One of the great English Romantic poets, William Blake (1757-1827) was an artist, poet, mystic and visionary. His work ranges from the deceptively simple and lyrical "Songs of Innocence" and their counterpoint "Experience" - which juxtapose poems such as "The Lamb and The Tyger", and "The Blossom and The Sick Rose" - to highly elaborate, apocalyptic works, such as "The Four Zoas", "Milton" and "Jerusalem". Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations. 注:该书有2个封面内容完全一致,货品随机发送
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. What he called his prophetic works were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language".[2] His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced".[3] In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[4] Although he lived in London his entire life (except for three years spent in Felpham),[5] he produced a diverse and symbolically rich œuvre, which embraced the imagination as "the body of God"[6] or "human existence itself".[7]
Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic".[8] Reverent of the Bible but hostile to the Church of England (indeed, to almost all forms of organised religion), Blake was influenced by the ideals and ambitions of the French and American Revolutions.[9] Though later he rejected many of these political beliefs, he maintained an amiable relationship with the political activist Thomas Paine; he was also influenced by thinkers such as Emanuel Swedenborg.[10] Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Rossetti characterised him as a "glorious luminary",[11] and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".[12]
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坦白说,我是一个对诗歌抱有很高期待的读者,很多时候都会感到失望,但这本书真正地“喂饱”了我。它的力量在于其惊人的平衡感——既有对人类普遍困境的深刻反思,又有对个体生命瞬间的细腻捕捉。读到那些探讨记忆与遗忘的篇章时,我感到一阵强烈的怀旧情绪涌上心头,那些遗失的童年片段、模糊的面容,仿佛都被诗人的文字重新唤醒,带着一种温柔的疼痛。这本书的叙事声音非常多变,有时像是哲学家在沉思,有时像是孩童在嬉闹,有时又像是古老的吟游诗人,这种声音的切换处理得浑然天成,没有丝毫的突兀感。它成功地营造了一种“万物皆有灵”的氛围,即便是最微不足道的存在,也能在诗人的笔下焕发出不朽的光彩。这是一部充满生命力的作品,它不仅记录了诗人的心路历程,也激发了我们作为读者的共鸣和自我审视。强烈推荐给所有寻求真诚、深刻文学体验的朋友。
