by Rachel's heroic intervention. In the wake of the rebellion, a new understanding is reached between the moon-born and the High Council. They will work more as equals, and the refinement of the antimatter will take place at a safe distance from Selene. The travellers will leave more technology behind when they leave (including the copy of Astronaut) so Selene can survive. This is at a cost of delaying their departure significantly. Gabriel decides he will remain on Selene when John Glenn departs.
A final, short, section of the novel sums up the next two hundred years, with the antimatter refined, the flare problem on Selene permanently dealt with, and John Glenn preparing for departure. Periods of suspended animation keep Rachel and Gabriel young.
There is room for a sequel, dealing with either or both of the futures of John Glenn and Ymir, and of Selene.
LARRY NIVEN is the multiple Hugo and Nebula Award-winning author of the Ringworld series, along with many other science fiction masterpieces. He lives in Chatsworth, California. JERRY POURNELLE is an essayist, journalist, and science fiction author. He has advanced degrees in psychology, statistics, engineering, and political science. Together Niven and Pournelle are the authors of many New York Times bestsellers including Inferno, The Mote in God's Eye, Footfall, and Lucifer's Hammer.
Brenda Cooper has published fiction in Analog, Asimov's, Strange Horizons, Nature, and in multiple anthologies. She is the author of the Endeavor award winner for 2008: THE SILVER SHIP AND THE SEA, and of the sequels, READING THE WIND and WINGS of CREATION. Her novel, EDGE OF DARK, was nominated for the Phillip K. Dick award. Brenda co-authored Building Harlequin's Moon with Larry Niven. She also writes nonfiction and poetry.
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这本小说,初读时我着实被它的叙事节奏所吸引。作者仿佛是一位技艺高超的织工,用着看似松散却又暗藏玄机的丝线,勾勒出一个个鲜活的人物。故事的开篇并非那种直截了当的冲突堆砌,而是以一种近乎散文诗的笔调,缓慢地渗透进读者的感官。我尤其欣赏作者对环境氛围的细腻捕捉,字里行间弥漫着一种旧世界特有的、略带潮湿和霉味的质感,让你仿佛能真切地闻到空气中的味道,听到遥远钟声的回响。主角的内心挣扎被描绘得极其真实,他并非那种脸谱化的英雄,而是充满了人性的弱点和矛盾,他的每一个决定都像是在走钢丝,让人屏息凝神,生怕他下一刻就会坠落。这种对“不完美”的深刻挖掘,使得角色拥有了令人信服的深度。情节的推进带着一种克制的优雅,关键信息的透露如同艺术品展览中缓缓拉开的帷幕,每一次揭示都恰到好处地吊足了胃口,让人迫不及待想知道幕后的真相究竟是什么。那种在日常琐碎中酝酿出的巨大张力,才是真正的高明之处。
评分读完全书后,我脑海中浮现的不是某个特定的宏大事件,而是一系列极其鲜明、如同老式胶片照片般的场景片段。作者的语言风格,用‘华丽’来形容或许有些轻浮,但它确实拥有着一种令人沉醉的、近乎巴洛克式的繁复美感。句子结构常常出人意料地迂回,但最终总能精准地抵达情感的核心。我特别欣赏他对非人类元素的处理方式,那些被赋予了某种隐秘生命力的物件,它们的存在感极强,仿佛拥有自己的呼吸和历史。我曾停下来,反复咀嚼其中几段关于“记忆的重量”的描写,那种将抽象概念具象化的能力,简直是天才级的。这本书的魅力不在于其提供了多少明确的答案,而在于它提出了多少引人深思的问题。它强迫你跳出原有的思维定势,去审视那些被我们习以为常的规则和边界。在阅读过程中,我感觉自己像是一个身处迷宫的探险者,虽然偶尔会迷失方向,但每一次转角都带来了全新的、令人震撼的景观。
评分坦白说,这本书的阅读门槛是稍高的,它不像市面上那些快餐式的读物,翻开就能一目了然。它要求读者投入时间去解码那些精心编织的隐喻和象征符号。我最初有些不适应作者那种跳跃性的时间线处理,前一秒还在宏大的历史背景下,后一秒就聚焦于一片落叶的纹理。但正是这种看似不连贯的叙事,最终拼凑出了一个异常完整且多维度的世界观。它关于“权力结构”和“个体反抗”的探讨,绝对是教科书级别的深度。作者并未将道德判断强加于读者,而是将所有的灰色地带敞开,让你自己去权衡利弊。我尤其喜欢其中几组对立元素的设置——光明与阴影、秩序与混沌——它们之间的张力被维持得恰到好处,没有让任何一方显得过于单薄。这本书更像是一次对人类心智深处的精密探查,它让你在合上封面前,不得不进行一场严肃的自我对话。
评分从文学技法的角度来看,这本书的结构设计堪称鬼斧神工。它在叙事层面玩弄着高超的“不可靠叙述者”技巧,你永远无法完全相信你所读到的一切,这使得每一次信息释放都充满了双重甚至多重的解读可能性。书中对于“时间”这一概念的颠覆性处理,尤其值得称赞。时间在这里不再是线性的河流,而更像是一张巨大的、可以被折叠和重塑的织锦。我花了相当长的时间去理清某些角色的真实身份和动机,这种智力上的挑战,对于那些厌倦了线性故事的读者来说,无疑是一种极大的享受。更重要的是,作者在极其紧张的故事情节中,依然保持了一种近乎哲学的疏离感,使得故事的悲剧性拥有了一种超脱的、令人敬畏的美感。这是一部需要被反复阅读和细细品味的著作,初读只得其形,再读方能得其神。
评分这本书最让我感到震撼的地方,在于它对“失落”主题的探讨。它不是那种煽情式的哭哭啼啼,而是一种沉静的、渗透骨髓的宿命感。你读着,就能感受到那个世界在缓慢而不可逆转地崩塌,那种失落感并非来自于突发的灾难,而是源于日常点滴的腐蚀和遗忘。作者笔下的角色,他们的对话充满了潜台词,许多重要的信息都隐藏在那些未说出口的停顿和犹豫之间。我感觉自己仿佛在阅读一份高度浓缩的、关于人类文明兴衰的寓言。书中反复出现的一些象征物,虽然我在书中并未找到明确的解释,但它们在情感层面上却形成了强大的共振,留下了一种挥之不去的惆怅。总而言之,这是一部需要用全部心神去投入的阅读体验,它不仅讲述了一个故事,更构建了一个值得我们反复探寻的、复杂而迷人的精神疆域。
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