Two-thirds of this planet is covered by water inhabited by an incredible variety of living organisms, ranging in size from microbe to whale, and in abundance from scarce to uncountable. Whales and dolphins must surface to breathe, and some fishes occupy surface waters and can easily be seen from boats or shore, but most of the marine bio-profusion is hidden from human eyes, often under thousands of feet and millions of tons of water, which is usually cold, dark, and utterly inhospitable to humans. By definition, the study of marine life has been quantitatively and qualitatively different from the study of terrestrial life--it is, if you will, a different kettle of fish. What do we know today, how have we learned it, and what remains unknown and unknowable about inner space? Because there have been so few human visitors to the uninviting world of the deep sea, scientists have had to rely on trawled specimens, photographs taken by robotic cameras, or occasionally, observations from deep-diving submersibles, to get even the vaguest idea of the nature of life in the abyss. So far, even our most elaborate efforts to penetrate the blackness have produced only minimal results. It is as if someone lowered a collecting basket from a balloon high above the tropical rain forest floor, and tried to analyze the nature of life in the jungle from a couple of random hauls. The inner space of the deep offers the last frontier on the planet. Even now, we know more about the back side of the moon than we do about the bottom of the ocean, but then the surface of the moon is not hidden under miles of impenetrable water. But we do know that living in this inaccessible medium are some of the mostfascinating creatures on Earth. An understanding of the interrelationships between various creatures-including the one predator that has the power to distort, damage, or even eliminate populations of marine animals-is necessary if we are to survive in harmony with these populations. Although new technologies have given us tools to better census the whales, dolphins, and fishes, and to see heretofore unexpected life and geological forms deep under the sea, we are a long way from comprehending the nature and importance of marine biodiversity. Singing Whales, Flying Squid, and Swimming Cucumbers is an attempt to put the search for knowledge into perspective-to try to find out how we got here, and where, with the help of curiosity, science, and technology, we might be headed. With this as our Baedeker, we will voyage through time and space, tracing the history of the discovery of marine biology, from the moment that the first