From Publishers Weekly Four young children are orphaned in 1974, when a terrorist bomb explodes on the Milan-Rome express train, in this touching novel about how families cope with violence and loss. The explosion occurs just after the elder McWilliamses leave their kids briefly to get lunch in the cafe car, which is the part of the train that's blown to bits. Dazed and frightened, Charlotte, Oliver and infant Julia cling to Sam, who, at age seven, is the oldest of the siblings. An Italian family cares for them until they're picked up by their kind but conservative grandfather, who--with their agoraphobic grandmother--raises them in Grand Rapids, Mich. Though they love their new charges, the grandparents are distraught by the children's compulsive, secretive behavior, especially that of Sam, who, obsessed by his perceived responsibility to protect his family, becomes a loner with a bad reputation. After Sam is mistakenly blamed for the beating of a younger, handicapped boy, the family moves to Washington, D.C., where Sam shoplifts items to build a bomb shelter and is placed in a juvenile detention center. There, he conceives the idea for Plum & Jaggers, a comedy troupe eventually composed of his brother and sisters, whose bizarre scenarios transform with dark humor the tragedies of random violence and the ironies of modern life. An accomplished author of adult (The Visiting Physician) and children's (The Formerly Great Alexander Family) fiction, Shreve reveals the orphans' creativity and self-destructiveness with balanced honesty, evoking her familiar themes of distrust and haunting memories. Best at sketches detailing individual quirks of the McWilliamses as they grow up, Shreve focuses more intensely throughout on the most disturbed, unstable and unusual character of Sam and leaves the other three siblings a bit sketchier. But through Sam's dark ebullience, Shreve traces the complexity of the family, including the spirits of the dead parents, offering a compassionate portrait of a courageous, troubled and resilient foursome. Author tour. (June) Copyright 2000 Reed Business Information, Inc. From School Library Journal YA-Four youngsters are orphaned on a train to Rome when the dining car blows up, and readers follow their lives over the next 20 years. Their ability to develop as individuals is stunted by the death of their parents and their lives are haunted by them. Sam, the oldest, assumes the role of parent and guardian. He skips his own childhood as the other three remain childlike in their obedience to him. In order to cope with his responsibilities, he writes plays. Sam's writing frustrates the adult authorities because he does it instead of his schoolwork. However, the plays ultimately provide a means of supporting the siblings. They