Cataloging the World

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出版者:Oxford University Press
作者:Alex Wright
出品人:
页数:360
译者:
出版时间:2014-6-4
价格:USD 27.95
装帧:Hardcover
isbn号码:9780199931415
丛书系列:
图书标签:
  • 文化研究
  • 信息科学
  • 传记
  • Information
  • 图书编目
  • 世界文化
  • 知识组织
  • 信息科学
  • 图书馆学
  • 文化遗产
  • 全球视野
  • 分类学
  • 元数据
  • 数字图书馆
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具体描述

The dream of capturing and organizing knowledge is as old as history. From the archives of ancient Sumeria and the Library of Alexandria to the Library of Congress and Wikipedia, humanity has wrestled with the problem of harnessing its intellectual output. The timeless quest for wisdom has been as much about information storage and retrieval as creative genius.

In Cataloging the World, Alex Wright introduces us to a figure who stands out in the long line of thinkers and idealists who devoted themselves to the task. Beginning in the late nineteenth century, Paul Otlet, a librarian by training, worked at expanding the potential of the catalog card, the world's first information chip. From there followed universal libraries and museums, connecting his native Belgium to the world by means of a vast intellectual enterprise that attempted to organize and code everything ever published. Forty years before the first personal computer and fifty years before the first browser, Otlet envisioned a network of "electric telescopes" that would allow people everywhere to search through books, newspapers, photographs, and recordings, all linked together in what he termed, in 1934, a réseau mondial--essentially, a worldwide web.

Otlet's life achievement was the construction of the Mundaneum--a mechanical collective brain that would house and disseminate everything ever committed to paper. Filled with analog machines such as telegraphs and sorters, the Mundaneum--what some have called a "Steampunk version of hypertext"--was the embodiment of Otlet's ambitions. It was also short-lived. By the time the Nazis, who were pilfering libraries across Europe to collect information they thought useful, carted away Otlet's collection in 1940, the dream had ended. Broken, Otlet died in 1944.

Wright's engaging intellectual history gives Otlet his due, restoring him to his proper place in the long continuum of visionaries and pioneers who have struggled to classify knowledge, from H.G. Wells and Melvil Dewey to Vannevar Bush, Ted Nelson, Tim Berners-Lee, and Steve Jobs. Wright shows that in the years since Otlet's death the world has witnessed the emergence of a global network that has proved him right about the possibilities--and the perils--of networked information, and his legacy persists in our digital world today, captured for all time.

《Cataloging the World》 是一部视角独特、引人入胜的非虚构作品,深入探讨了人类如何理解、分类和组织我们周围的世界。本书并非罗列某个特定领域的信息,而是聚焦于“分类”这一人类最基础也最深刻的认知方式本身。 本书从历史的长河中追溯了分类思维的演变。从古老的智慧,如亚里士多德的生物分类体系,到现代科学中精密复杂的数据库,再到日常生活中我们无意识进行的各种归类行为,《Cataloging the World》揭示了分类的起源和发展。作者并非简单地罗列历史事件,而是通过生动的故事和案例,展示分类思想如何塑造了人类文明的进程,从早期狩猎采集者的生存策略,到农业社会的定居与管理,再到工业革命后知识体系的爆炸式增长。 《Cataloging the World》的独特之处在于,它不仅仅关注“我们分类了什么”,更深入地探讨了“我们为何以及如何分类”。书中分析了不同文化背景下分类方式的多样性。例如,一些文化可能更侧重于事物的象征意义和人际关系来分类,而另一些则偏向于功能和物质属性。通过对比和分析,本书揭示了分类体系并非普适真理,而是人类文化和思维方式的投射。这种分析为读者提供了一个反思自身分类习惯的机会,并拓宽了理解不同文明的视野。 本书还探讨了分类在不同学科领域中的应用及其影响。从生物学中生命的多样性如何被层层梳理,到化学元素周期表如何描绘物质世界的内在联系,再到社会学中人口、行为模式的分类如何帮助我们理解社会结构,作者都进行了细致的阐述。更为引人注目的是,书中还触及了艺术、语言、音乐等领域中的分类现象。例如,音乐流派的划分、文学体裁的界定、绘画风格的演变,都体现了人类对美学和创造性表达的归纳与理解。 《Cataloging the World》也审视了分类的局限性和潜在的危险。当分类过于僵化或带有偏见时,它可能导致刻板印象、歧视,甚至阻碍创新。书中探讨了“标签化”的负面影响,以及过度追求精确分类可能带来的信息过载问题。作者以批判性的眼光审视了现代社会中无处不在的数据分类和算法推荐,分析了它们在便利生活的同时,如何可能限制我们的视野,甚至重塑我们的认知。 本书的叙事风格流畅而富有洞察力。作者善于将抽象的概念具象化,通过引人入胜的个人故事、历史轶事和科学实验,让读者在轻松阅读的同时,深刻理解分类的力量与奥秘。例如,书中可能会描绘一位早期植物学家如何凭借敏锐的观察和严谨的逻辑,为新发现的植物建立分类系统,或者讲述一位图书管理员如何通过精心的编目,让浩瀚的知识海洋变得井井有条。这些生动的例子,不仅让内容更加鲜活,也使得读者能够感同身受地体验到分类工作所带来的成就感与挑战。 《Cataloging the World》最终引导读者思考,在信息爆炸、瞬息万变的当下,我们应当如何以更加灵活、包容和批判性的方式进行分类。本书不是一本关于特定知识体系的百科全书,而是一次关于人类思维方式的深度探索。它鼓励读者去质疑、去审视我们习以为常的分类方式,去认识到每一个分类体系背后所蕴含的价值判断和文化视角。通过理解分类的本质,我们可以更好地理解自己,理解他人,以及我们所生活的这个复杂而迷人的世界。 这本书对于任何对认知科学、人类学、历史学、信息科学,以及任何对“事物如何被组织”感到好奇的读者来说,都将是一次启发性的阅读体验。它将改变你观察世界的方式,让你看到那些隐藏在表象之下的逻辑和结构。

