具體描述
Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940.
As the author describes it:
"Nationalizing Blackness uses music and dance history as a means of discussing the highly ambivalent attitudes towards Africa and African-derived culture in Cuba of the 1920s and 1930s. Specifically, it focuses on an artistic movement known as "afrocubanismo" which led to the popularity of formerly marginal genres of black, working-class music such as son and comparsa. Afrocuban artistic expression is presented as both a source of pride for most Cubans, a symbol of their unique Caribbean experience, and as a form of expression that many considered "primitive" or "backwards." The book discusses numerous subjects such as the history of the Cuban blackface theater, the history of carnival in Havana, early son bands, popular song and dance music of the 1930s, the international rumba craze, and poetry and visual art inspired by Afrocuban culture."
著者簡介
Robin D. Moore a professor of history at Temple University
圖書目錄
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有