form a comedy troupe, first performing in local clubs and eventually having their own TV series about three children who gather around a table in each episode and wait for their parents to return. Sam calls it Plum & Jaggers, based on his parents' pet names for one another; it airs at midnight and has a cult following. The plot of this tender and terrifying book addresses the universal fear of every child-abandonment. The outside world for the McWilliams children is filled with scary things but Sam provides safety within their tightly knit family unit. In the end, the young people again ride the Espresso and continue on to Rome with the hope that this trip will free them at last from their prison of grief and allow them to get on with their lives.Sheila Barry, Chantilly Regional Library, VA Copyright 2000 Reed Business Information, Inc. See all Editorial Reviews
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坦率地说,这本书的结构设计得相当巧妙,它采用了一种碎片化的叙事方式,像打捞沉船的碎片一样,将故事的真相一点点拼凑起来。起初阅读时可能会略感吃力,因为信息不是线性的,你需要主动去构建时间线和人物关系网。但正是这种“主动参与”的过程,极大地增强了阅读的沉浸感和智力上的满足感。那些看似不连贯的章节,实则像精密齿轮一样相互咬合,最终指向一个宏大而令人唏嘘的整体图景。作者对细节的关注达到了近乎偏执的程度,无论是某一特定年代的物质文化细节,还是特定职业群体的行话俚语,都考据得非常扎实,这为整个故事提供了坚实的现实骨架。我尤其欣赏那些在叙事高潮处戛然而止的章节设计,那种突然的留白,让你不得不停下来,消化刚刚读到的信息,同时也为下一段的爆发积蓄能量。这种叙事节奏上的高低起伏,使得阅读体验如同经历了一场精心编排的交响乐,有舒缓的咏叹,更有激昂的合奏。
评分我必须承认,这本书挑战了我对传统小说套路的认知。它大胆地模糊了作者与读者的界限,似乎在暗示,故事的真正含义需要读者用自己的经验去“填补空白”。它提供的不是一个被清晰定义好的结局或道德判断,而是一系列关于选择、后果以及时间不可逆性的深刻命题。那些看似模糊不清的人物动机,实则反映了现实生活中我们自身的犹豫与矛盾。它更像是一面镜子,而不是一扇窗户,你看到的,很大程度上是你自己内心的投射。在阅读体验上,它要求读者保持一种高度的警觉和批判性思维,它拒绝被轻易地归类或总结。这种开放式的处理,虽然可能让一些寻求确定性的读者感到困惑,但对于我来说,却带来了一种久违的智力上的愉悦和精神上的自由。它不会告诉你答案,只会让你拥有提出更深刻问题的能力,这无疑是一部具有持久生命力的作品。
评分这部作品的魅力,我认为主要体现在它对“边缘性”主题的深度挖掘上。它没有选择讲述那些光鲜亮丽的主流故事,而是将镜头聚焦在了那些被社会系统无意间遗漏的角落和个体身上。角色的困境并非是简单的善恶对立,而是一种复杂的生存哲学在现实重压下的挣扎与妥协。我惊喜地发现,作者在处理复杂的道德灰色地带时展现出的那种克制与洞察力,远超许多同类题材的作品。每一次看似软弱的退让,背后都隐藏着对生存底线的艰难权衡。更值得称赞的是,作者在构建这个略显压抑的世界观时,依然保留了一丝难以磨灭的人性微光——那可能是一次不经意的善意,或是一个坚持到最后的信念。这种光芒,在深沉的背景映衬下,显得尤为珍贵和耀眼。读完整本书,我感受到的不仅仅是故事带来的震撼,更是一种对“何以为人”的重新定义和思考,它迫使你跳出既有的框架,用更宽广的视角去理解人性的多面性。
评分这本书的叙事节奏把握得简直是大师级的,它没有急于抛出所有的线索,而是像一个技艺精湛的魔术师,缓缓地揭开帷幕,每翻过一页,你都能感觉到情节的张力在悄然积累。作者对于人物心理的刻画细腻入微,那种潜藏在角色日常言行之下的不安与渴望,被描绘得淋漓尽致,让人不由自主地陷进去,仿佛自己就是那个在迷雾中摸索的主人公。尤其是一些环境的描写,简直栩栩如生,那种独特的氛围感,即使用最朴素的词汇也能构建出一个让你身临其境的场景。我特别欣赏作者在关键转折点上的处理手法,它们既出乎意料,细想之下又在情理之中,完全符合人物此前的铺垫,使得每一次“反转”都带着一种宿命般的必然感,而非刻意的戏剧化。读到最后,那种意犹未尽的感觉久久不散,它不是一个简单的故事完结,更像是一次深刻的精神洗礼,让你开始重新审视自己生活中的某些选择与坚持。整本书的文字功力深厚,用词精准,即便是对白也充满了张力,没有一句废话,处处是精心打磨的痕迹。
评分这本书最让我感到惊艳的地方,在于其语言风格的独特和不可替代性。作者的文字像是一股清冽的山泉,初看似平淡无奇,细品之下却能察觉到其中蕴含的丰富矿物质和回甘。它不追求华丽的辞藻堆砌,而是用一种近乎诗意的精确性来捕捉瞬间的情感波动和光影变化。特别是那些描写自然景色的段落,常常寥寥数语,便能勾勒出一个极具张力的画面,那种画面感是如此强烈,仿佛能通过纸面感受到空气的温度和湿度。这种风格与故事内核的疏离感和孤独感形成了完美的对应——语言的冷静节制,反衬出人物内心深处的澎湃情感。阅读过程中,我好几次停下来,只是为了反复咀嚼某一句精妙的措辞,它们如同散落在广袤沙滩上的贝壳,每一个都蕴含着独特的光泽和秘密。这是一种需要慢下来才能品味出的文字艺术,绝非快餐式的阅读体验可以比拟。
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