Hideshi Hino (日野日齣誌 Hino Hideshi, born April 19, 1946) is a Japanese manga artist who specializes in horror stories. His comics include Hell Baby, Hino Horrors, and Panorama of Hell. He also wrote and directed two of the Guinea Pig horror movies which were based on his manga: Flower of Flesh and Blood, which he also starred in, and Mermaid in a Manhole.
—— goodreads.com
From one of Japan's most accomplished artists comes this new graphic novel, the unsettling saga of twin sisters born one dark and stormy night in Tokyo: one normal, and one a demon baby with a taste for blood - a Hell Baby. Tossed into a garbage dump, Hell Baby dies in the plastic bag but is brought back to life by an unworldly bolt of lightening. Hell Baby develops hard-earned hunting techniques to survive life among the wild animals who roam the garbage dump. After struggling along for seven years, she seeks revenge for her fate and returns to the city, where she applies her hunting skills for survival - this time against the good citizens of Tokyo.
—— goodreads.com
面对这个世界,我们更多着眼于表面看到的东西。看到的是灯火弥漫的高楼大厦,看不到是昏暗处肮脏的垃圾;看到丑陋不堪的外表,看不到内心纯真的善良。 单看表面,我们就应该将事或人将其定性吗。独立思考,对彼此都会有用的,不再那么浅薄。
評分面对这个世界,我们更多着眼于表面看到的东西。看到的是灯火弥漫的高楼大厦,看不到是昏暗处肮脏的垃圾;看到丑陋不堪的外表,看不到内心纯真的善良。 单看表面,我们就应该将事或人将其定性吗。独立思考,对彼此都会有用的,不再那么浅薄。
評分面对这个世界,我们更多着眼于表面看到的东西。看到的是灯火弥漫的高楼大厦,看不到是昏暗处肮脏的垃圾;看到丑陋不堪的外表,看不到内心纯真的善良。 单看表面,我们就应该将事或人将其定性吗。独立思考,对彼此都会有用的,不再那么浅薄。
評分面对这个世界,我们更多着眼于表面看到的东西。看到的是灯火弥漫的高楼大厦,看不到是昏暗处肮脏的垃圾;看到丑陋不堪的外表,看不到内心纯真的善良。 单看表面,我们就应该将事或人将其定性吗。独立思考,对彼此都会有用的,不再那么浅薄。
評分面对这个世界,我们更多着眼于表面看到的东西。看到的是灯火弥漫的高楼大厦,看不到是昏暗处肮脏的垃圾;看到丑陋不堪的外表,看不到内心纯真的善良。 单看表面,我们就应该将事或人将其定性吗。独立思考,对彼此都会有用的,不再那么浅薄。
日野日齣誌 地獄變/地獄少女
评分日野日齣誌 地獄變/地獄少女
评分特彆有日本小成本獨立電影的感覺!
评分日野日齣誌 地獄變/地獄少女
评分特彆有日本小成本獨立電影的感覺!
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有