From Publishers Weekly
A prequel of sorts to Sands's paranormal comedy, Single White Vampire, this lightweight romantic romp shoots for the easy laugh and often misses. The allure of vampires lies in their strength and seeming invulnerability, but Etienne Argeneau, this book's bloodsucking hero, is curiously incompetent when it comes to dispatching a crazed mortal named Pudge who's intent on lopping his head off. Twice, Pudge manages to injure Etienne to the point where he ends up in the morgue under coroner Rachel Garrett's care. But when Rachel gets in the way of attempt number three, Etienne rescues her in the only way he knows how-by turning her into a vampire. The story moves from mildly amusing to ridiculous when Rachel, in denial, insists that she's merely having a "wet dream" involving a sexy man who thinks he's a vampire. There's little tension between Etienne and Rachel, sexual or otherwise. Instead, Sands stretches the plot with conflicts stemming from minor misunderstandings. Her attempts at hip dialogue also fall flat (at one point, a 200-year-old vampire compliments Rachel by saying, "You're a happening chick, dudette!"). Those who enjoyed Sands's previous paranormal comedy of errors may eke a little enjoyment from these pages, but this isn't something vampire fans will want to sink their teeth into.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
The second in Sands' deliciously sexy comedic series featuring the charismatic Argeneau clan (following Single White Vampire [BKL S 15 03] ) is a delight. This time the focus is on Etienne, a successful computer game designer who has become the target of a homicidal maniac called Pudge. The first time Etienne sees Dr. Rachel Garrett, it's in the hospital morgue where she removes a bullet from his apparently stilled heart. She doesn't recognize him when he is brought in again a week later as a charred corpse. Astounded to find a heart beat, she shields her "patient" from an axe-wielding Pudge, who attacks her instead. When Rachel regains consciousness, she discovers that Etienne has made her into a vampire to save her life. Rachel has to stay with Etienne to learn to control her teeth and drink blood, which she finds extremely unpalatable. Add one sexy cousin and a page-turning climax, and readers will be highly amused, very satisfied, and eager for the next Argeneau tale. Diana Tixier Herald
Copyright © American Library Association. All rights reserved
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说实话,我刚翻开这书的时候,差点就扔了。开篇的叙事风格极其跳跃,充满了各种意识流的碎片和毫无逻辑的闪回,像是一台老旧的录像机,画面卡顿,声音失真,完全抓不住重点。我花了将近三分之一的书本篇幅,才勉强搭建起一个关于主要人物关系的基本框架,那感觉就像是在迷雾中找路,每走一步都要试探性地触摸周围的物体。但一旦你适应了这种混乱的节奏,你会发现作者在其中埋藏了极其精妙的结构线索。那些看似无意义的重复和符号化的意象,在后续章节中会像齿轮一样完美咬合,形成一个庞大的、令人震撼的整体。这需要读者极大的耐心和专注力,它拒绝被轻松消费,要求你必须成为一个主动的、积极的参与者,去拼凑、去解读、去重建叙事。我最终被那种“啊哈!”的顿悟感所征服,发现那种初期的困惑和挫败感,恰恰是作者精心设计的陷阱,让你在解谜成功后,体验到加倍的阅读满足。这绝对不是一本适合在通勤路上消遣的读物,它需要一个安静的角落,一杯浓茶,以及一颗愿意被挑战的大脑。
评分我不得不说,这本书的语言风格非常极端。它时而像一位饱学的古典诗人,堆砌着华丽、冗长、充满了拉丁语词根的句子,充满了对宏大主题的沉思;而下一秒,它又会突然切换成街头混混的粗鄙俚语,充满了攻击性和原始的生命力。这种风格的剧烈摇摆,一开始让我感到非常不适,仿佛是两个性格完全冲突的作者在争夺笔权。但随着阅读的深入,我开始意识到,这种不和谐正是作者想要表达的核心冲突——文明与野蛮、理性与本能之间永无止境的拉锯战。主角在不同语言模式间的切换,其实就是他内心道德界限的不断退缩和反弹。这种大胆的语言实验,虽然让一些情节的理解门槛变高了,但它也为作品注入了一种难以言喻的张力和深度。它迫使你不能用单一的审美标准去评判它,只能接受它这种破碎而又统一的整体性。
评分这本书最让我印象深刻的是它对“时间”的解构。它不是线性的叙事,更像是一个被拉伸、扭曲、甚至局部倒带的胶片。作者似乎对手表和日历这类概念嗤之以鼻,人物的情感状态和心理密度成为了衡量时间流逝的唯一标准。有时候,一个眼神的交汇可以被拉伸成十页的内心独白,而跨越了十年的光阴却可能只用一句话带过。这种处理方式极大地增强了场景的即时感和压迫感,让读者完全沉浸在角色那一刻的“存在”之中,无法抽离。我特别喜欢其中一个段落,描绘了主角在等待一个电话时的焦虑,那段描写细致到我都能感受到自己心脏的每一次跳动,简直是心理恐怖的典范。它让你深刻体会到,当我们被情感完全占据时,我们对客观现实的感知是如何扭曲的。尽管叙事结构复杂,但这种对主观时间的强调,反而让角色的痛苦和狂喜显得格外鲜活和可信。
评分这本小说简直是部文学怪胎,读起来就像是走在一条铺满碎玻璃渣的红毯上,每一步都带着一种疼痛又迷恋的快感。作者的笔触像是拿着一把锋利的刻刀,毫不留情地剖开了人性的幽暗角落,那种对情感纠葛的描摹,细致入微到让人脊背发凉。我尤其欣赏其中对环境氛围的渲染,那种潮湿、压抑,带着霉味的城市气息,仿佛能透过纸页钻进你的肺里,让你喘不过气来,却又忍不住想深吸一口。主角的挣扎和自我毁灭倾向,写得太真实了,没有传统英雄主义的粉饰太平,只有赤裸裸的欲望和随之而来的必然崩塌。我甚至一度怀疑作者是不是对我或者我认识的某个人进行过深入的田野调查,因为那些细微的眼神交流、那些欲言又止的沉默,都精准得像是私人日记被公之于众。阅读过程极其消耗心神,需要反复停下来,喝水,或者干脆站起来走动一下,才能整理好被书中情节搅乱的思绪。它不是那种读完后能给你带来慰藉或希望的书,更像是一剂猛烈的、让人上瘾的毒药,虽然知道有害,却无法抗拒地一饮而尽。
评分从纯粹的文学技艺角度来看,这本书的配角塑造达到了令人发指的精妙程度。通常情况下,配角是用来衬托主角光环的工具,但在我的阅读体验中,有几个次要人物的篇幅甚至比主角本身还要闪耀和令人难忘。他们的动机深不可测,行动逻辑往往独立于主线剧情之外,像是生活在一个平行宇宙中,偶尔才与主角的轨迹交叉。我尤其欣赏作者处理人物死亡的方式,不是戏剧性的高潮,而是突兀、平淡,甚至带着一丝荒谬,就像生活中真正的失去一样,毫无预兆地降临,然后世界继续运转。这种对“边缘人物”的尊重和细致描绘,让整个故事的肌理变得无比丰厚和真实。它让你意识到,生活中的每一条生命线,无论多么微小,都有其完整的重量和复杂性,而主角的旅程,不过是无数条复杂生命线中偶然交汇的一条。这本书读完后,我久久不能忘怀的,反而是那些只出现了几页,却有着鲜明生命力的“过客”。
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