评分说实话,我抱着一种非常审慎的态度开始阅读这本诗集,毕竟市面上的“全集”类书籍,内容质量往往参差不齐。然而,这本书的质量之高,远超出了我的预期。它的结构安排非常巧妙,不同时期的作品似乎在进行着一场跨越时间的对话。我注意到一些早期的作品带着明显的实验性和冲动感,而晚期的诗篇则沉淀下来,展现出一种洞悉世事的平和与力量。这种成长的脉络在书中清晰可见,使得阅读过程更像是一次跟随诗人生命轨迹的旅程。尤其是那些关于时间流逝和存在本质的探讨,措辞大胆而精准,毫不拖泥带水,直击核心。有些篇章的意象构建极其宏大,让人联想到史诗般的场景,而有些则微小到捕捉清晨茶杯上的一层薄雾,这种张弛有度的叙事节奏掌控得炉火纯青。我建议大家不要急于求成地读完,最好是挑选一个安静的下午,配上一杯浓茶,慢慢地,让诗句在脑海里发酵。这本书的价值在于其深度和广度,它要求读者付出专注,并会给予丰厚的回报。
评分这本诗集简直是一场文字的盛宴,我简直不敢相信我的眼睛!从翻开第一页开始,我就被那种扑面而来的艺术气息深深地吸引住了。诗人的笔触细腻得仿佛能捕捉到空气中光线的流动,每一个词语的排列组合都像精心打磨的宝石,折射出不同的光芒。我特别喜欢其中几首关于自然景物的描写,那种身临其境的感觉太强烈了,仿佛我真的能闻到雨后泥土的芬芳,听到风穿过松林的低语。作者对情感的捕捉更是入木三分,那些关于爱恋、失落、追寻的主题,没有一句是陈词滥调,反而充满了新鲜而深刻的洞察力。我常常读完一首诗,需要停下来,闭上眼睛细细回味很久,那种韵味不是一目了然的,需要用心去品咂,去感受字里行间蕴含的哲思和温柔。装帧设计也十分考究,厚实的纸张,典雅的字体,让人在阅读的同时也能享受到一种视觉上的愉悦。这本书不只是诗歌的集合,更像是一扇通往另一个世界的窗户,每次打开,都能带来新的发现和感悟。对于那些真正热爱诗歌、追求精神滋养的读者来说,这本书绝对是案头必备的珍藏。
评分我必须承认,初读此书时,我被其中一些篇章的视角转换速度惊到了。它不像传统叙事诗那样线性展开,而是充满了跳跃性、碎片化的信息流,需要读者主动去填补空白,去构建自己的理解。这种“不完全告知”的处理方式,反而激发了我的参与感和探索欲。我发现,每当我以为自己掌握了某首诗的主题时,读到最后几句,又会被带入一个全新的维度。作者对意象的象征性运用达到了极高的水准,一个简单的物件,比如一把旧钥匙,或者一盏摇曳的灯火,都能被赋予多重、甚至相互矛盾的含义,这使得诗歌的解读空间变得无限广阔。这本书对文学爱好者来说,无疑是一座富矿,值得深入挖掘其底层逻辑和潜台词。它不是那种读完一遍就可以束之高阁的书籍,它更像是一面镜子,映照出读者自身经历的不同侧面。我个人认为,它的价值在于提供了思考的工具,而非标准答案。
评分这本书给我的感觉是,它完全打破了我对传统格律诗的刻板印象。这里的语言是活的、流动的,充满了现代的张力,却又不失古典的韵味。作者似乎拥有一种魔力,能将最日常的词汇组合成令人惊叹的画面。我特别留意了那些关于城市生活的诗歌,它们没有陷入对都市冷漠的控诉,反而描绘了钢筋水泥丛林中隐藏着的、那些不易察觉的温情和挣扎,那种真实感让人感同身受,仿佛作者就是我身边最了解我心绪的那个朋友。阅读过程中,我发现自己常常会停下来,不是因为读不懂,而是因为太“懂”了,那些文字精准地表达了我自己都未能清晰梳理的情感碎片。这本书的排版也值得称赞,大片的留白处理得恰到好处,让每一行诗都有足够的呼吸空间,避免了文字堆砌带来的压迫感。它不像某些晦涩难懂的先锋文学那样拒人于千里之外,它是在邀请你,用一种更开放的心态去体验生活。这是一次极其成功的语言实践,是值得反复咀嚼的文学精品。
评分随便找个版本好了。。。挺短的一下午就看完了。。。前面还一般,到了experience的时候就好棒啊。。依然是胖胖喜欢的诗人【胖胖喜欢的诗人不是小清新就是愤青,反正就是一身正气的那种,好吧出了波德莱尔,跟本人差距真大
评分随便找个版本好了。。。挺短的一下午就看完了。。。前面还一般,到了experience的时候就好棒啊。。依然是胖胖喜欢的诗人【胖胖喜欢的诗人不是小清新就是愤青,反正就是一身正气的那种,好吧出了波德莱尔,跟本人差距真大
评分随便找个版本好了。。。挺短的一下午就看完了。。。前面还一般,到了experience的时候就好棒啊。。依然是胖胖喜欢的诗人【胖胖喜欢的诗人不是小清新就是愤青,反正就是一身正气的那种,好吧出了波德莱尔,跟本人差距真大
评分随便找个版本好了。。。挺短的一下午就看完了。。。前面还一般,到了experience的时候就好棒啊。。依然是胖胖喜欢的诗人【胖胖喜欢的诗人不是小清新就是愤青,反正就是一身正气的那种,好吧出了波德莱尔,跟本人差距真大
评分随便找个版本好了。。。挺短的一下午就看完了。。。前面还一般,到了experience的时候就好棒啊。。依然是胖胖喜欢的诗人【胖胖喜欢的诗人不是小清新就是愤青,反正就是一身正气的那种,好吧出了波德莱尔,跟本人差距真大
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