Jonathan Franzen is the author of Freedom, selected for Oprah's Book Club, The Twenty-Seventh City and Strong Motion, and two works of nonfiction, How to Be Alone and The Discomfort Zone, all published by Farrar, Straus and Giroux. In 1996, he was named one of Granta's Best of Young American Novelists. The Corrections won the National Book Award and was a finalist for the Pulitzer and Pen/Faulkner. He lives in New York City and Santa Cruz, California.
Winner of the National Book Award for FictionNominated for the National Book Critics Circle AwardAn American Library Association Notable BookJonathan Franzen's third novel, "The Corrections," is a great work of art and a grandly entertaining overture to our new century: a bold, comic, tragic, deeply moving family drama that stretches from the Midwest at mid-century to Wall Street and Eastern Europe in the age of greed and globalism. Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With "The Corrections," Franzen emerges as one of our premier interpreters of American society and the American soul.Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it's the medication that Alfred takes for his Parkinson's disease, or maybe it's his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn't seem to understand a word Enid says.Trouble is also brewing in the lives of Enid's children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D------ College and moved to New York City, where he seems to be pursuing a"transgressive" lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man--or so Gary hints.Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband's growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.
BOMB杂志于2001年秋天专访乔纳森•弗兰岑,原载于INK 2012年11月第九卷第三期,译者陈佳琳。 访谈人:唐纳德•安特里姆(1958年出生于美国佛罗里达州,作品有Elect Mr. Robinson for a Better World, The HundredBrothers, The Verificationist等,曾入围国际笔会/福克纳...
评分这是一本值得仔细阅读的好书,对照过原文,发现翻译的特别棒!我们习惯用一种标准来确定幸福,人为设定一条及格线,线上的是好命,线下的则是不幸。我们所面对的压力与痛苦、狭隘与悲观,往往是由这根及格线造成的,却忘了其实每一种幸福都有缺陷,而每一种缺憾也自有它的幸福...
评分这是一本据说在美国影响颇大的一本小说,在很多电影电视中都能看到它是主人公的最爱。但整整一年中,我把这本书拿起又放下,阅读就是无法持续。认真反思,总的一条,翻译太不好,生硬不说,还语义不清,根本不知所云!书的版面设计也很差,一眼看过去,文字稀稀拉拉就像没有几...
评分弗兰岑偏偏就和些“海獭式作家”站在一个队伍,写那种大视野、全景式的家族小说。他热爱包罗万象的生活题材,描写当下人们的生活方式。他的人物既不是珠宝大盗,也不是人类天才,他们不过是平凡得不能再平凡的芸芸众生——无法解决自我的困难,活在当下,而非未来。 乔纳森·...
Good American story, but not as good as “the freedom”. Bit too labored at times.
评分Good American story, but not as good as “the freedom”. Bit too labored at times.
评分Good American story, but not as good as “the freedom”. Bit too labored at times.
评分Good American story, but not as good as “the freedom”. Bit too labored at times.
评分Good American story, but not as good as “the freedom”. Bit too labored at times.
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