Tere is just one word that describes Annie Leibovitz, the new retrospective collection of the legendary photographer’s work from the Taschen publishing company: wow. The book, launched the night before in conjunction with V.F. at a star-studded party, got its first public viewing on Thursday afternoon at the V.F. Social Club and promptly blew everyone away. It’s not just the book’s sheer girth, but the stunning new life of the photos within, all 250 of them.
The Max Studio-sponsored presentation was given by Taschen marketing director Creed Poulson and head of communication Veronica Weller. It was Weller who explained why the book was part of Taschen’s “sumo-sized” line: “Because you need a sumo wrestler to pick it up for you!” Indeed. Three inches thick, 20 inches by 27 inches, and 476 pages long (printed on special German stock that was produced especially for Taschen and is no longer available), it comes with its own special stand crafted in the shape of a camera tripod by Marc Newson for the Italian manufacturing company ALU S.P.A. (“So you can look at it without breaking your back,” Poulson offered helpfully.)
Printed in Germany, bound in Italy, the book’s international production fits its contents, which are nothing less than 40 years’ worth of classic and iconic photography—some of it never seen before – of around 500 of the world’s most famous celebrities and cultural figures from the fields of film, music, television, literature, art, fashion, sports, politics, dance, and theater. Each photo, all scanned and color retouched by famous “photo whisperer” Pascal Dangin, is reproduced with breathtaking clarity, texture, and vividness, the colors and subjects practically leaping off the page. “Annie said that she knew this book wasn’t going to be like any other book she’s ever done,” said Poulson. “She described it more like a sculpture. So every photo had to meet the highest standard.”
But wait, there’s more! The first 1,000 copies—known as the Art Edition—are leather-bound and include a fine-art print signed by Leibovitz. The remaining 9,000 copies of the limited run are the Collector’s Edition, each signed and numbered by the photographer. The book is available in four dust jackets, each featuring a different famous Leibovitz image: Whoopi Goldberg, David Byrne, Keith Haring, and Patti Smith. The subjects inside range from Richard Nixon to Lady Gaga; the photos themselves veer from in-the-moment realism to stylized fantasia, charting the evolution of Leibovitz’s extraordinary career as well as our pop culture and society.
An introduction by Steve Martin is included, and the publication even comes with its own supplementary book, an oversize softcover featuring essays by Graydon Carter, Paul Roth, Hans Ulrich Obrist, and Leibovitz herself, as well as short descriptions of each photograph’s subject(s). Every element of the publication has been overseen by Leibovitz herself, who resisted Taschen founder Benedikt Taschen’s requests to create a book for years until finally saying yes in 2007. Taschen actually published a previous collection of Leibovitz photos in 1984, early in the company’s life when it was still called Taschen Comics, but this new volume easily dwarfs the first—and probably every other book of its kind.
Taschen, the 34-year-old company based in Cologne, Germany, treats books themselves as nothing less than works of art. Publishing definitive, archival volumes on subjects in the fields of art, architecture, photography, film, design, fashion, travel, and erotica, Taschen revels in the glory of the printed medium even as the rest of the world continues to reduce its library down to pixels on small screens. (I’ve bought a few Taschens myself and will vouch that you can get lost in the things for hours on end). As Poulson told me after the presentation, “In an age where everything is going digital . . . it was important for us, as a publisher, that you can hold and feel this book in a tactile sense and see the magnificence of Annie’s work in this size and scale.” Mission definitely accomplished there.
A quick word on the V.F. Social Club as it enters its fifth and final full day at the WeWork space in Hollywood: the place has been humming all week, with great, light food, strong coffee, and good music available every day, along with a special side room featuring makeup touch-ups and pedicures. The lounge has been a hub of digital and social activity as we barrel toward the Oscars this weekend—and there’s one more massive party to go on Friday night.
Anna-Lou "Annie" Leibovitz (/ˈliːbəvɪts/; born October 2, 1949) is an American portrait photographer.
