A Perpetual Fire pdf epub mobi txt 电子书 下载 2025
- 福开森
- 艺术史
- 艺术
- 海外中国艺术研究
- 聂婷
- [学史]
- NewBooksNetwork
- 英文原版
- 奇幻
- 冒险
- 魔法
- 史诗
- 英雄
- 命运
- 光明与黑暗
- 成长
- 勇气
- 牺牲
具体描述
After serving as a missionary and then foreign advisor to Qing officials from 1887 to 1911, John Ferguson became a leading dealer of Chinese art, providing the Metropolitan Museum of Art, the Cleveland Museum of Art, and other museums with their inaugural collections of paintings and bronzes. In multiple publications dating to the 1920s and 1930s, Ferguson made the controversial claim that China’s autochthonous culture was the basis of Chinese art. His two Chinese language reference works, still in use today, were produced with essential help from Chinese scholars. Emulating these “men of culture” with whom he lived and worked in Peking, Ferguson gathered paintings, bronzes, rubbings, and other artifacts. In 1934, he donated this group of over one thousand objects to Nanjing University, the school he had helped to found as a young missionary.
This work offers a significant contribution to the history of Chinese art collection. John Ferguson learned from and worked with Qing dynasty collectors and scholars, and then Republican-era dealers and archeologists, while simultaneously supplying the objects he had come to know as Chinese art to American museums and individuals. He is an ideal subject to help us see the interconnections between increased Western interest in Chinese art and archeology in the modern era, and cultural change taking place in China.
作者简介
Lara Netting received her PhD in East Asian Studies at Princeton University in 2009. She has held a Getty Fellowship at the Asia Society Museum and the J. Clawson Mills Fellowship at The Metropolitan Museum of Art.
目录信息
Abbreviations
Introduction
Part I From Minister’s Son to Qing Official and Fledgling Sinologist (1866–1911)
Chapter 1 Achieving Prominence in China
Chapter 2 Engaging in Antiquarianism, Sinology, and Chinese Art
Part II A Qing Official Turned Art Dealer (1912–1918)
Chapter 3 Joining the Fray of the Peking Art Market
Chapter 4 “A Number of the Paintings Are Not of the High Order Desirable for This Museum”
Chapter 5 Contributing to “the Development of Art in America”
Coda
Part III Becoming a Collector of Chinese Art (ca. 1920–1935)
Chapter 6 Putting Down Roots in Republican-Era Peking
Chapter 7 Making a Private Collection
Chapter 8 A Donation and Exhibition of National Importance
Part IV A Lifelong Scholar
Chapter 9 Publishing a Purposeful Definition of “Chinese Art”
Chapter 10 Paintings That Did Not “Thrill the Soul” and Other Complications
Chapter 11 An “Indexer” and His Helpers
Coda
Chapter 12 “We Must Aim to Get Just as High as We Can”
Notes
Bibliography
Index
· · · · · · (收起)
读后感
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用户评价
史料不錯。
评分正在埋头翻译中，说实话，流水账多了点。
评分正在埋头翻译中，说实话，流水账多了点。
评分因为宾大博物馆一批从福开森手上购得的明清绘画而参考这本书，切入点很有意思，我也好想写这样的东西呀（感觉是没什么可能了），但是叙述还是有些流水账了。另：福开森太工作狂。
评分史料不錯。
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