Taken against the Arcadian backdrop of her woodland home in Virginia, Sally Mann's extraordinary, intimate photographs of her children--Emmett, Jessie, and Virginia--reveal truths that embody the individuality of her immediate family and ultimately take on a universal quality. Mann states that her work is "about everybody's memories, as well as their fears," a theme echoed by Reynolds Price in his eloquent, poignantly reflective essay accompanying the photographs in "Immediate Family." With sublime dignity, acute wit, and feral grace, Mann's pictures explore the eternal struggle between the child's simultaneous dependence and quest for autonomy--the holding on, and the breaking away. This is the stuff of which Greek dramas are made: impatience, terror, self-discovery, self-doubt, pain, vulnerability, role-playing, and a sense of immortality, all of which converge in Sally Mann's astonishing photographs. A traveling exhibition of "Immediate Family," organized by Aperture, opened at the Institute of Contemporary Art in Philadelphia in the fall of 1992.
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..优雅的梵高先生的推荐 为之感叹 “站在人性的高度去诠释着自己对生命的看法和态度。所拍摄的三部曲,前一部是生,后一部是死,中间是对生命和自然的释放,犹如一段史诗”。..
评分看过亲密家庭的部分作品,感谢sally mann,让我看到小孩的童真无邪,看到了最初的自己。
评分特好看
评分羅莉,正太,被治愈
评分羅莉,正太,被治愈
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