https://en.wikipedia.org/wiki/Annie_Leibovitz
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这本书的标题“The Power and the Glory”本身就带着一种沉甸甸的分量,仿佛在诉说着一段宏大的故事。再看到“Famed photographer Annie Leibovitz weighs in with her own SUMO”,我立刻意识到这绝对是一本不容小觑的作品。Annie Leibovitz,这位以其标志性的、充满个性的肖像摄影而闻名于世的艺术家,用“SUMO”这种极具分量的形式来呈现她的作品,这本身就说明了她对其中内容的高度重视和想要达到的艺术高度。我一直很着迷于Leibovitz镜头下的人物,她总能捕捉到他们最真实、最打动人心的一面,无论是他们身上的光芒,还是他们内心深处的挣扎。这次的主题“权力和荣耀”,无疑为她提供了一个绝佳的舞台,去探索那些在各自领域创造了辉煌成就的人物,去展现他们身上的独特气质和不为人知的幕后故事。而“with dustjacket Keith Haring”的字样,则为这本书增添了一层令人惊喜的色彩。Keith Haring那充满活力和标志性的艺术风格,与Leibovitz的摄影艺术相结合,会产生怎样的碰撞和火花,是我非常期待的。我猜想,这本书将是一场视觉与思想的双重盛宴,一本值得反复品味和珍藏的艺术杰作。
评分看到“The Power and the Glory”这个书名,我脑海里立刻联想到无数传奇人物的形象,他们或在舞台上耀眼夺目,或在工作岗位上默默奉献,都在各自的领域书写着属于自己的辉煌篇章。而Annie Leibovitz,这位以捕捉人物灵魂著称的摄影大师,将如何用她的镜头去诠释“权力和荣耀”?这本身就足以让人充满期待。更何况,她这次是以“SUMO”这样一本厚重、大开本的出版形式来呈现,这预示着这本书将不仅仅是一本简单的摄影集,而更像是一件可以被仔细端详、反复品味的艺术品。书名中还提到了“with dustjacket Keith Haring”,这又为这本书增添了一层惊喜。Keith Haring那充满活力的涂鸦艺术,以其独特的视觉语言吸引了无数人,他的作品往往蕴含着对社会和人性的思考。将他的艺术风格与Leibovitz精湛的肖像摄影相结合,我相信会带来一种意想不到的化学反应,或许会赋予“权力和荣耀”全新的解读方式,让这本书在视觉上和概念上都更具层次感和独特性。
评分这本“SUMO” éditions,光是名字就足够吸引眼球了,Annie Leibovitz的作品,一直以来都以其强烈的个人风格和对人物内心深处的挖掘而著称。这次,她选择用“SUMO”这样一种极具气势的载体来呈现她的摄影集,这本身就说明了她对于所拍摄内容的高度自信和想要传达的视觉震撼力。我一直很欣赏Leibovitz在处理明星肖像时所展现出的非凡洞察力,她总能捕捉到人物最真实、最动人的一面,无论是他们的光辉时刻,还是隐藏在光鲜背后的脆弱。而“The Power and the Glory”这个主题,又给了她一个绝佳的机会去探索那些在各自领域达到顶峰的人物,他们身上所散发出的那种与生俱来的气场,以及他们背后所付出的努力和经历的挑战。Keith Haring的加入,对于这本书的艺术性来说,无疑是锦上添花。Haring的作品以其独特的能量和对社会议题的关注而闻名,他的风格与Leibovitz的摄影相结合,会产生怎样令人耳目一新的艺术效果,是我非常期待的。我预感这本书将是一场视觉与思想的盛宴,绝对值得深入品味。
评分这本书的书名本身就带着一种史诗般的张力,"The Power and the Glory",光是这几个词就能激起无数的想象。再看到“Famed photographer Annie Leibovitz weighs in with her own SUMO”,我就知道这绝对不是一本普通的画册。Annie Leibovitz这个名字,在摄影界可是响当当的,她的作品充满了力量、情感和艺术性的解读。而“SUMO”这个词,则预示着这本书的体量和呈现方式将是何等震撼。我迫不及待地想知道,她将如何用她独特的视角,去捕捉那些“权力和荣耀”的瞬间,并将其浓缩成如此宏大的“SUMO”作品。Keith Haring的参与,更是为这本书增添了一层神秘的色彩。Haring那标志性的涂鸦风格,与Leibovitz的肖像摄影会碰撞出怎样的火花?是更加鲜活的生命力,还是更深邃的艺术对话?我脑海中已经浮现出无数种可能性,每一一种都让我心潮澎湃。这本书的厚重感,不仅仅体现在其可能包含的篇幅,更在于其背后所蕴含的艺术家们的思想深度和艺术能量。我期待着,它能带我进入一个充满视觉冲击力和思想启发的艺术世界。
评分“The Power and the Glory”,光是听这个名字,就让人感受到一种史诗般的叙事感。Annie Leibovitz,作为当代最负盛名的摄影师之一,她的作品总是充满了情感的张力和视觉的冲击力,每一次都能深入挖掘人物的内心世界。这次她以“SUMO”的形式来呈现,我脑海中立刻勾勒出一幅壮观的画面:巨大的开本,精美的印刷,每一张照片都仿佛要从纸页中跃出,将人物的魅力和所处时代的辉煌淋漓尽致地展现在眼前。“The Power and the Glory”这个主题,在我看来,不仅仅是关于那些站在世界顶端的人物,更是关于他们身上所散发出的那种自信、坚韧和魅力,是他们面对挑战、实现梦想的强大内心力量。而Keith Haring的出现,则为这本书注入了更多元的艺术元素。Haring那种充满生命力和感染力的涂鸦风格,与Leibovitz极具表现力的肖像摄影相结合,必将产生一种令人耳目一新的艺术火花。我迫不及待地想知道,这两种截然不同的艺术形式将如何交融,又将碰撞出怎样震撼人心的视觉体验,去诠释“权力和荣耀”的真谛。
评分巨大(476页26公斤),巨贵(2500刀),巨好看(Annie Leibovitz 40年+作品)。虽然附赠一个工业大师Marc Newson操刀的专用书架,但还是承重不起,多翻几次书脊会裂。
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评分2017第80本,曼谷使馆中心看到,几十公斤的书,本来因为太大有摆拍效果,不注意被内容吸引,驻足从头到尾看完了。
评分2017第80本,曼谷使馆中心看到,几十公斤的书,本来因为太大有摆拍效果,不注意被内容吸引,驻足从头到尾看完了。
评分在学校的图书馆翻的,世新的图书馆别的书没有,影集和画册倒是一堆.等以后住的地方够大,也想买一本比我的书包还大的影集.
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