具體描述
This volume provides invaluable insight into the life and work of Jackson Pollock, one of the commanding figures of the Abstract Expressionist movement.
The pioneering drip technique of Jackson Pollock (1912–1956) introduced the notion of Action Painting, where the canvas became the space with which the artist would actively engage.
Reminiscent of the Surrealist notions of the subconscious and automatic painting, Pollock’s abstract works cemented his reputation as the most critically championed proponent of Abstract Expressionism. His visceral engagement with emotions, thoughts and other intangibles gives his abstract imagery extraordinary immediacy, while his skilful use of fluid pigment, applied with dance-like movements and sweeping gestures that seldom actually touched the surface, broke decisively with tradition.
At first sight, Pollock’s vigorous method appears to create chaotic labyrinths, but upon close inspection his strong rhythmic structures become evident, revealing a fascinating complexity and deeper significance. Far from being calculated to shock, Pollock’s liquid medium was crucial to his pictorial aims. It proved the ideal vehicle for the mercurial content that he sought to communicate ‘energy and motion made visible – memories arrested in space.
著者簡介
Helen A. Harrison is the Director of the Pollock‐Krasner House and Study Center. She has written numerous exhibition catalogues and articles in popular and scholarly publications. Her books include Such Desperate Joy: Imagining Jackson Pollock (2000), Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach (2002), and The Jackson Pollock Box (2010).
圖書目錄
讀後感
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用戶評價
暫且不說書的內容，吐槽兩點：書寫的順序和畫排版的順序極其不符，翻得手疼；其次，這種塑料封皮尖銳的邊角讓人看完劃一身傷。
评分A very Well designed book with black, grey, gold and white. The undulating shapes, sinuous lines and strife echoing patterns...It was his deepest emotional content under poetic mood, in turbulent forms. Love most of his work using the pouring techniques, especially the dark colors. It is true that 'life and work are one', oh, what a free soul.
评分暫且不說書的內容，吐槽兩點：書寫的順序和畫排版的順序極其不符，翻得手疼；其次，這種塑料封皮尖銳的邊角讓人看完劃一身傷。
评分暫且不說書的內容，吐槽兩點：書寫的順序和畫排版的順序極其不符，翻得手疼；其次，這種塑料封皮尖銳的邊角讓人看完劃一身傷。
评分暫且不說書的內容，吐槽兩點：書寫的順序和畫排版的順序極其不符，翻得手疼；其次，這種塑料封皮尖銳的邊角讓人看完劃一身傷。
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