'Twelve little machines to make death and failure, ' Redonnet calls the twelve characters -- or the twelve stories -- we find in this book, and it's true: every tale we find here tells the same story, albeit in twelve different forms, the story of a kind of erasure, of disappearance and undoing, owing to the characters' fatal need to make of themselves a copy of another. -- From the translator's introduction
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The danger of imitation, of absolute identification with the other. Beautiful language: sadly funny, deliberately vague and placeless, oddly elegant, startlingly unadorned, starkly eccentric; reminds me you can tell a powerful story with such simple language
评分The danger of imitation, of absolute identification with the other. Beautiful language: sadly funny, deliberately vague and placeless, oddly elegant, startlingly unadorned, starkly eccentric; reminds me you can tell a powerful story with such simple language
评分The danger of imitation, of absolute identification with the other. Beautiful language: sadly funny, deliberately vague and placeless, oddly elegant, startlingly unadorned, starkly eccentric; reminds me you can tell a powerful story with such simple language
评分The danger of imitation, of absolute identification with the other. Beautiful language: sadly funny, deliberately vague and placeless, oddly elegant, startlingly unadorned, starkly eccentric; reminds me you can tell a powerful story with such simple language
评分The best way to deal with your family heritage is to take it and transform it into something your own.
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