In 1839, rumors of extraordinary yet baffling stone ruins buried within the unmapped jungles of Central America reached two of the world’s most intrepid travelers. Seized by the reports, American diplomat John Lloyd Stephens and British artist Frederick Catherwood—both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome—sailed together out of New York Harbor on an expedition into the forbidding rainforests of present-day Honduras, Guatemala, and Mexico. What they found would upend the West’s understanding of human history.
In the tradition of Lost City of Z and In the Kingdom of Ice, former San Francisco Chronicle journalist and Pulitzer Prize finalist William Carlsen reveals the remarkable story of the discovery of the ancient Maya. Enduring disease, war, and the torments of nature and terrain, Stephens and Catherwood meticulously uncovered and documented the remains of an astonishing civilization that had flourished in the Americas at the same time as classic Greece and Rome—and had been its rival in art, architecture, and power. Their masterful book about the experience, written by Stephens and illustrated by Catherwood, became a sensation, hailed by Edgar Allan Poe as “perhaps the most interesting book of travel ever published” and recognized today as the birth of American archaeology. Most important, Stephens and Catherwood were the first to grasp the significance of the Maya remains, understanding that their antiquity and sophistication overturned the West’s assumptions about the development of civilization.
By the time of the flowering of classical Greece (400 b.c.), the Maya were already constructing pyramids and temples around central plazas. Within a few hundred years the structures took on a monumental scale that required millions of man-hours of labor, and technical and organizational expertise. Over the next millennium, dozens of city-states evolved, each governed by powerful lords, some with populations larger than any city in Europe at the time, and connected by road-like causeways of crushed stone. The Maya developed a cohesive, unified cosmology, an array of common gods, a creation story, and a shared artistic and architectural vision. They created stucco and stone monuments and bas reliefs, sculpting figures and hieroglyphs with refined artistic skill. At their peak, an estimated ten million people occupied the Maya’s heartland on the Yucatan Peninsula, a region where only half a million now live. And yet by the time the Spanish reached the “New World,” the Maya had all but disappeared; they would remain a mystery for the next three hundred years.
Today, the tables are turned: the Maya are justly famous, if sometimes misunderstood, while Stephens and Catherwood have been nearly forgotten. Based on Carlsen’s rigorous research and his own 2,500-mile journey throughout the Yucatan and Central America, Jungle of Stone is equally a thrilling adventure narrative and a revelatory work of history that corrects our understanding of Stephens, Catherwood, and the Maya themselves.
Just out of the army in the late 1960s, I entered the University of California, Berkeley, on the G.I. Bill. I knew I would still have to work myself through school (I majored in of all things Rhetoric—very practical). My first choice in the university’s 'work-study' program was a job in one of the university's many libraries. While in the army I had spent most of my free time in post libraries, always with my head in a book. Now, I found myself working as a library page in the university's Bancroft Library, a research repository for Western history collections. While there I was asked to retrieve handwritten correspondence from Ernest Hemingway and Mark Twain, two authors I revered, and to my disbelief I held in my hands many of their letters as I brought them up from the stacks to researchers.
Decades after my first encounter with the Bancroft Library, I found myself there once again. My wife and I lived for many years part time in Guatemala, where I had fallen in love with a nineteenth-century writer named John L. Stephens. I had traveled to several of the astonishing stone ruins of the ancient Maya scattered in the jungles of Guatemala, Honduras and Mexico. But I became ever more enthralled with that civilization through the eyes of Stephens, who in the 1840s published riveting books about his adventures with an artist named Frederick Catherwood and their discovery of the lost civilization of the Maya. I decided to follow their 2,500-mile journey through the jungle in my beat-up 1985 Toyota Corolla, a car without air conditioning or radio and the closest thing I could find to the mules the two men had used during their expeditions.
On returning to my home in San Francisco, I discovered to my surprise that Stephens's letters and personal papers were located across the Bay at the Bancroft Library. There, spellbound by his personal writings and letters that revealed his deep friendship with Catherwood, who had so brilliantly illustrated their travels of exploration and adventure together, I began my own journey that resulted in 'Jungle of Stone,' a work aimed at telling not only the story of their extraordinary lives but the discoveries they made that changed the world's understanding of the history of the Americas before Columbus.
