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出版者:Barnes & Noble Classics

作者:Aristotle

出品人:

页数:576

译者:W. Rhys Roberts

出版时间:2006-1-1

价格:USD 10.95

装帧:Paperback

isbn号码:9781593083076

丛书系列:

图书标签:

Rhetoric
隐喻
poetics
rhetoric
classics
ancient
grace
arts
communication

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具体描述

Poetics and Rhetoric , by Aristotle , is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics :

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader's understanding of these enduring works. 0in 0in 0pt">It is no exaggeration to say that all Western literary criticism flows from Aristotle . In the Poetics he focuses mainly on drama, especially tragedy, and introduces ideas that are still being debated more than two thousand years later. Among them is the often misunderstood theory of the unities of action, place, and time, as well as such concepts as: art as a form of imitation, and drama as an imitation of human actions; plot as a drama’s central element, and reversal” and recognition” as important elements within a plot; and the purging of pity and fear from the audience as the function of tragedy. Rather than offer these ideas merely as abstract theories, Aristotle applies them in cogent analyses of the classic Greek dramasthe tragedies of Aeschylus, Sophocles, and Euripides.In the Rhetoric , Aristotle turns to the principles of persuasive writing, including argumentation and the logical development of proof, appeals to emotion, and matters of delivery and style. Perhaps most essentially, Aristotle teaches us how to engage in the central civic activities of accusing and defending, recommending policies, and proving and refuting ideas.These two foundational works are key documents for understanding the culture and politics of Western civilization, and how they continue to evolve today. Eugene Garver is Regents Professor of Philosophy at Saint John’s University, Collegeville, Minnesota. He is the author of Machiavelli and the History of Prudence , Aristotle’s Rhetoric: An Art of Character , For the Sake of Argument: Practical Reasoning, Character, and the Ethics of Belief , and the forthcoming Living with Thought: A Confrontation with Aristotle’s Ethics .

Poetics and Rhetoric: An Introduction to the Art of Persuasion and Expression This book offers a comprehensive exploration of the intertwined disciplines of poetics and rhetoric, delving into the fundamental principles and enduring practices that have shaped human communication and artistic expression for millennia. It is designed to be an accessible yet rigorous introduction for students, scholars, and anyone interested in understanding how language is crafted to persuade, evoke emotion, and create meaning. The first section, "Poetics: The Art of Crafting Language," begins by tracing the historical roots of poetic theory, from Aristotle’s seminal work to the diverse movements and philosophies that have followed. We will examine the core elements that constitute a poem, including its structure, meter, rhythm, rhyme, and figurative language. Through detailed analysis of exemplary poems across various eras and traditions, the book will illuminate how poets employ these tools to achieve specific aesthetic and emotional effects. Key concepts such as imagery, metaphor, simile, personification, and symbolism will be dissected, not merely as literary devices, but as powerful mechanisms for shaping perception and conveying complex ideas. The discussion will extend to different poetic forms, exploring the constraints and freedoms offered by sonnets, epics, lyrics, and free verse, and how form itself contributes to meaning. Furthermore, we will consider the role of sound in poetry, the musicality of language, and how poets manipulate phonetics to enhance their impact. The subjective experience of reading and interpreting poetry will also be addressed, encouraging readers to engage actively with the text and develop their own critical faculties. The aim is to foster an appreciation for the intricate artistry involved in poetic creation and to equip readers with the analytical skills necessary to decode and respond to its richness. The second section, "Rhetoric: The Art of Persuasion," shifts focus to the systematic study of effective communication. Beginning with the foundational concepts laid down by ancient rhetoricians like Plato and Cicero, we will investigate the three classical appeals – ethos, pathos, and logos – and their crucial role in constructing persuasive arguments. The book will then move to a detailed examination of rhetorical invention and disposition, exploring the process of generating ideas, structuring arguments, and tailoring messages to specific audiences and contexts. We will delve into the various types of rhetoric, including deliberative, forensic, and epideictic, and analyze their distinct purposes and strategies. The intricate world of rhetorical figures of speech – such as anaphora, epistrophe, antithesis, and hyperbole – will be explored not as mere ornamentation, but as sophisticated tools for enhancing clarity, memorability, and persuasive force. The book will also address the ethical dimensions of rhetoric, prompting critical reflection on the responsible use of persuasive language and the potential for manipulation. Through case studies drawn from political discourse, advertising, legal arguments, and public speeches, readers will gain practical insights into how rhetorical principles are applied in real-world scenarios. The objective is to cultivate a discerning understanding of persuasive techniques, enabling readers to both construct more effective arguments and critically evaluate the messages they encounter daily. The final section, "The Interplay: Poetics and Rhetoric," will synthesize the insights from the previous two sections, demonstrating the profound and often inseparable relationship between poetics and rhetoric. It will argue that the most compelling and effective communication often draws from both disciplines, where artistic form enhances persuasive power and persuasive intent imbues artistic expression with urgency and relevance. We will explore how poetic devices can be employed for rhetorical effect, and how rhetorical strategies can lend structure and impact to poetic endeavors. Examples will be drawn from a wide range of discourse, including historical speeches that possess poetic resonance, literary works that champion particular viewpoints, and persuasive texts that employ sophisticated stylistic choices. The book will also consider the historical evolution of the relationship between these two fields, noting periods of convergence and divergence, and their continuing relevance in contemporary media and culture. Ultimately, this section aims to provide a holistic understanding of how language, in its creative and persuasive dimensions, shapes our understanding of the world and influences our actions, offering readers a richer toolkit for both appreciating and engaging with the power of human expression.

