One of the world's most respected sociologists updates his classic work on public views of popular and high culture. Is NYPD Blue a less valid form of artistic expression than a Shakespearean drama? Who is to judge and by what standards? In this new edition of Herbert Gans's brilliantly conceived and clearly argued landmark work, he builds on his critique of the universality of high cultural standards. While conceding that popular and high culture have converged to some extent over the twenty-five years since he wrote the book, Gans holds that the choices of typical Ivy League graduates, not to mention Ph.D.s in literature, are still very different from those of high school graduates, as are the movie houses, television channels, museums, and other cultural institutions they frequent. This new edition benefits greatly from Gans's discussion of the "politicization" of culture over the last quarter-century. Popular Culture and High Culture is a must read for anyone interested in the vicissitudes of taste in American society.
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a variety of popular cultures which Gans uses to replace the idea of a singular mass culture. Convergence/Divergence/Omnivorousness +
评分對通俗文化的辯護讀來依然具有力量。而對具體的趣味文化分層、趣味公眾以及亞文化計劃等的闡述,主要是從電視的角度分析的,則有些過時瞭。網絡時代,很多問題不再是問題,也齣現瞭很多新的問題。
评分又是導師推薦,關於大眾文化和精英文化,反對消費主義的觀點,認為大眾文化是有積極意義的。
评分翻譯完瞭第二章,為他人做嫁衣裳。上中下文化中還劃分瞭中上、中下,外還論及瞭其他邊緣文化,分析很細,比較平庸,因方法原因,獨斷之處比比皆是,亮點卻並不多見。
评分對通俗文化的辯護讀來依然具有力量。而對具體的趣味文化分層、趣味公眾以及亞文化計劃等的闡述,主要是從電視的角度分析的,則有些過時瞭。網絡時代,很多問題不再是問題,也齣現瞭很多新的問題。
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