In The Battle of the Sexes in French Cinema, 1930–1956, Noël Burch and Geneviève Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940–44). The authors contend that the films produced from the 1930s until 1956—when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"—are important, both as historical texts and as sources of entertainment.
Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole.
Noël Burch is Professor Emeritus of Film Studies at the University Charles de Gaulle in Lille. His book Theory of Film Practice is widely regarded as one of the key works of Western film criticism.
Geneviève Sellier is Professor of Film Studies at the University Michel de Montaigne in Bordeaux. She is the author of several books in French, as well as Masculine Singular: French New Wave Cinema, also published by Duke University Press.
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我必须得说,这本书的文献梳理工作简直是教科书级别的典范。它不是简单地罗列史实或作品名称,而是构建了一个极其复杂而又严密的知识网络。作者似乎拥有无穷的耐心和严谨的态度,将各种报纸评论、当时的访谈记录、甚至是一些鲜为流传的私人信件都巧妙地编织进了主体论述中。这种扎实的基础,使得书中的每一个论断都有着坚实的后盾,让人无可辩驳。对于任何一个想深入了解特定历史时期电影文化脉络的研究者来说,这本书提供的参考书目和注释部分都堪称无价之宝。它极大地拓宽了我的视野,让我认识到在构建一个时代艺术图景时,需要多么细致入微的挖掘和多么审慎的判断。每一次引用和旁征博引,都显示出作者对材料的驾驭达到了炉火纯青的地步。
评分这本书的装帧设计真是让人眼前一亮,那种复古的字体和略带磨损的封面质感,仿佛一下子把我带回了那个纸媒的黄金时代。我特别喜欢封面色彩的搭配,深沉的蓝色与暖黄色的文字形成了一种微妙的张力,暗示着书中所探讨的主题绝非轻松愉快之辈。光是捧着它,就能感受到一种历史的厚重感,让人忍不住想立刻翻开,探寻隐藏在这些精美排版背后的故事与思想。内页的纸张选择了偏米色的哑光材质,阅读起来非常舒适,即使长时间沉浸其中,眼睛也不会感到疲劳。看得出来,出版方在细节上是下了大功夫的,这不仅仅是一本书,更像是一件精心打磨的艺术品,单凭这一点,就值回票价了。我尤其欣赏扉页上那句引文的排版,简洁有力,为后续的阅读定下了一个充满思辨的基调,那种对影像美学和时代精神的细腻捕捉,从翻开第一页时便已扑面而来。
评分这本书最吸引我的地方在于,它成功地超越了单纯的电影史描述,深入到了文化符号的深层结构之中。作者并没有将电影视为孤立的艺术品,而是将其置于更广阔的社会心理变迁的背景下进行考察。我尤其欣赏作者对于‘张力’和‘矛盾’这种概念的反复探讨,这种辩证的视角使得对既有观念的挑战变得更为有力。读完后,我对特定历史阶段中,艺术表达如何成为社会情绪的晴雨表有了全新的认识。书中对某些经典场景的解读,角度刁钻而又极具说服力,仿佛作者为我们提供了一把万能钥匙,开启了理解那个时代集体潜意识的大门。它迫使读者跳出舒适区,去审视那些被时间掩盖的细微差别和微妙的意识形态流动,引发了持久的思考,这正是一部伟大的作品所应具备的特质。
评分这本书的叙事节奏把握得极其精准,作者的笔触流畅而富有洞察力,完全没有那种学院派论著常见的晦涩难懂。它像一条蜿蜒的河流,时而平静地流淌过那些鲜为人知的电影幕后轶事,时而又汇聚成湍急的瀑布,将激烈的社会思潮和美学变革倾泻而出。阅读过程中,我发现自己不仅是在吸收知识,更像是在参与一场跨越数十年的对话。作者似乎有一种魔力,能让遥远的历史人物鲜活起来,他们的挣扎、他们的妥协、他们的胜利,都清晰可见。尤其是在分析几部关键性影片的片段时,那种对镜头语言的解构能力,既专业又充满激情,让人不得不佩服其深厚的功力。我常常需要停下来,合上书本,回味刚才读到的那个观点,那种‘原来如此’的顿悟感,是阅读优秀非虚构作品时最美妙的体验。
评分与其他同类题材的书籍相比,这本书的视角显得格外清新和大胆。作者没有陷入对宏大叙事的过度赞美或批判的窠臼,而是聚焦于一些极具代表性但又常被忽略的边缘现象。通过对特定时期电影中角色互动模式的细致描摹,作者成功地揭示了一种深植于社会结构内部的权力动态关系。这种对微观层面的精准捕捉,使得宏观的时代背景不再是空洞的口号,而是通过一个个银幕上的面孔和场景生动地展现出来。我特别赞赏作者在收尾时所展现出的谦逊和开放性,它没有试图给出一个终极答案,而是留下了一系列引人入胜的问题,鼓励读者继续探索。这本书读起来酣畅淋漓,既满足了对知识的渴求,又提供了丰富的想象空间,绝对是近期阅读体验中最令人愉悦的一部力作。
评分First rate cultural studies of French cinema. It provides a narrative that is so insightful and informed that its argument can cut through 30 years of French culture effortlessly. The perennial crisis of masculinity is highlighted and supplemented by works by Jill Forbes and Phil Powrie. This is a book that leads you to see the big picture.
评分First rate cultural studies of French cinema. It provides a narrative that is so insightful and informed that its argument can cut through 30 years of French culture effortlessly. The perennial crisis of masculinity is highlighted and supplemented by works by Jill Forbes and Phil Powrie. This is a book that leads you to see the big picture.
评分Burch and Sellier电影批评著作英译本,分析的路子虽然一招鲜,说服力极强
评分First rate cultural studies of French cinema. It provides a narrative that is so insightful and informed that its argument can cut through 30 years of French culture effortlessly. The perennial crisis of masculinity is highlighted and supplemented by works by Jill Forbes and Phil Powrie. This is a book that leads you to see the big picture.
评分Burch and Sellier电影批评著作英译本,分析的路子虽然一招鲜,说服力极强
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