Modernism: An Anthology

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出版者:Wiley-Blackwell (July 21, 2005)
作者:Lawrence Rainey (Editor)
出品人:
页数:1216 pages
译者:
出版时间:2005-7
价格:US $49.95
装帧:Pap
isbn号码:9780631204497
丛书系列:
图书标签:
  • 艺术史
  • 文学史
  • Modernism
  • Literary Anthology
  • 20th Century Literature
  • Modern Literature
  • Poetry
  • Prose
  • Experimental Literature
  • Avant-Garde
  • Cultural History
  • Literary Criticism
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Editorial Reviews

Review

"Lawrence Rainey, one of the leading modernist scholars in the world today, has produced an anthology ideally suited for the classroom. The attention to Continental developments as well as central Anglo-American texts distinguishes the volume from others now available to students. The range of writers, the judiciousness of the selection, and the expert introduction should make this the leading text in the field." Professor Michael Levenson, University of Virginia

"He has been marvelously selective. There are no secret traditionalists here, no writers included merely for their prominence in modernism's historical moment or for modern themes alone; all are hardcore, the real thing." James Joyce Quarterly

"Lawrence Rainey, one of the leading modernist scholars in the world today, has produced an anthology ideally suited for the classroom. The attention to Continental developments as well as central Anglo-American texts distinguishes the volume from others now available to students. The range of writers, the judiciousness of the selection, and the expert introduction should make this the leading text in the field." Professor Michael Levenson, University of Virginia "He has been marvelously selective. There are no secret traditionalists here, no writers included merely for their prominence in modernism's historical moment or for modern themes alone; all are hardcore, the real thing." James Joyce Quarterly

Product Description

Modernism: An Anthology is the most comprehensive anthology of Anglo-American modernism ever to be published.

Amply represents the giants of modernism - James Joyce, Gertrude Stein, Virginia Woolf, T.S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, Samuel Beckett.

Includes a generous selection of Continental texts, enabling readers to trace modernism’s dialogue with the Futurists, the Dadaists, the Surrealists, and the Frankfurt School.

Supported by helpful annotations, and an extensive bibliography.

Allows readers to encounter anew the extraordinary revolution in language that transformed the aesthetics of the modern world .

Book Description

Modernism is the most comprehensive anthology of Anglo-American modernism ever to be published. The giants of modernist literature-James Joyce, Gertrude Stein, Virginia Woolf, T.S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, Samuel Beckett-are amply represented, along with another 20 Anglo-American writers. In addition, the book features a generous selection of texts by avant-garde thinkers and writers from the Continent. These enable the reader to trace modernism's interaction with the Futurists, the Dadaists, the Surrealists, and the Frankfurt School. Supported by helpful annotations, a "Dictionary of Little Magazines," and a chronology of works and events, this Anthology allows readers to encounter anew the extraordinary revolution in language that utterly transformed the aesthetics of the modern world.

From the Back Cover

Modernism: An Anthology is the most comprehensive anthology of Anglo-American modernism ever to be published. The giants of modernist literature – James Joyce, Gertrude Stein, Virginia Woolf, T. S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, Samuel Beckett – are amply represented, along with another 20 Anglo-American writers. In addition, the book features a generous selection of texts by avant-garde thinkers and writers from the Continent. These enable the reader to trace modernism’s interaction with the Futurists, the Dadaists, the Surrealists, and the Frankfurt School. Supported by helpful annotations and an extensive bibliography, this Anthology allows readers to encounter anew the extraordinary revolution in language that utterly transformed the aesthetics of the modern world.

About the Author

Lawrence Rainey is Professor of English at the University of York. He is the founding editor of the journal Modernism / Modernity, and his essays and reviews have appeared in the Times Literary Supplement, the London Review of Books and The Independent. He is the author of Ezra Pound and the Monument of Culture (1991), Institutions of Modernism: Literary Elites and Public Culture (1998), and Revisiting 'The Waste Land' (2005). He has also edited The Annotated Waste Land with Eliot's Contemporary Prose (2005).

