Commemorative Landscape Painting in China pdf epub mobi txt 電子書 下載2025
- 藝術史
- 海外中國研究
- 藝術史
- 宋畫
- 中國史
- EarlyModernChina
- Art
- 中國繪畫
- 風景畫
- 紀念性景觀
- 藝術史
- 文化遺産
- 繪畫藝術
- 曆史
- 中國藝術
- 山水畫
- 傳統藝術
具體描述
When is a landscape more than a landscape? This is a richly illustrated study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support, and social status. In this unique study, Anne de Coursey Clapp presents a broad view of these commemorative landscape paintings, including antecedents in the Song and Yuan dynasties.
The book traces how in commemorative landscape painting members of the literati address their peers in a deeply familiar language of values, just as they had for centuries through literary biography. Although the setting for such pictures is always natural landscape, it is secondary to the man, and its true function is to mirror him as the humanistic ideal of the recluse-scholar. The book shows how the literary associations attached to the new landscape increased during the Yuan dynasty (1271-1368), when the first commemorative paintings appeared, and flourished through the Ming (1368-1644), producing an art form that was simultaneously pictorial and verbal. In the course of exploring the sources and meaning of these paintings, the book examines several varieties of dedicatory paintings, including departure paintings, and the interesting subgenre of "biehao," in which portrait subjects are symbolized through pictorial representations of their literary names.
著者簡介
Anne de Coursey Clapp is professor emerita of Wellesley College, where she taught East and Southeast Asian art history in the Art Department for more than three decades, retiring in 1999. She is the author of monographs on the Ming dynasty artists Wen Zhengming and Tang Yin.
圖書目錄
讀後感
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用戶評價
寫彆號圖，尤其是北溟圖的那部分還是很精彩的。
评分Commemorative yet imaginative landscape; but paintings may be more flexible than defined and commemorate more than one occasion; should think about the gap between the commemorative piece and commemorated subject. （Clapp的錶述總是不那麼令人信服⋯）
评分寫彆號圖，尤其是北溟圖的那部分還是很精彩的。
评分What was special about literati portraits in China? The last chapter is particularly illuminating.
评分How a minor genre of Song painting survived the humanistic transition in the Yuan to expand its territory and live a new life in the Ming. Less attractive case studies in comparison with Cahill's.
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