作者简介

Alex Wright is a professor of interaction design at the School of Visual Arts and a regular contributor to The New York Times. He is the author of Glut: Mastering Information through the Ages.

目录信息

"The story of Paul Otlet (1868-1944), Belgian librarian and utopian visionary, who, long before the digital age, dreamed of a worldwide repository of media, accessible to all. As Wright explains in this shrewd, brisk biography, cataloging books was only one of Otlet's aims--he 'saw little distinction between creating a new classification of human knowledge and reorienting the world's political system.'... Wright ends his illuminating story in the present, where Otlet's thoughts about the connection of information to knowledge, and knowledge to insight, are still urgent." --Kirkus Reviews
"Alex Wright has placed Paul Otlet's life and work in up-to-this-minute context to bring us the illuminating biography of a pioneering information activist whose grand vision of a world of universal knowledge, freely available to all, is here to remind us that we would be foolish to settle for anything less." --George Dyson, author of Turing's Cathedral
"This wonderful, carefully researched, and well-written book draws us into the question: to what extent does the ambitious work of Paul Otlet make him the prophetic analog father of the Internet? Alex Wright is careful not to overstate the significance of Otlet. But the ambiguity of Otlet's influence, not to mention his long and eventful life and passionate dreams of world peace, in fact makes him more, not less, interesting." --Charles B. Strozier, Professor of History at John Jay College and the Graduate Center at The City University of New York, and author of Heinz Kohut: The Making of a Psychoanalyst
"Alex Wright's beautifully written book illuminates the life and work of Paul Otlet, one of a group of information theorists and utopians whose achievements during the early part of the last century prefigure the digital world, and whose innovation underpin the 'information society' in which we live. Cataloging the World is a lively, sympathetic but rigorous exploration of the ways in which what might seem merely of historical interest proves of immediate and engrossing relevance." --W. Boyd Rayward, University of Illinois and University of New South Wales
"With profound insight, Alex Wright reveals that within the labyrinth of Paul Otlet's Mundaneum lies hidden an anticipation of the hyperlinked structure of today's Web. This is not only a captivating biography of Otlet's prophetic vision of a global networked information system but a vivid account of how similar systems took shape in the minds of Conrad Gessner, Leibniz, Vannevar Bush, Tim Berners-Lee, and many others." --Wouter Van Acker, Griffith University
"Finally a historical study of the Information Age not starting with Vannevar Bush. Alex Wright's balanced study of Paul Otlet's dream to catalogue the world as one of the many successive projects of unifying knowledge on a global level is a joy to read after the autohagiographies of engineers that claimed their share in the 'invention' of the Internet and World Wide Web in purely computer-and-information-technical terms." --Dr. Charles van den Heuvel, University of Amsterdam
"An excellent study of a Belgian, Paul Otlet, who in the late nineteenth century began 'a vast intellectual enterprise that attempted to organize and code everything ever published'... Relevant of course to the origins of the web, Wikipedia, and current sites such as Vox.com." --Marginal Revolution
"A remarkable read in its entirety, not only in illuminating history but in extracting from it a beacon for the future." --Brain Pickings
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读后感

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这本书的封面设计充满了复古的魅力,厚实的纸张和那种略带泛黄的油墨气味,一下子把我带回了那个充满手写卡片和索引卡片的年代。我原本以为这会是一本枯燥的技术手册,毕竟“Cataloging”这个词听起来就带着图书馆学的严肃性,但翻开第一页我就被那种娓娓道来的叙事方式吸引住了。作者似乎并不急于灌输复杂的分类系统,而是通过一系列引人入胜的历史轶事,描绘了人类如何试图给世界打上标签、建立秩序的漫长过程。我特别喜欢其中关于早期博物学家如何对新发现的物种进行命名和分类的章节,那种在未知与已知之间小心翼翼构建知识体系的挣扎和兴奋感,被刻画得淋漓尽致。它让我重新思考了“分类”这件事的本质——它不仅仅是工具,更是一种对世界的理解方式,一种权力,甚至是一种艺术。阅读过程中,我仿佛能听到古老图书馆里那些书架摩擦的声音,感受到那些编目员在昏黄灯光下,对手中资料进行精确归档时的专注与敬畏。这本书的行文流畅,细节丰富,完全没有传统学术著作的艰涩感,更像是一部关于人类认知史的优雅散文。

