From Publishers Weekly Kelman (Someone's Watching; Summer of Storms; etc.) saddles her protagonist， New York writer Claire Barrow， with a heap of problems in this knotty suspense thriller. Claire's police detective husband has committed suicide， leaving her to care for his rebellious teenage daughter; her money and her identity have been stolen; her mother is depressed; her beloved editor has disappeared， leaving her with a nasty new one who doesn't like her work; an old flame is becoming increasingly persistent; a street preacher rants outside her house night and day; and she's got a bad case of writer's block. Then her computer crashes and wipes out all her files. If this sounds like more than any character， real or fictional， should reasonably be expected to deal with， it is. And to top things off， the serial killer her husband fought to put behind bars， B.B. LeBeau， aka the Eel， has just been released from prison on a technicality. The Eel has somehow become the darling of an imbecilic press， and the police are inexplicably powerless to intervene as he begins hunting down everyone who had anything to do with his incarceration， including the unlucky Claire. Accompanying these woes is a gaggle of secondary characters whose primary purpose appears to be to get killed. It's almost as if Kelman feels she's lost control of her book， and thus uses Claire to voice her concerns: "A writer could get trapped in that murky twilight between her invention and herself." An implausible ending drives the last stake through the heart of an effort that fails to live up to Kelman's usual high standards.Copyright 2003 Reed Business Information， Inc. --This text refers to an out of print or unavailable edition of this title. From Booklist From the title's riff on the disturbing stalker song by the Police through the excruciating accumulation of tiny incursions that add up to identity theft， this thriller hits all the right notes. Avoiding an overly Kafkaesque tone， Kelman writes， above all， a novel of character. Author Claire Barrow is the widow of a cop， the stepmother of a problematic teen， and the "orphan" of her longtime editor， who has been ousted from the publishing house. Her new editor demands a book proposal starring a current issue， and Barrow comes up with a novel in which the heroine's life is ripped off. Then her own life begins to mirror that of her heroine's， culminating in a murder charge based on Barrow's license plate. Barrow's reactions to the theft of a life that， with her husband's death， had lost its value are intriguingly complex. Her fight for her life， on both levels， escalates the action from the computer screen to reverse tailing and beautifully choreographed climax. This thirteenth Kelman thriller is a true nail-biter. Connie FletcherCopyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews