Taken against the Arcadian backdrop of her woodland home in Virginia, Sally Mann's extraordinary, intimate photographs of her children--Emmett, Jessie, and Virginia--reveal truths that embody the individuality of her immediate family and ultimately take on a universal quality. Mann states that her work is "about everybody's memories, as well as their fears," a theme echoed by Reynolds Price in his eloquent, poignantly reflective essay accompanying the photographs in "Immediate Family." With sublime dignity, acute wit, and feral grace, Mann's pictures explore the eternal struggle between the child's simultaneous dependence and quest for autonomy--the holding on, and the breaking away. This is the stuff of which Greek dramas are made: impatience, terror, self-discovery, self-doubt, pain, vulnerability, role-playing, and a sense of immortality, all of which converge in Sally Mann's astonishing photographs. A traveling exhibition of "Immediate Family," organized by Aperture, opened at the Institute of Contemporary Art in Philadelphia in the fall of 1992.
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评分部分作品拍出了孩童身上罕见的暧昧气息,感觉就像一个还青涩的果子突然释放出一瞬"我成熟了"的芳香,但你又明明看到果子是青色的。可我们又如何定义人在不同的年龄阶段所应拥有的魅力是什么。
评分..优雅的梵高先生的推荐 为之感叹 “站在人性的高度去诠释着自己对生命的看法和态度。所拍摄的三部曲,前一部是生,后一部是死,中间是对生命和自然的释放,犹如一段史诗”。..
评分印象之中,萝莉和正太都是美好的化身,但在sally mann这本Immediate Family某些摄影中,我读到了孩子对镜头的戒备,说是对镜头,还不如说对大人的防御。他们活在自己的世界里,没有人能走进他们的内心。唉,我们是否应该停下手中的工作,开始细细聆听孩子们的心音呢?
评分介紹große Bilder相機的時候正好有同學作關於她的Referat,其實還挺期待有機會能試試看
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