The Poetics of Chinese Cinema

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出版者:Palgrave Macmillan
作者:Gary Bettinson
出品人:
頁數:227
译者:
出版時間:2016-10-28
價格:USD 99.99
裝幀:Hardcover
isbn號碼:9781137566089
叢書系列:
圖書標籤:
  • 電影研究
  • 海外中國研究
  • 香港
  • 英文
  • 電影理論
  • 電影
  • 華語電影
  • 中國
  • 中國電影
  • 電影詩學
  • 電影理論
  • 文化研究
  • 亞洲電影
  • 電影分析
  • 視覺文化
  • 藝術史
  • 文學改編
  • 電影美學
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具體描述

This book examines the aesthetic qualities of particular Chinese-language films and the rich artistic traditions from which they spring. It brings together leading experts in the field, and encompasses detailed and wide-ranging case studies of films such as Hero, House of Flying Daggers, Spring in a Small Town, 24 City, and The Grandmaster, and filmmakers including Hou Hsiao-hsien, Jia Zhangke, Chen Kaige, Fei Mu, Zhang Yimou, Johnnie To, and Wong Kar-wai. By illuminating the form and style of Chinese films from across cinema history, The Poetics of Chinese Cinema testifies to the artistic value and uniqueness of Chinese-language filmmaking.

著者簡介

Gary Bettinson is Senior Lecturer in Film Studies at Lancaster University, UK and author of The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press), and chief editor of Asian Cinema journal.

James Udden is Associate Professor of Cinema and Media Studies at Gettysburg College, USA. He has published extensively on Asian cinema including the book-length monograph, No Man an Island: The Cinema of Hou Hsiao-hsien (Hong Kong University Press). His current book project concerns the improbable, parallel rise of Taiwan and Iran in the international festival world starting in the mid-1980s.

圖書目錄

Introduction: The Poetics of Chinese Cinema
Bettinson, Gary
Pages 1-14
Five Lessons from Stealth Poetics
Bordwell, David
Pages 15-28
Red Poetics: The Films of the Chinese Cultural Revolution Revolutionary Model Operas
Berry, Chris
Pages 29-49
Renewal of Song Dynasty Landscape Painting Aesthetics Combined with a Contemplative Modernism in the Early Work of Chen Kaige
Rist, Peter
Pages 51-77
Poetics of Two Springs: Fei Mu versus Tian Zhuangzhuang
Udden, James
Pages 79-95
Remaking Ozu: Hou Hsiao-hsien’s
Yeh, Emilie Yueh-yu
Pages 97-118
Hong Kong Puzzle Films: The Persistence of Tradition
Bettinson, Gary
Pages 119-145
Can Poetics Break Bricks?
Lim, Song Hwee
Pages 147-165
Poetics of Parapraxis and Reeducation: The Hong Kong Cantonese Cinema in the 1950s
Fan, Victor
Pages 167-183
China as Documentary: Some Basic Questions (Inspired by Michelangelo Antonioni and Jia Zhangke)
Chow, Rey
Pages 185-202
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