Professor François Penz is the Head of the Department of Architecture at the University of Cambridge, a former Director of The Martin Centre for Architectural and Urban Studies and a Fellow of Darwin College. He directs the Digital Studio for Research in Design, Visualization and Communication. His current AHRC research project, ‘A cinematic musée imaginaire of spatial cultural differences’ (2017-2020), expands many of the ideas developed in this book to other cultures (China and Japan in particular), construing films of everyday life as a revelator of deep spatial cultural differences.
Cinematic Aided Design: An Everyday Life Approach to Architecture provides architects, planners, designer practitioners, politicians and decision makers with a new awareness of the practice of everyday life through the medium of film. This novel approach will also appeal to film scholars and film practitioners with an interest in spatial and architectural issues, as well as researchers from cultural studies in the field of everyday life.
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现今好事者一直在强调建筑和电影的关联性;这本书拥抱了这俩学科里所能拥抱的众多;从robinevans到koolhass;从akerman到kubrik;当然了中间还有henrilevberi做中和。很好的入门读物;行文的方式也挺有趣。
评分现今好事者一直在强调建筑和电影的关联性;这本书拥抱了这俩学科里所能拥抱的众多;从robinevans到koolhass;从akerman到kubrik;当然了中间还有henrilevberi做中和。很好的入门读物;行文的方式也挺有趣。
评分现今好事者一直在强调建筑和电影的关联性;这本书拥抱了这俩学科里所能拥抱的众多;从robinevans到koolhass;从akerman到kubrik;当然了中间还有henrilevberi做中和。很好的入门读物;行文的方式也挺有趣。
评分‘films that leave plenty of space to space’ /比较基础但系统地讨论了电影(&)建筑,涉及的影片从《战舰波将金号》到《帕特森》... 整本书紧绕Lefebvre展开,但忽略了SI (虽然全书以situation和atmosphere作结)
评分现今好事者一直在强调建筑和电影的关联性;这本书拥抱了这俩学科里所能拥抱的众多;从robinevans到koolhass;从akerman到kubrik;当然了中间还有henrilevberi做中和。很好的入门读物;行文的方式也挺有趣。
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