Written with the warmth, wit, and heartbreaking humor that have made Stephen McCauley s previous novels beloved by readers and critics alike, True Enough is a story of love and lust, trust and betrayal, commitment and denial; it signals a major leap forward in the career of a novelist whom the San Francisco Chronicle has called "a writer of insight, surprise, and finesse." True Enough begins with Jane Cody; at forty she has it all: a satisfying career as a producer at a Boston public television station, a successful second marriage, a wildly precocious six-year-old son who loves to bake. She s definitely not worried about losing her job, couldn t care less what the neighbors think of her child, and absolutely never longs for her rakish, unfaithful first husband. Honestly. Equally pleased with his life is Desmond Sullivan. His (secretly) monogamous relationship with Russell has been the happy center of his New York life for half a decade, and his second book, the biography of an obscure 60s-era female vocalist is (and has been for three years) mere pages away from completion. By accepting a temporary teaching job in Boston, he ll get enough distance from his distracting happiness to finish his book and maybe even figure out how much blissful domesticity he can stand. When Jane and Desmond meet, they re drawn to each other by needs and fears they never knew they had. They team up to work on a series of TV documentaries on the lives of America s forgotten artistic mediocrities -- according to Jane, "the whole culture is drifting away from geniuses and exceptional people who only make the rest of us feel inadequate" -- that could save Jane s career and help Desmond wrap up his book. They embark on a journey that proves to be surprising, revealing, and stunningly life-affirming. Of course, no journey is easy, and their progress toward uncovering the truth about enigmatic pop singer Pauline Anderton (a real singer, even if, at times, a really bad one) is slowed by pesky personal crises -- like Jane s realization that adultery with one s former husband is still adultery, and Desmond s discovery, on a return trip to New York, of a suspiciously unfamiliar pair of eyeglasses on his nightstand. Maybe Jane s shrink -- to whom she s confessing all, more or less -- can help. And maybe Desmond can learn something from Jane s handsome, flirtatious married brother. Or maybe the answer to each of their problems has been there all along, like a lost coin, waiting to be picked up and polished and put back into circulation. But then, true love can be so embarrassing.
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这本书的叙事节奏简直像极了夏日午后一场突如其来的暴雨,猛烈、出乎意料,却又在不经意间洗涤了所有的尘埃。作者似乎对人性的幽微之处有着近乎病态的洞察力,笔下的人物并非传统意义上的好人或坏人,他们游走在道德的灰色地带,每一个选择都带着沉重的呼吸声。我尤其欣赏作者对环境氛围的细腻描摹,那种老旧公寓楼里弥漫的霉味、街角咖啡馆里咖啡豆烘焙的香气,都被赋予了一种象征意义,仿佛是角色内心挣扎的具象化。故事的核心冲突,那种关于“真相”的界限模糊处理,让人在阅读过程中不断自我审视:我们所坚信的“足够好”的解释,究竟建立在多脆弱的沙丘之上?这种探讨的深度,使得这本书超越了一般的文学作品范畴,更像是一面投射出我们自身矛盾心理的镜子。读完之后,我发现自己久久不能从那种压抑而又迷人的氛围中抽离出来,甚至开始怀疑日常生活中那些看似坚不可摧的确定性。它要求读者付出注意力,但回报是极其丰厚的——一种对复杂人性的深刻理解和共鸣。
评分我必须坦言,初读时我有些跟不上作者那种跳跃式的叙事结构,感觉像是被扔进了一条没有明确指示牌的迷宫。情节的发展充满了大量的闪回和未被完全解释的意象,这对于习惯线性故事的读者来说,可能会产生一定的挫败感。然而,一旦你适应了这种非线性的节奏,并开始接受叙事者提供的是一种“碎片化”的现实体验时,这本书的魅力才真正显现出来。它不是在“讲述”一个故事,而更像是在“重构”一段记忆,或者说,是意识流在纸面上的奔涌。那些看似无关紧要的细节,比如某次会议上窗外飞过的一只鸽子,或者主人公对某种古老手表的迷恋,在故事后半段突然串联起来,形成了一个令人拍案叫绝的几何图形。这种结构上的精妙设计,体现了作者高超的控制力,它强迫读者主动参与到意义的构建中,而不是被动接受既定的信息。这无疑是一部需要“二次阅读”才能完全领悟其艺术野心的作品。
评分从语言层面来看,这本书的文字风格简直是教科书级别的“克制中的爆发”。作者很少使用华丽辞藻堆砌的形容词,而是通过精准的动词和名词选择,营造出一种冷峻而又极富张力的画面感。对话部分尤其精彩,人物之间的交流常常是“言外之意”的交锋,很多重要的信息隐藏在停顿、省略号以及那些未被说出口的话语之下。我特别留意了主人公在面对巨大压力时,他内心独白中那种近乎哲学思辨的转向,那种对“存在”意义的追问,被处理得异常自然,没有丝毫说教的痕迹。这种文字的力量感,源自于其内在的韵律和节奏感,读起来有一种类似于聆听巴赫赋格曲的精确与和谐。它不是让你感到轻松愉快的阅读体验,更像是一场智力上的严酷训练,但这种训练带来的心智拓展是无可替代的。
评分坦白讲,我是在朋友的极力推荐下才开始接触这本书的,起初我对这种被誉为“晦涩难懂”的作品抱有天然的抵触心理。然而,一旦我放下了对“立刻理解”的执念,转而沉浸在作者营造的独特氛围中,一切都变得豁然开朗起来。这本书的魅力在于它的“反商业化”倾向,它不迎合大众口味,不提供廉价的情感宣泄,而是将一个复杂、扭曲、甚至有些令人不安的故事赤裸裸地呈现在你面前。它探讨的主题,如信任的瓦解、身份的流动性以及个体在宏大系统中的无力感,都处理得极其到位,没有丝毫的夸张或矫饰。阅读过程更像是一次探险,充满了发现的惊喜,每一次深入都揭示出新的层次。它不是一本用来“消磨时间”的书,而是让你重新审视你如何“使用时间”的书。
评分这本书最让我感到震撼的,是它对“时间”这一概念的处理。它似乎打破了物理时间的线性约束,让过去、现在和“可能发生的未来”在同一页纸上交错重叠。我感觉自己仿佛在阅读一本关于“未完成”的编年史。书中反复出现的某些时间点——比如凌晨三点零七分,或者特定的某个纪念日——不再仅仅是时间标记,而更像是某种能量场,吸引着人物和事件向其靠拢。这种对时间结构的处理,让故事的宿命感油然而生,但又巧妙地在最后一刻留下了微小的、几乎难以察觉的转圜余地。它探讨的不是我们如何度过时间,而是时间如何塑造了我们,如何将我们困在那些无法回溯的瞬间。这种深层次的思辨,让这本书在我心中占据了一个非常独特的位置,它关于记忆和时间流逝的探讨,精准地触及了我对生命本质的困惑。
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