Listening to China's Cultural Revolution

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Paul Clark is Professor of Chinese in the School of Cultures, Languages and Linguistics at the University of Auckland, New Zealand.

Laikwan Pang is Professor of Cultural Studies in the Department of Cultural and Religious Studies at the Chinese University of Hong Kong.

Tsan-huang Tsai is Senior Lecturer in the Department of East Asian Studies at The Australian National University.

出版者:Palgrave Macmillan
作者:Paul Clark
出品人:
页数:272
译者:
出版时间:2015-11-10
价格:USD 95.00
装帧:Hardcover
isbn号码:9781137479105
丛书系列:Chinese Literature and Culture in the World
图书标签:
  • 文革 
  • 海外中国研究 
  • 历史 
  • 音乐 
  • 中国 
  • 样板戏 
  • 政治学 
  • 政治 
  •  
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The first of its kind in English to explore the musical culture of China's Cultural Revolution, Listening to China's Cultural Revolution discusses the history, politics, and aesthetics of a full range of music and performances during this rich yet complicated time in Chinese history. Together, the chapters, grouped under the headings "Temporality,' 'Geography,' and 'Lineage and Legacies,' demonstrate how the era's soundscape was both political and personal, experienced by ordinary people, artists, as well as political leaders, and how the sensory was translated into political actions or even indifference. Finally, the book traces the impact of this musical and operatic culture back to its earlier roots through present-day reverberations still felt and heard today.

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很多篇都是介绍性质的,但是干货的讨论还是令人尊敬——因为我完全看不懂一些文章中的五线谱。中间一部分样板戏的移植以及最后一章讨论文革声音遗产比较有趣

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Conversations were established between the 17-year legacy and the 10-year Cultural Revolution, the visual and the aural, and most importantly, the opera and the revolution. Like the piece of Pang Laikwan's.

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Conversations were established between the 17-year legacy and the 10-year Cultural Revolution, the visual and the aural, and most importantly, the opera and the revolution. Like the piece of Pang Laikwan's.

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Clark对中国有声电影(革命化)的研究,王班对文革电影国际主义的研究,还有样板戏的地方化的几篇都不错

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Conversations were established between the 17-year legacy and the 10-year Cultural Revolution, the visual and the aural, and most importantly, the opera and the revolution. Like the piece of Pang Laikwan's.

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