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这本书的阅读体验是一种慢节奏的沉浸式体验,它更像是一部关于人类对秩序不懈追求的“传记”。作者的语言风格非常考究,大量使用典故和隐喻,使得原本可能显得生硬的知识点变得生动而富有诗意。我最欣赏的一点是,这本书展示了编目系统如何像活的有机体一样发展和变异。它不是一个由上帝颁布的固定蓝图,而是无数人在不同时代、出于不同目的,不断修补、争夺、重塑的结果。例如,书中对比了维多利亚时代植物园的分类法和二十世纪初的专利申请系统,两者在逻辑上看似天差地别,但深层驱动力——即对新颖性和控制欲——却惊人地相似。这本书的价值在于,它让你意识到,我们今天习以为常的任何信息架构,都是历史偶然性和权力博弈的产物。它成功地将一个看似边缘的学术领域,提升到了理解现代社会运作逻辑的高度,读完之后,你很难再用过去的眼光去看待任何一个标签、目录或索引了。

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这本书的装帧设计简直是一场视觉盛宴,特别是那些穿插其中的古老索引卡片扫描件和分类树的示意图,为原本抽象的理论内容增添了极强的具象感。然而,真正让我沉迷的是作者对“分类的伦理”的探讨。在我看来,这可能是全书最尖锐的部分。作者并没有将编目视为一个纯粹客观、中立的技术操作,而是深入剖析了权力结构如何影响分类的框架。例如,殖民历史中,不同地理区域的资源和人群是如何被殖民者根据其自身的文化范式进行强制性分类和命名的。这种自上而下的定型,如何塑造了后世人们对特定文化或区域的刻板印象,这本书提供了大量的案例来支撑其论点。阅读过程中,我常常需要停下来,反思自己日常接收到的信息是如何被预先“编目”和“筛选”的。这本书的叙事风格是非常内敛但坚定的,它不激动,不煽情,只是用无可辩驳的逻辑和历史证据,引导读者去质疑那些看似理所当然的“秩序”。对于任何关注信息权力结构或档案学的人来说,这本书都是一本不可多得的启示录。

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老实说,我拿到这本书纯粹是出于好奇,我对“世界编目”这个概念感到既新奇又有点宏大。读完前三分之一,我最大的感受是,这本书的视野极其开阔,它不仅仅停留在图书馆或档案室的层面,而是将编目的概念延伸到了地图学、物种命名法、乃至早期互联网的URL结构。作者的文笔有一种独特的节奏感,时而像是一位严谨的历史学家,引用大量一手资料进行考证;时而又像是一位哲学家,对符号、标签的局限性提出深刻反思。有一个观点让我印象深刻,即任何试图将世界完整分类的尝试,都必然包含着某种程度的“遗漏”,因为世界本身是流动的,而标签是静止的。这种内在的张力贯穿全书,使得阅读体验充满了智力上的挑战和愉悦。我特别欣赏作者在处理那些看似不相关的案例(比如中世纪的羊皮纸卷与现代数据库的元数据结构)时,所展现出的那种跨学科的融会贯通能力。这本书读起来绝非轻松的消遣,它要求读者保持高度的注意力,但回报是丰厚的,它拓宽了我对信息管理和知识结构的底层理解。

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我通常不太喜欢读那些涉及“宏大叙事”的非虚构作品,因为它们常常会流于空泛,但这本书却出人意料地扎实。它没有沉溺于对“未来信息爆炸”的杞人忧天,而是专注于回溯我们如何一步步走到今天这个信息泛滥的局面。作者的笔触非常细腻,尤其是在描述那些被历史洪流冲刷掉的、失败的分类尝试时,那种对失落知识的惋惜之情溢于言表。我仿佛能跟随作者的脚步,穿梭于不同历史时期的档案馆,感受那种试图“抓住”知识的徒劳感。这本书的结构安排得极其巧妙,它像是一个螺旋上升的过程,每一章都建立在前一章的理解之上,但又引入了全新的视角来重新审视既有的概念。我特别欣赏其中对“模糊性”的处理——作者没有试图彻底消灭分类系统中的灰色地带,反而认为这些模糊性才是知识生命力的源泉。这本书读完后,我感觉自己看待信息的方式发生了微妙的偏移,少了一些急躁,多了一份对结构本身的敬畏。

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if you want to start a revolution, you should start from the bottom. bad, bad biography padded with unrelated details.

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if you want to start a revolution, you should start from the bottom. bad, bad biography padded with unrelated details.

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if you want to start a revolution, you should start from the bottom. bad, bad biography padded with unrelated details.

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if you want to start a revolution, you should start from the bottom. bad, bad biography padded with unrelated details.

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if you want to start a revolution, you should start from the bottom. bad, bad biography padded with unrelated details.

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