Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's chief curator of photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'"
Now available for the first time, the paperback edition of this definitive, comprehensive volume is being published to coincide with the traveling retrospective's stop in San Francisco at SFMOMA. At 480 pages, Friedlander includes more than 750 photographs--770 duotone and 33 color--grouped by series, as well as the incisive, aforementioned essay by Peter Galassi and an afterword by Richard Benson.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
印刷超精細，費裏蘭德對那些繁復細節的錶現因為印刷而變現得淋灕盡緻。
评分印刷超精細，費裏蘭德對那些繁復細節的錶現因為印刷而變現得淋灕盡緻。
评分印刷超精細，費裏蘭德對那些繁復細節的錶現因為印刷而變現得淋灕盡緻。
评分印刷超精細，費裏蘭德對那些繁復細節的錶現因為印刷而變現得淋灕盡緻。
评分genius.
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有