scientists--although for the most part, "science" had barely been invented--tried to figure out what sorts of creatures lived in the Mediterranean, the sea right off their shores. So join Richard Ellis on an underwater adventure like no other you've ever taken or heard of: a voyage to discover the mysteries and reveal the wonders of marine life--more unusual and more astonishing than you--or anyone else--ever imagined.
Richard Ellis is the author of sixteen books, including Men and Whales, Deep Atlantic, The Search for the Giant Squid, and The Empty Ocean. A research associate at the American Museum of Natural History in New York, Ellis is also a celebrated artist whose paintings and drawings of marine life have been exhibited at museums around the world.
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这部作品的叙事手法简直令人拍案叫绝,作者仿佛是一位技艺高超的织工,将错综复杂的情感线索和宏大磅礴的背景设定编织得天衣无缝。我尤其欣赏它对角色内心世界的细腻刻画,每一个人物的抉择都饱含着深思熟虑的重量,而非扁平化的工具人设定。故事的开篇节奏把握得极为精准,没有冗长拖沓的铺陈,而是迅速将读者抛入一个充满张力与悬念的环境之中,让人肾上腺素飙升。随着情节的层层推进,那些看似不经意的伏笔如同散落在棋盘上的关键棋子,在后半段骤然显现其战略意义,使得整个故事的逻辑链条浑然一体,滴水不漏。读到某个转折点时,我甚至不得不停下来,回溯前文,试图捕捉作者是如何如此巧妙地埋下伏笔的。这种智力上的愉悦感,是阅读优秀文学作品时最难能可贵的体验之一。它不仅仅是一个关于冒险或冲突的故事,更是一部关于人性、关于选择的深刻哲学探讨,其文字的韵律感和对意象的捕捉能力,都达到了极高的艺术水准,读完之后,那种久久不能平息的思绪,让人愿意反复回味其中的精妙之处。
评分这部作品给我最强烈的感受是其纯粹的“感官冲击力”。它不是那种需要你带着厚厚的注释本才能勉强理解的晦涩文本,而是一种能直击人内心原始悸动的叙事。它的语言风格是如此的自由奔放,充满了蓬勃的生命力,时而如狂风骤雨般席卷而来,时而又像清晨的薄雾般温柔缠绵。我特别喜欢作者在处理高潮场景时的节奏控制,那种层层递进、蓄势待发,直至最后喷薄而出的爆发力,让人手心冒汗,几乎要从书页中跳出来。它成功地在严肃主题和娱乐性之间找到了一个完美的平衡点。很多同类型作品往往顾此失彼,要么过于说教,要么流于肤浅,但这本小说却做到了两者兼得。它让你在享受精彩绝伦的故事时,不知不觉地吸收了其中蕴含的深刻洞见。阅读体验是连贯且高度沉浸的,我甚至开始用作者所创造的特定语境来思考生活中的一些小问题,可见其影响之深远。
评分这部作品的对话部分是其不容忽视的亮点。角色之间的交锋充满了火花,没有一句废话,每一句台词都服务于推进人物关系或揭示隐藏的动机。尤其是那些看似平静实则暗流涌动的对峙场景,那种“弦外之音”的艺术处理得炉火纯青,需要读者极高的专注力去捕捉那些未说出口的潜台词。书中塑造的核心冲突——关于信念与现实的永恒拉锯——处理得极其成熟和克制,作者没有简单地将一方塑造成绝对的反派,而是展示了每一种立场背后的合理性与局限性,这种对复杂人性的包容和理解,令人心生敬意。它让人类最基本的情感,如爱、背叛、忠诚与恐惧,以一种既熟悉又陌生的角度重新展现在我们面前。读完后,留下的不仅是故事的余韵,更是一种对自我处境和人类境遇的重新审视,其思想的穿透力,绝对是一流的。
评分让我来谈谈结构上的巧妙设计吧。这本书的章节划分本身就极具匠心,每一章的结尾几乎都设计了一个小小的悬念钩子,让你根本无法放下书本,除非你弄清楚下一章会发生什么。这不仅仅是依赖情节的刺激,更重要的是,作者懂得如何运用“信息不对称”来引导读者的好奇心。书中穿插的那些看似不相关的“古代文献片段”或“民间传说”,起初让人摸不着头脑,但随着故事核心秘密的揭露,这些碎片信息如同拼图般精准地契合到位,揭示出远超主角个人命运的更宏大图景。这种多层次的叙事结构,极大地提升了文本的耐读性和深度,绝对值得反复品味。每一次重读,我都能发现之前因为专注于主线而忽略掉的那些埋藏在角落里的精妙暗示,这无疑是一部需要细心对待的文学杰作,它奖励那些愿意付出额外注意力的读者。
评分坦白说,初次翻开这本书时,我对于其篇幅感到一丝畏惧,总担心这会是一场冗长且难以坚持的阅读马拉松。然而,一旦进入状态,时间仿佛失去了意义。作者对环境的描绘达到了近乎触觉的真实感,我能清晰地“闻到”那种带有潮湿泥土和遥远香料混合的气息,这绝非简单的堆砌辞藻,而是一种融入骨血的具象化表达。叙事视角在不同的时间线之间自由切换,但每一次转换都显得自然流畅,如同水银泻地,非但没有造成阅读上的混乱,反而极大地丰富了故事的维度和深度。那种史诗般的气魄和个体命运的无力感交织在一起,形成了一种极具张力的戏剧冲突。更值得称道的是,书中对一些次要角色的塑造也毫不含糊,即便是昙花一现的人物,也拥有令人难忘的个性烙印。这种对细节的执着和对全局的掌控力,无疑是衡量一部史诗级作品的重要标尺,它证明了创作者在构思之初就胸有成竹,对故事的走向了然于心。
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