具体描述
In Shanghai Filmmaking, Huang Xuelei invites readers to go on an intimate, detailed, behind-the-scenes tour of the world of early Chinese cinema. She paints a nuanced picture of the Mingxing Motion Picture Company, the leading Chinese film studio in the 1920s and 1930s, and argues that Shanghai filmmaking involved a series of border-crossing practices.
Shanghai filmmaking developed in a matrix of global cultural production and distribution, and interacted closely with print culture and theatre. People from allegedly antagonistic political groupings worked closely with each other to bring a new form of visual culture and a new body of knowledge to an audience in and outside China. By exploring various border crossings, this book sheds new light on the power of popular cultural production during China’s modern transformation.
作者简介
Huang Xuelei, Ph.D. (2009), University of Heidelberg, is Chancellor’s Research Fellow in Chinese Studies at the University of Edinburgh. She has published on Chinese cinema, print culture and the social history of modern China.
目录信息
PART I PRODUCTION
1. The Business
2. Players in the 1920s: Interconnecting, Mediating
3. Players in the 1930s: Contestation? Collaboration?
PART II PRODUCT
4. The Medium: Inside Glocal Mediascapes
5. The Narrative (I): Melodrama as a Social Form
6. The Narrative (II): Melodramas Fit for All
7. The Meaning: Toward a Sentimental Education
EPILOGUE: Toward a Glocal Viewing Public
Appendix I: Filmography
Appendix II: Mingxing Personnel
Bibliography
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多一星给神仙导师加持～intro堪称范例，举重若轻，凝练有力。打破左右翼的分野，早期全球化的问题意识，story telling的开篇，都很吸引人。最难得的是，作为一部公司史，对电影文本的分析充满灵气。作为博论，还是稍显拘谨，“写了很多非写不可的废话”，期待第二本大作????
评分3.5。前半部超越左翼/鸳蝴的分野讲明星公司的雇员策略，后半部分析明星制作的影片。分析空谷兰的那一章比较精彩，用melodrama分析孤儿救祖记那一篇稍微牵强一点
评分多一星给神仙导师加持～intro堪称范例，举重若轻，凝练有力。打破左右翼的分野，早期全球化的问题意识，story telling的开篇，都很吸引人。最难得的是，作为一部公司史，对电影文本的分析充满灵气。作为博论，还是稍显拘谨，“写了很多非写不可的废话”，期待第二本大作????
评分电影公司的商业浮沉很有意思，但我不太喜欢中间类似于自传般的对各个重要人物的重要事件和策略的线性陈述。。。
评分3.5。前半部超越左翼/鸳蝴的分野讲明星公司的雇员策略，后半部分析明星制作的影片。分析空谷兰的那一章比较精彩，用melodrama分析孤儿救祖记那一篇稍微牵强一点
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