The Negro

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出版者:University of Pennsylvania Press
作者:W. E. B. Du Bois
出品人:
页数:288
译者:
出版时间:2001-4-24
价格:GBP 15.99
装帧:Paperback
isbn号码:9780812217759
丛书系列:
图书标签:
  • 非裔美国人
  • 种族关系
  • 美国历史
  • 社会问题
  • 文化研究
  • 民权运动
  • 历史
  • 社会学
  • 传记
  • 20世纪美国
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具体描述

Africa is at once the most romantic and the most tragic of continents. So begins The Negro, the first comprehensive history of African and African-derived people, from their early cultures through the period of the slave trade and into the twentieth century. Originally published in 1915, the book was acclaimed in its time, widely read, and deeply influential in both the white and black communities, yet this beautifully written history is virtually unknown today. As a wellspring of critical studies of Africa and African Americans, it directly and indirectly influenced and inspired the works of scholars such as C. L. R. James, Eric Williams, Herbert Aptheker, Eric Foner, Kwame Anthony Appiah, and Henry Louis Gates, Jr. One of the most important books on Africa ever written, it remains fresh, dynamic, and insightful to this day. The Negro is compelling on many levels. By comparing W. E. B. Du Bois's analysis with subsequent scholarship, Robert Gregg demonstrates in his afterword that The Negro was well ahead of its time: Du Bois's view of slavery prefigures both paternalistic perspectives and the materialist view that the system was part of the capitalist mode of production. On black contributions to the Civil War and to the emancipation of slaves, historians have yet to acknowledge all that Du Bois delineated. In his discussion of Reconstruction, Du Bois preempts much later historiography. His identification of segregation as an issue of class rather than race is almost forty years ahead of C. Vann Woodward's similar thesis. As to the matter of race, Du Bois is clear that the concept is a social construct having no foundation in biology. Intellectually and historically prescient, Du Bois assumed globalization as a matter of course, so that his definition of the color line in The Negro links all colonized peoples, not just people of African descent. With the resolution of the Cold War and the ascendancy of the global market, Du Bois's sweeping vision of Africans and the diaspora seems more relevant now than at any time in the past hundred years.

《黒人》是一部深刻探索非洲裔美国人经历的开创性著作。本书作者以其敏锐的洞察力和扎实的学术功底,追溯了非洲大陆人民如何跨越历史的鸿沟,穿越大西洋的惊涛骇浪,最终在北美大陆扎根并形成独特文化的故事。 本书并非仅仅是历史事件的简单罗列,而是深入挖掘了“黒人”身份在历史长河中的演变与重塑。从早期奴隶制的残酷现实,到争取自由的漫漫长路,再到后来的权利运动,作者细致地勾勒出非洲裔美国人如何在逆境中展现出惊人的韧性和创造力。书中对奴隶制度下的日常生活、家庭结构、宗教信仰以及艺术表达进行了详尽的描绘,这些细节不仅还原了历史的真实面貌,更让读者能够感同身受当时人们的喜怒哀哀。 作者通过对大量一手史料、个人回忆录以及口述历史的梳理,为我们展现了一个多维度、立体化的“黒人”形象。这本书打破了以往对这一群体刻板、单一的认知,揭示了他们在不同历史时期所面临的挑战、所付出的努力以及所取得的成就。从反抗奴役的英勇斗争,到在社会各个领域——文学、音乐、艺术、科学、政治——的卓越贡献,本书都给予了充分的肯定和深入的分析。 《黒人》尤其关注了文化传承与身份认同的议题。作者探讨了非洲文化如何在美国这片新大陆上与当地文化相互碰撞、融合,最终孕育出独具特色的非裔美国人文化。音乐,尤其是爵士乐和蓝调,在书中占据了重要的篇幅,它们不仅是艺术形式,更是承载着历史记忆、表达情感、传递希望的载体。书籍也深入探讨了语言、宗教、社群组织等如何在维持身份认同方面发挥关键作用。 本书的另一大亮点在于其对社会结构和制度性压迫的批判性审视。作者毫不避讳地揭露了种族歧视、经济剥削以及政治排斥对非裔美国人社区造成的深远影响。通过对这些历史事实的深刻反思,本书引发读者对当前社会中依然存在的种族不平等问题的警觉。它鼓励人们思考,历史的遗产如何继续影响当下,以及我们如何才能构建一个更加公正、平等的社会。 《黒人》不仅是一部历史著作,更是一部关于人性、抗争与希望的史诗。它是一面镜子,映照出人类社会历史上最为黑暗的一页,同时也展现了人类精神中最光明的一面。这本书适合所有对历史、文化、社会公正以及人类奋斗史感兴趣的读者。它将带你踏上一段发人深省的旅程,让你更深刻地理解“黒人”这一身份背后所承载的丰富历史与复杂情感。 这本书提供了一个至关重要的视角,来理解美国社会的形成及其持续的演变。它提醒我们,历史不是静止的,而是鲜活的、不断被讲述和重新解释的。通过阅读《黒人》,读者能够获得对一个重要群体丰富而复杂的理解,并对人类追求平等和尊严的历程有更深刻的认识。

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