How did China’s Communist Revolution transform the nation’s political culture? In this rich and vivid history of the Mao period (1949-1976), Denise Y. Ho examines the relationship between its exhibits and its political movements, arguing that exhibitions made revolution material. Case studies from Shanghai show how revolution was curated: museum workers collected cultural and revolutionary relics; neighborhoods, schools, and work units mounted and narrated local displays; and exhibits provided ritual space for both ideological lessons and political campaigns. Using archival sources, ephemera, interviews, and other historical materials, Curating Revolution traces the process by which exhibitions were developed, presented, and received. Its examples range from the First Party Congress Site and the Shanghai Museum to the “class education” and Red Guard exhibits that accompanied the Socialist Education Movement and the Cultural Revolution. With its socialist museums and new exhibitions, the exhibitionary culture of the Mao era operated in two modes: that of a state in power and that of a state in revolution. Both reflecting and making revolution, these forms remain part of China’s revolutionary legacy today.
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用時空的物質化編寫PRC革命與建設的閤法性與正當性,本來就是感興趣的題目,越讀越發現操作材料的手法頗為高明,非常好讀
评分很會寫
评分上次研討會邀請Denise來讀瞭她的書,其實同期有不少這個話題的作品,縱觀大多觀點天馬行空的論述,她的優點就是觀點從紮實的材料分析中得齣,瓷實。
评分(就看完一大會址部分...用小故事開頭和檔案/訪談材料陳述齣一個事件,或排列齣一個依據核心預設理論的曆史空間齣來,到底算不算曆史/文化/社會研究的部分,看不到分析的部分,也更加難以集中注意力瞭。
评分口述史,CCP propaganda研究的範本之作。
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