Born in Rhodes, Soriano brought an outsider's perspective when he arrived in Los Angeles with little grasp of English in 1924, at the age of 17. After first studying French literature and music, he graduated with an architecture degree from the University of Southern California and thereafter worked in the offices of Rudolph Schindler and Richard Neutra, and for Los Angeles County, finally starting his own practice in Los Angeles in 1936. Soriano expertly combined two of World War II's technological innovations, aluminium and plywood, with advanced construction processes. His characteristic horizontal roofs, transparent exterior walls, and open plan responded well to the postwar demand for family-friendly housing and an informal, indoor-outdoor lifestyle that was well suited to the benign Southern Californian climate. Independent-minded and often irascible, Soriano's architectural contribution has been largely overlooked until now. An architect's architect, he tapped the burgeoning Southern California aerospace and steel industries for his architectural experiments. His advocacy of prefabricated, modular construction using a minimum of materials often alienated him from the traditional building industry and developers. Moreover, his buildings have suffered inordinate damage; although he designed 150 buildings and built 38 during his career, little more than a dozen projects remain standing. In 1953, weary of his persistent scrapes with the architecture establishment in Southern California, Soriano relocated to Tiburon, near San Francisco, where he designed and built housing for the maverick developer Joseph Eichler, as well as innovative aluminium housing and an office tower, and the IBM Research Laboratory in San Jose. This monograph provides a well-researched written account of the architect's life and oeuvre. It includes a complete biography, an in-depth examination of 30 key Soriano buildings, and a listing of complete works that documents for the first time every known project in Soriano's archive, with bibliographic references. In addition to previously unpublished original plans and drawings, this volume features approximately 160 photographs by renowned architectural photographer Julius Shulman, who was a close friend of Soriano and documented his work over a period of 40 years.
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这是一部在探讨“身份认同危机”方面做得极其出色的作品。书中主角在跨文化环境中的挣扎与自我迷失,描绘得极其真实且令人共鸣。作者似乎对心理学有着深刻的理解,对主角内心深处的矛盾、自我怀疑以及对归属感的渴望,进行了近乎手术刀般精准的剖析。章节之间,不同语言和思维模式的切换,巧妙地反映了主角分裂的内在世界。更妙的是,作者引入了一个次要情节,关于一座古老图书馆中被遗忘的卷轴,这个线索作为一种隐喻,象征着主角试图找回的、被历史和环境磨损的“真实自我”。它并非直接告诉我们“身份是什么”,而是通过主角一次次失败的尝试和偶然的顿悟,引导读者去思考这个宏大而私密的问题。读完后,我感觉自己对自身的背景和选择有了一种更深层次的反思,是一本极具启发性的心理探索之旅。
评分这本小说简直是一场感官的盛宴!作者的笔触细腻入微,仿佛能让人亲手触摸到故事中人物的肌肤,感受到他们呼吸的温度。书中对环境的描绘尤其出色,那些异国情调的市集、弥漫着香料和汗水味道的小巷,每一个细节都栩栩如生。我读到某个关于海边小镇的段落时,甚至能闻到空气中咸湿的海风和晒干的渔网的气味。情节的推进张弛有度,高潮迭起,却又绝不让人感到一丝一毫的拖沓。那些复杂的人物关系,像一张精密编织的网,每位角色都有自己深刻的动机和不可告人的秘密,你以为猜到了结局,下一秒作者就会用一个巧妙的转折将你打入全新的迷雾之中。尤其赞赏的是,它探讨了人性中那些灰色地带,没有绝对的好人或坏人,只有在特定情境下做出艰难选择的灵魂。这本书成功地超越了一般的叙事,它更像是一次沉浸式的体验,读完后久久不能从那种强烈的氛围中抽离出来,需要时间整理思绪才能重新回到现实。
评分坦白说,我最初是冲着那令人费解的书名才决定翻开这本书的,没想到却被其结构上的创新深深吸引住了。它并非采用传统的线性叙事,而是将时间线打碎、重组,像一部精密的万花筒,不同的片段在不同的视角下折射出同一事件的不同侧面。这种叙事手法初看可能会让人有些吃力,需要集中精力去梳理碎片化的信息,但一旦适应了作者的节奏,那种“拼图完成”的顿悟感是无与伦比的。书中对哲思的探讨也十分深刻,它没有直接给出答案,而是通过角色之间看似漫不经心的对话,抛出关于“存在”、“记忆”和“真实”的永恒命题。每一次翻页都像是在走一个迷宫,你永远不知道下一个转角会通往哪一段闪回或是预兆。这种高难度的文学结构,无疑是献给那些热爱挑战智力、追求阅读深度的读者的佳作。
评分我得承认,这本书的语言风格非常独特,可以说是自成一派。它的大部分篇幅充斥着一种古典的、近乎巴洛克式的繁复与华丽,句子结构冗长且充满了大量的修饰语和比喻。初读时,我不得不时常停下来回味某一句子的结构,生怕遗漏了其中蕴含的细微差别。这种阅读体验像是在品尝一杯年份久远的烈酒,需要时间去让它的复杂层次在舌尖上充分展开。然而,正是在这种极致的雕琢中,诞生出了一些令人拍案叫绝的意象——例如对“时间流逝”的比喻,简直前所未见。这本书显然不是快餐式的消遣,它要求读者全身心地投入到语言的肌理之中,与作者进行一场高强度的智力与美学的对话。对于那些追求文学纯粹之美、钟爱语言艺术的鉴赏家来说,这本书绝对值得反复研读。
评分这本书最让我震撼的,是它对特定历史背景下小人物命运的刻画。它避开了宏大叙事中常见的英雄主义,转而聚焦于那些在时代洪流中随波逐流,努力维护尊严和亲情的普通个体。作者似乎有一种魔力,能将那些看似微不足道的日常琐事,赋予了史诗般的重量感。比如,一个关于如何在物资匮乏的时期保存一小块家传饰品的描写,其紧张程度不亚于一场战争场面。角色们在绝境中展现出的韧性和微弱的希望之光,简直让人心头一紧,几度潸然泪下。我特别喜欢作者处理悲剧的方式,它不煽情,而是用一种近乎冷静的笔调记录下痛苦,反而让那种深沉的悲凉感更加具有穿透力。对于想了解特定年代社会肌理和个体心境的读者来说,这本书提供了远比教科书更真实、更温暖的切面。
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