评分
评分
评分
评分
这部作品的叙事结构设计得非常精巧,它不是线性的“发现之旅”,而更像是一张由过去和现在交织而成的网。作者仿佛是一位技艺高超的织工,将两位探险家的现代追踪、历史文献的考证、以及对玛雅文化片段的重建工作,编织成一个紧密且充满悬念的故事。我个人认为,书中对于“失落”一词的探讨尤其深刻。什么才算是真正的失落?是文明的物理遗迹被掩埋,还是其内在的知识体系和生活方式被遗忘?书中通过两位主人公的眼睛,不断地叩问这些问题。每一次雨林中艰难的跋涉,都伴随着对古老智慧的重新发现,这种双重探索的张力,使得阅读过程充满了张力。而且,作者在引用原始资料时,保持了一种恰到好处的平衡,既保证了历史的真实性,又避免了学术著作的枯燥,确保了普通读者也能轻松地跟随探险的脚步。它成功地做到了让历史“活”起来,不再是博物馆里静止的文物,而是带着呼吸和故事的鲜活存在。
评分读完这本书,我最大的感受就是一种对人类求知欲的深刻赞叹。两位主角为了追寻一个可能只存在于传说中的文明,付出了常人难以想象的代价——不仅仅是物质上的投入,更多的是精神上的煎熬和对传统观念的挑战。作者在构建叙事时,非常巧妙地穿插了对当时时代背景的剖析,让我们明白在那个特定历史时期,提出“失落文明”的概念是多么大胆和充满争议。书中的笔触在描绘丛林探险的艰苦卓绝与解读古代铭文的细致入微之间,切换得游刃有余。我特别喜欢书中对考古发现过程的详尽描述,那种如同福尔摩斯解谜般的逻辑推演,让人在惊叹于古人智慧的同时,也对现代科学研究方法的严谨性有了更深的理解。这本书的好处在于,它没有试图将这段历史简单化,反而坦诚地展示了探险过程中存在的伦理困境和文化冲突,这使得整个故事的厚度和复杂性大大增加,让读者在享受探险乐趣的同时,也能进行更深层次的思考。它不是一本轻快的读物,需要你投入时间去细品其中的层次感,但一旦你沉浸其中,就会发现这种投入是绝对值得的。
评分这本书的魅力,很大程度上来源于它拒绝成为一本单向度的“英雄传记”。它非常诚实地记录了探险过程中所遇到的所有障碍,包括内部的分歧、外部的误解,甚至是对自身判断力的怀疑。作者的叙事视角非常成熟,他没有美化两位主角的形象,反而让他们在追求梦想的路上显得更加立体和可信。我喜欢那种不断“拨开迷雾”的过程,书中对玛雅文明的知识普及部分,写得既有条理又引人入胜,它不是生硬的知识点灌输,而是随着探险的进展自然而然地展开。每一次对新发现的解读,都像是给历史拼图添上了一块关键碎片,让人对接下来的故事发展充满期待。整体来看,这本书提供了一种沉浸式的体验,它不仅仅讲述了一个关于失落文明的故事,更深刻地探讨了人类在面对未知世界时,那种既恐惧又着迷的复杂心境。它让我想起那些伟大的探险文学作品,但又有着自己独特的、扎根于严肃考证的现代魅力。
评分这本关于两位探险家不凡旅程和他们发现失落玛雅文明的真实故事的书,读起来简直就像是坐上了一趟时光机,直接把我拉回了那个充满神秘和未知的雨林深处。作者的叙事功力实在了得,他不仅仅是简单地罗列事实和时间线,而是将那种身处险境、面对未知文明时的那种心跳加速的感觉,通过文字生动地展现了出来。我尤其欣赏书中对于细节的描绘,那种热带雨林特有的潮湿、蚊虫的叮咬,以及面对宏伟的古代遗迹时,那种由衷的敬畏感,都让我仿佛能够亲身感受到他们的每一步艰辛。更让我震撼的是,书中对两位主人公性格侧面的刻画。他们并非完美的英雄,而是有血有肉的个体,他们的坚持、他们的怀疑、他们对知识的渴望,这些都让整个探险故事更加引人入胜,不再是枯燥的历史记录,而是一部充满人性的史诗。每一次他们找到新的线索,或者被自然环境击退时,我的情绪也跟着跌宕起伏,我甚至会忍不住在深夜里翻页,想知道他们接下来会遇到怎样的挑战。这本书的阅读体验,远超出了我对于传统历史探险题材的预期,它成功地将学术研究的严谨性与扣人心弦的冒险故事完美地融合在了一起,让一个沉睡已久的文明,在纸面上重新焕发了光彩。
评分要用简单的几句话概括这本书带给我的阅读体验,那便是“史诗般的宏大与个体命运的微观交织”。这本书最让我震撼的地方,在于它成功地描绘了人类意志力的边界。两位主人公为了最终的目标,所展现出的那种近乎偏执的信念,在面对疾病、物资匮乏乃至当地复杂的人际关系时,那种坚持不懈的精神力量,无疑是本书最核心的魅力之一。我欣赏作者在叙述中流露出的对自然的敬畏,丛林不仅是探险的背景,它本身就是一股强大的、考验人性的力量。书中对环境的描写极具画面感,让人感觉仿佛能闻到泥土和腐烂植被的气味。而当他们最终触及到那些宏伟的石砌建筑时,那种历史的重量感扑面而来,瞬间压倒了所有身体上的疲惫。这本书不仅仅是关于“发现”什么,更是关于“成为”什么——两位探险家是如何被这段非凡的旅程重塑和定义的。对于那些渴望阅读有深度、有温度、且节奏张弛有度的非虚构作品的读者来说,这本书绝对是不可多得的选择。
评分探险者死在路上,我们死在床上。
评分探险者死在路上,我们死在床上。
评分探险者死在路上,我们死在床上。
评分很好看!看完立刻去订了一本catherwood的玛雅绘画集!
评分很好看!看完立刻去订了一本catherwood的玛雅绘画集!
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有