Larry Fink

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出版者:Damiani
作者:Larry Fink
出品人:
页数:160
译者:
出版时间:2006-9-15
价格:USD 50.00
装帧:Hardcover
isbn号码:9788889431566
丛书系列:
图书标签:
  • 金融
  • 投资
  • 黑石集团
  • 资本市场
  • 公司治理
  • 领导力
  • 商业
  • 经济
  • 美国
  • 金融危机
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具体描述

Larry Fink secured enduring fame with the book Social Graces, which mixed images from working-class Pennsylvania with a portfolio from upper-crust Manhattan, observing manners and mores on the long, curvy couches of Studio 54 and in the chaos of Pat Sabatine's eighth birthday party, where the screen door is always just about to slam. Fink has always been interested in what high and low culture have to say to one another, and has continued to seek the best of both behind the scenes at fashion shows in Runway and in the ring with sparring fighters in Boxing.

《拉里·芬克》(Larry Fink)这本书,并非一本关于具体事件或人物的传记,也不是一本详细描绘某个特定主题的百科全书。它更像是一面折射现实的棱镜,通过一系列精妙的观察和深刻的思考,为读者呈现一个广阔而多维度的世界。 这本书的核心在于其对“存在”本身的探索。作者以一种近乎考古学的方式,审视我们习以为常的社会现象、文化符号以及人际互动。它不拘泥于单一的叙事线索,而是如同串珠般,将那些看似零散的片段巧妙地编织在一起,共同构建起一幅关于当下生活图景的画卷。 在《拉里·芬克》中,你不会找到一个清晰明确的“故事”。相反,你会体验到一种沉浸式的阅读过程,仿佛置身于一个精心设计的展览,每一件展品都诉说着自己的故事,而这些故事又彼此呼应,构成了一个更宏大的叙事。这些“展品”可能是一些我们日常生活中不经意间瞥见的细节,一些被遗忘的传统,一些被忽视的社会趋势,甚至是一些我们从未意识到但却深刻影响着我们的观念。 这本书的价值在于其“无所不包”的视角。它可能触及艺术的边界,探讨创作的本质;它可能深入人性的幽微,剖析情感的起伏;它可能审视技术的演进,反思其对人类社会的影响;它也可能关注自然的循环,唤醒我们对环境的敬畏。但请注意,这些都不是以一种教科书式的、明确的分类方式呈现,而是融入在作者的笔触之中,成为构成其独特世界观的组成部分。 《拉里·芬克》的魅力在于其“留白”的空间。作者提供了一个框架,一个视角,但最终的意义和解读,很大程度上交由读者去完成。它鼓励读者主动思考,去连接作者抛出的线索,去构建属于自己的理解。书中不会有明确的“答案”,也不会有“标准”的解释。每一位读者都可能从中读出不同的东西,获得独特的启示。 它就像一本邀请函,邀请你一同踏上一场思想的旅程。在这场旅程中,你可能会重新审视自己所处的位置,重新思考习以为常的价值,甚至发现一些隐藏在平凡之下的惊奇。这本书不提供“知识点”,但它能激发“智慧火花”。它不讲解“方法论”,但它能启迪“新视角”。 《拉里·芬克》并非一本“读完即忘”的书,它的影响更可能是一种潜移默化的改变。它会在你的脑海中留下一些“种子”,这些种子会在日后的生活中,在你面对各种情境时,慢慢萌发,开枝散叶。它可能让你在看到某个新闻时,多一份深度思考;让你在与人交流时,多一份理解和包容;让你在面对生活中的挑战时,多一份从容和智慧。 这本书的语言风格也值得一提。它通常是流畅而富有感染力的,但同时又保持着一种克制和审慎。作者的笔触不张扬,不煽情,而是用一种沉静而有力的方式,将思想的力量传递给读者。你不会在其中找到冗余的辞藻,也不会找到刻意的雕琢,一切都自然而然,仿佛是思想本身流淌出的痕迹。 总而言之,《拉里·芬克》是一本邀请你去“体验”而非“被告知”的书。它不是知识的容器,而是思想的土壤。它不提供现成的答案,而是鼓励你去探索和创造。它将带你进入一个充满可能性的思考空间,让你在这个空间里,找到属于自己的独特回响。它是一面为你量身打造的镜子,让你在其中看到一个既熟悉又陌生的自己,以及你所置身的世界。

作者简介

Larry Fink is a professional photographer of 45 years. He has had one man shows at the Museum of Modern Art, the Whitney Museum of Modern Art, the San Francisco Museum of Art, the Musee de la Lausanne Photographie in Belgium, and the Musee de l’Elysee in Switzerland, amongst others. He shows in galleries regularly in New York, Los Angeles, and Paris, France. Along with two John Simon Guggenheim Fellowships in 1976 and 1979, and two National Endowment for the Arts, Individual Photography Fellowships in 1978 and 1986, he was awarded an honorary doctorate from the College for Creative Studies, College of Art and Design, Detroit, 2002.

His commercial work includes advertising campaigns for Smirnoff, Bacardi, and Cunard Lines (Q.E.2). His work has appeared in top publications such as Vanity Fair, W, GQ, Detour, The New York Times Magazine, and The New Yorker. He has been teaching for the past 41 years, the last 16 years as a professor of photography at Bard College.

More recently, in 2007, Larry has had several shows; “Larry Fink and George Grosz” at the Heckscher Museum in Long Island, “Somewhere There’s Music” at the Gallery Forni in Milan, Italy, “Somewhere There’s Music” at the Museo de la Rosse in Bologna and the Museo Alinari in Florence, Italy and “Logging, The Olympic Peninsula” at the Lorenselli Arte Gallery in Milan, Italy. He also co-curated a show on Lisette Model and her influence on the world of photography for the Aperture Foundation that opened in September 2007. At the Metropolitan Museum of Art, Larry photographed an interactive exhibition where the images of the evening were projected on the wall in real time in the Temple of Dendur. In February 2008, at Princeton University, he exhibited a mini study of poverty in America entitled “Diminishing Returns”. Larry was commissioned by Vanity Fair to cover the 2008 political trail of Barack Obama, Hillary Clinton, and John McCain. These photographs were shown at the Pace/MacGill Gallery in New York and at the Robert Klein Gallery in the Fall of 2008. His latest project, photographing the Orpheus Orchestra is currently at Lafayette College through May, 2009.

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