Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times.
This publication surveys the artist's most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula One races and the other on the famous Arirang Festival (a closely-choreographed mass spectacle in North Korea's capital of Pyongyang), are gathered here.
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安德烈亚斯·古尔斯基在巴塞尔艺术博物馆的摄影展览（2007-2008）图册，收录的两篇长文相当专业了分析了其中《一级方程式赛车停车加油》和《平壤》两组作品。
评分听朋友说“欧洲印钞机”古尔斯基明年从杜塞美院退休了呀，我擦...
评分听朋友说“欧洲印钞机”古尔斯基明年从杜塞美院退休了呀，我擦...
评分安德烈亚斯·古尔斯基在巴塞尔艺术博物馆的摄影展览（2007-2008）图册，收录的两篇长文相当专业了分析了其中《一级方程式赛车停车加油》和《平壤》两组作品。
评分安德烈亚斯·古尔斯基在巴塞尔艺术博物馆的摄影展览（2007-2008）图册，收录的两篇长文相当专业了分析了其中《一级方程式赛车停车加油》和《平壤》两组作品。
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