Catch-22 pdf epub mobi txt 电子书 下载 2024


Catch-22

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Joseph Heller
Knopf Doubleday Publishing Group
1995-10
568
168.00元
Hardcover
Everyman's Library
9780679437222

图书标签: Joseph_Heller  英语  还没读  小说  实体书已买   


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发表于2024-11-08

Catch-22 epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Catch-22 epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Catch-22 pdf epub mobi txt 电子书 下载 2024



图书描述

Arguably the best novel to come out of World War II, in which Heller strips away the veneer of martial glory to expose its insanity, and gives our language a new paradoxical phrase to describe mankind at the mercy of its own institutions.

As revealing today as when it was first published, this brilliant novel by the author of Picture This expresses the concerns of an entire generation in its black comedy. World War II flier John Yossarian decides that his only mission each time he goes up is to return--alive!

Catch-22 下载 mobi epub pdf txt 电子书

著者简介

Joseph Heller’s debut novel Catch-22 will always be remembered as a brilliantly scathing indictment of war and one of the great absurdist comedies of 20th century American literature. However, it also created a painful catch-22 for its author at the expense of his subsequent works, which he would eventually explore in his final novel Portrait of an Artist as an Old Man.

Biography

Sometimes life traps you in an unfortunate situation that is impossible to escape from because of a set of inherently absurd rules. Take Joseph Heller, for example. The very first novel he published was among the most biting, powerful, hilarious examples of contemporary literature, a genuine classic of 1960s anti-war literature. Yet, Heller was forever trapped by that novel, unable to achieve similar success with his subsequent works no matter how fine they may have been. Both that painful predicament and that auspicious debut novel are known as Catch-22, and one hopes that an absurdist such as Joseph Heller had to at least appreciate that irony a little.

Catch-22 (1961) was somewhat based on Heller's own experiences as a B-25 bombadier in the Twelfth Air Force during World War II. It is the story of John Yossarian, a malingering bombardier stationed in Italy during the war. He lives in constant terror of being killed, so he flies each of his missions with the sole goal of returning alive. Unfortunately, Colonel Cathcart keeps increasing the number of missions he must undertake in order to complete his service. Yossarian's only way out is to prove that he is insane. Of course, the only way he can do that is to willingly take the most dangerous missions the air force has to offer. Yossarian's ridiculous, unwinnable situation is the Catch-22 from which the novel gets its name.

Heller uses Yossarian's situation as a means to satirize and criticize the military and dehumanizing bureaucracies in general. The novel follows a disorienting logic of its own, owing more to Lewis Carroll's Wonderland than any war-themed novel before it. Consequently, Heller's unique approach to his subject had a deep influence on writers such as Kurt Vonnegut (Slaughterhouse Five) and Tom Robbins (Villa Incognito). In 1970, Catch-22 was adapted into a star-studded feature film by director Mike Nichols (Who's Afraid of Virginia Woolf? ; The Graduate). Although many viewed the film as a disappointment, it had its fair share of highly inspired sequences, and in all fairness, the whimsical structure of the novel does not easily lend itself to the cinematic medium.

With a genuine classic on his hands, Heller then took his time producing his second novel. Something Happened did not appear until 1974, but it continued many of the themes present in Catch-22. This time around he directed his poison pen at the dehumanizing effects of the big-business world. Heller's tangy blend of pessimism and humanism would be the driving force behind the majority of his work that followed, including Good as Gold, Closing Time (a sequel to Catch-22), and the play We Bombed New Haven. However, none of his subsequent efforts came close to matching the success or influence of Catch-22, a fact that irked Heller until his death. His final novel, the posthumously published Portrait of an Artist as an Old Man, explored this very theme as writer Eugene Pota struggles to decide upon a subject for his final novel.

Despite his own misgivings about his career, Joseph Heller will forever be remembered as a giant in American literature, even if it is only due to his first novel... and that's the kind of Catch-22 in which most writers would kill to be trapped.


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圆鼓鼓的脸蛋那里真是笑死我了,好可爱

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圆鼓鼓的脸蛋那里真是笑死我了,好可爱

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圆鼓鼓的脸蛋那里真是笑死我了,好可爱

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胡萝卜之夜

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圆鼓鼓的脸蛋那里真是笑死我了,好可爱

读后感

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"这可是实实在在的一见钟情",约瑟夫·海勒用这句话描述约塞连狂热地恋上了随军牧师。而我在这一句开场爱上了约瑟夫·海勒。当然,这里面有个圈套。正如科恩中校所说。 关于其中的荒诞和无可救药的莫名奇妙,我就不一一叙述了,直接去文字/生活中去寻找黑色给你的快感吧...  

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《不管三七二十一》 -再讀約瑟夫•海勒的《第二十二条軍規》 假如漫長歷史與浩瀚地理可以合一;假如生於大明萬歷卒於大清順治後來被譽為話本小說、戲曲、民謠皆獨具成就的文學家-蘇州人馮夢龍,與紐約布魯克林區的猶太移民後裔、二戰時期的美國空軍中尉後來成了美國黑色幽...  

评分

《不管三七二十一》 -再讀約瑟夫•海勒的《第二十二条軍規》 假如漫長歷史與浩瀚地理可以合一;假如生於大明萬歷卒於大清順治後來被譽為話本小說、戲曲、民謠皆獨具成就的文學家-蘇州人馮夢龍,與紐約布魯克林區的猶太移民後裔、二戰時期的美國空軍中尉後來成了美國黑色幽...  

评分

"这可是实实在在的一见钟情",约瑟夫·海勒用这句话描述约塞连狂热地恋上了随军牧师。而我在这一句开场爱上了约瑟夫·海勒。当然,这里面有个圈套。正如科恩中校所说。 关于其中的荒诞和无可救药的莫名奇妙,我就不一一叙述了,直接去文字/生活中去寻找黑色给你的快感吧...  

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生命不过是一个荒诞的玩笑。刘晓波曾说,一场文革,够写10部《第22条军规》,可我们一部都写不出来。尽管足够荒诞,但我们缺乏面对荒诞的勇气,更缺乏用微笑嘲弄死亡的心智。  

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