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从主题探讨的广度和深度来看，这本书无疑是站在了同代作品的制高点上。它没有回避那些宏大而又令人不安的议题，比如存在的意义、道德的模糊性以及历史的重量。然而，作者的处理方式并非说教式的灌输，而是通过一系列精心设计的寓言和象征，引导读者自行去探索和建构答案。这种“开放式”的哲学探讨，极大地激发了我的思考欲。我甚至觉得，这本书更像是一本思想的引爆器，它点燃了我对既有观念的反思，迫使我走出舒适区，去面对那些模糊不清的灰色地带。很多时候，合上书页，我需要花上好一阵子才能从书中人物的困境中抽离出来，因为他们所面对的困境，竟然如此贴近我们日常生活的隐秘角落，这种共鸣是极其震撼和持久的。

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这本书的结构设计简直是鬼斧神工，作者仿佛是一位高明的建筑师，精心布局了每一章的节奏和高潮。叙事线索的交织错落，时而迅疾如风，时而又舒缓绵长，这种张弛有度的掌控力，将读者的心绪牢牢拿捏。我不得不佩服作者对时间与空间的巧妙处理，某些场景的描绘，即便只是寥寥数语，也能在脑海中构建出一个栩栩如生的画面，那种沉浸式的体验是极其难得的。更妙的是，作者似乎总能在最恰当的时候抛出一个耐人寻味的问题，让你不得不停下来，暂时抽离出故事，与自我进行一场深入的对话。这种“元叙事”的技巧运用得炉火纯青，使得阅读过程充满了智力上的挑战与乐趣，绝非平铺直叙可以比拟。读完后，我甚至开始回溯那些看似不经意的细节，试图拼凑出作者隐藏的更深层的意图，这种回味无穷的魅力，是真正好书的标志。

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坦白说，这本书的语言风格是极具辨识度的，它不像某些当代作品那样追求华丽或刻意的晦涩，反而带着一种古朴而又充满力量的韵味。词语的选择精准而富有张力，句子结构的变化多端，时而长句连绵，气势磅礴，时而短句铿锵，掷地有声。我尤其喜欢作者处理情绪的笔法，那种不动声色地渲染出人物内心的波澜壮阔，不依赖于过度的形容词堆砌，而是通过场景、对话和潜台词自然流淌出来。阅读体验是酣畅淋漓的，每一个段落似乎都经过了千锤百炼，没有任何多余的赘笔，信息密度极高。对于追求语言美感和文字精确度的读者来说，这本书简直是一场盛宴，它证明了文字的力量，在于其纯粹和精准，而非表面的浮光掠影。

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这本书的整体氛围营造，堪称一绝，它成功地构建了一种既疏离又亲密的阅读感受。那种独特的“场域感”，让读者仿佛是站在一个特定的时空维度上，以一种近乎冷峻的旁观者视角，审视着人性的复杂。我特别留意到作者对环境细节的描摹，无论是光线的变化，还是微小的声响，都被赋予了超越其本身意义的象征价值。这种对氛围的精雕细琢，使得情节的推进不再仅仅是事件的串联，而更像是一场缓慢发酵的情绪变化过程。读起来，你会感觉到一种微妙的紧张感在空气中弥漫，这种紧张感并非源于直接的冲突，而是源于对即将到来的某种命运的预知。对于那些钟情于氛围文学，追求阅读体验的极致化表达的读者来说，这本书绝对是不可错过的佳作，它成功地在“讲述”和“氛围感知”之间找到了一个完美的平衡点。

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这本书读下来，简直是一场关于思想的探险，作者的笔触细腻入微，仿佛能穿透文字的表层，直达事物的本质。我尤其欣赏其中对人类经验的深刻洞察，那种将复杂的情感和哲学思考融入叙事之中的能力，着实令人叹服。它不是那种一眼就能看透的快餐式阅读，而是需要你沉下心来，反复咀嚼才能体会其妙处的作品。每次翻开，总能发现一些新的线索，新的理解。书中构建的世界观宏大而又充满细节，人物的塑造立体饱满，他们的挣扎、选择与成长，都让人感同身受。这种层次感和深度，使得这本书即便是读完很久之后，依然能在我脑海中留下挥之不去的印记，时不时地会跳出来，引发新的联想。它更像是一面镜子，照见的不仅是故事本身，更是读者内心深处那些未曾言说的疑问与渴望。

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