现代主义:一场颠覆与重塑的艺术革命 现代主义,一个在二十世纪初席卷全球的艺术与文学思潮,并非单一的风格或学派,而是一场深刻的文化变革,是对传统价值、审美观念以及表现方式的全面质疑与颠覆。它根植于工业化、城市化、科学技术飞速发展以及社会结构剧烈变动的时代背景,艺术家、作家和思想家们试图摆脱维多利亚时代以来压抑的束缚,捕捉瞬息万变的现代生活,探索人类内在的经验和意识。 历史的断裂与传统的挑战 十九世纪末,欧洲社会经历了前所未有的变革。科学的进步,如爱因斯坦的相对论、弗洛伊德的精神分析,极大地动摇了人们对客观现实和确定性世界的认知。达尔文的进化论挑战了宗教的创世观,尼采的“上帝已死”的宣言更是敲响了传统道德与信仰的丧钟。工业革命带来的城市化进程,使得人口向城市集中,传统田园牧歌式的乡村生活被冰冷、高效、却又充满疏离感的都市景观所取代。新的技术,如电影、汽车、飞机,改变了人们对时空的概念,也带来了新的感官体验。 面对如此剧烈的变革,传统的艺术与文学形式显得捉襟见肘。学院派的僵化、维多利亚式的道德说教、以及对现实主义的机械模仿,都无法捕捉和表达现代人复杂、 fragmented 的内心世界和瞬息万变的外部世界。现代主义艺术家们感受到了“断裂”的时代精神,他们认为过去的一切已经不再适用,必须寻找全新的语言和形式来表现当下的现实。 形式的实验与意识的探索 现代主义的核心特征在于其对形式的极致探索和对人类意识的深入挖掘。 在文学领域,意识流(stream of consciousness)成为了一种标志性的叙事手法。作家们试图直接呈现人物的思维过程,打破线性叙事的时间逻辑,将意识中的联想、跳跃、混乱、碎片化的感受原汁原味地搬上纸面。詹姆斯·乔伊斯的《尤利西斯》便是这一手法的巅峰之作,他运用了大量的内心独白、意识流、以及多种语言和文体的混合,模拟了人物一天中复杂而庞杂的思绪。弗吉尼亚·伍尔夫的《达洛维夫人》和《到灯塔去》同样以精妙的意识流技巧,展现了人物内心世界的微妙波动和时间流逝中的生活体验。 象征主义(Symbolism)也对现代主义文学产生了深远影响。作家们不再满足于直接描绘,而是倾向于通过象征、暗示、隐喻来传达更为复杂的情感和思想。波德莱尔的《恶之花》以其对城市生活阴暗面的描绘和对感官体验的深刻探索,开启了象征主义的先河。马拉美的诗歌则追求纯粹的意象和音乐性,力图摆脱现实世界的羁绊,达到语言的极致。 同时,现代主义作家们也开始挑战传统的叙事结构和人物塑造。他们常常采用非线性的情节、多视角叙事、以及模糊化的人物身份,以反映现实世界的复杂性和不确定性。T.S.艾略特的诗歌《荒原》便以其碎片化的意象、典故的堆砌和断裂的叙事,成为现代主义诗歌的代表作,深刻地表现了第一次世界大战后欧洲精神的荒芜与迷失。 在视觉艺术领域,现代主义的革新更为大胆和激进。 印象派(Impressionism)作为现代主义的先驱,开始摆脱对精确写实的追求,转而捕捉光影和色彩在瞬间的变幻,强调画家的主观感受。莫奈、雷诺阿等人的作品,以其笔触的自由和对生活瞬间的生动描绘,打开了艺术表现的新维度。 随后,后印象派(Post-Impressionism)在印象派的基础上,进一步强调艺术家的主观情感和对形式的探索。梵高以其强烈的色彩和扭曲的笔触,表达内心的激情和痛苦;高更则将东方异域风情融入绘画,寻求精神的超越;塞尚则通过对物体的几何化处理,预示了立体主义的诞生。 立体主义(Cubism)是现代主义艺术中最具革命性的流派之一。毕加索和布拉克打破了传统的透视法,将物体从多个视角同时呈现,将三维世界分解为二维平面上的几何形状。这种对形式的解构和重组,极大地拓展了人们对空间和物体的认知。 表现主义(Expressionism)则将艺术家的内心感受推向极致,通过扭曲的形象、强烈的色彩和夸张的线条,表达压抑、恐惧、焦虑等强烈的情感。蒙克的《呐喊》便是表现主义的经典之作。 抽象主义(Abstract Art)更是直接摆脱了对现实物象的模仿,以纯粹的色彩、线条和形状来表达思想和情感。康定斯基、马列维奇等人的作品,将艺术推向了更为纯粹的精神领域。 此外,达达主义(Dadaism)以其对理性、逻辑和艺术本身的嘲讽和颠覆,宣称“一切都毫无意义”,表达了对战争和社会虚伪的绝望。超现实主义(Surrealism)则受到弗洛伊德精神分析的影响,探索潜意识的领域,将梦境、幻觉、以及非理性事物融入艺术创作,如达利的作品。 现代主义的影响与遗产 现代主义不仅在艺术和文学领域留下了深刻的印记,其影响更是渗透到建筑、音乐、哲学等各个方面。 在建筑领域,功能主义和极简主义的兴起,例如包豪斯学派,强调“形式追随功能”,摒弃繁复的装饰,追求简洁、实用、开放的空间。勒·柯布西耶的“新建筑五点”为现代建筑树立了新的标杆。 在音乐领域,勋伯格的十二音体系和无调性音乐,挑战了传统的调性结构,开启了音乐表达的新可能。斯特拉文斯基的《春之祭》以其原始的节奏和 dissonant 的和声,引发了巨大的争议,却也预示了音乐的未来。 现代主义思潮对后来的艺术发展产生了不可估量的影响。后现代主义(Postmodernism)在某种程度上是对现代主义的继承与批判,它进一步解构宏大叙事,强调多元、杂糅、戏仿,并在全球化背景下呈现出更为复杂和丰富的面貌。 尽管现代主义在形式上进行了大胆的实验,但其核心是对人类生存状态的深刻关怀。它关注个体在现代社会中的孤独、疏离、焦虑,以及对意义的追寻。它打破了旧的秩序,同时也带来了新的困惑。然而,正是这种对未知和不确定性的探索,以及对人类内心世界的深刻挖掘,使得现代主义成为二十世纪最具活力和影响力的文化运动之一,至今仍在启发着我们对艺术、生活以及我们自身进行反思。它是一场永不停歇的革命,一场对已知边界的不断拓展,一场对人类精神深邃维度的永恒探求。

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