Dimensions of Originality pdf epub mobi txt 電子書下載2025

☆☆☆☆☆

KATHARINE P. BURNETT is Associate Professor of Chinese Art History and Director of the East Asian Studies Program at the University of California, Davis, where she works on topics including Chinese art theory and criticism, painting history, and issues of collection and display from the Ming to the present.

出版者:The Chinese University Press

作者:Katharine P. Burnett

出品人:

頁數:450

译者:

出版時間:2013-4-30

價格:GBP 54.50

裝幀:Hardcover

isbn號碼:9789629964566

叢書系列:

圖書標籤:

藝術史
海外中國美術史研究
明清美術史
藝術
繪畫理論
藝術理論
藝術史書單
艷麗情史

下載連結在頁面底部

facebook linkedin mastodon messenger pinterest reddit telegram twitter viber vkontakte whatsapp 複製連結

想要找書就要到小美書屋

book.quotespace.org

立刻按 ctrl+D收藏本頁

你會得到大驚喜!!

This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi" 奇, literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.