The Viewpoints Book

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出版者:Theatre Communications Group
作者:Anne Bogart
出品人:
页数:224
译者:
出版时间:2005-04-15
价格:USD 16.95
装帧:Paperback
isbn号码:9781559362412
丛书系列:
图书标签:
  • 表演方法
  • theatre
  • 戏剧
  • #English
  • 观点写作
  • 写作技巧
  • 批判性思维
  • 论证
  • 说服力
  • 学术写作
  • 写作指南
  • 论点构建
  • 清晰表达
  • 有效沟通
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具体描述

The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with-space and time-into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.</P>

The Viewpoints are a set of names given to certain principles of movement through time and space-they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form.</P>

Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life.</P>

Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice's Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz.</P>

Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.</P>

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Anna Bogart指出了这样一种状态的 存在--就是舞台艺术可以获得释放--从艺术类别及表演流派的束缚中获得释放。

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3-4……怎么说呢,这书名可以叫“观点训练法实用练习一本通”?!非常的'practical'……然而好像没有什么insight。如果觉得自己做了这些练习/跟别人做了这些练习就能成为下一个Anne Bogart那是不可能的……对我来说只有后面跨界对比的部分稍微有意思一点,其他大概只适合workshop master之类的实践者吧……另外就我参加过的workshop来说,viewpoint系统本身也……有点无趣?

评分

Anna Bogart指出了这样一种状态的 存在--就是舞台艺术可以获得释放--从艺术类别及表演流派的束缚中获得释放。

评分

3-4……怎么说呢,这书名可以叫“观点训练法实用练习一本通”?!非常的'practical'……然而好像没有什么insight。如果觉得自己做了这些练习/跟别人做了这些练习就能成为下一个Anne Bogart那是不可能的……对我来说只有后面跨界对比的部分稍微有意思一点,其他大概只适合workshop master之类的实践者吧……另外就我参加过的workshop来说,viewpoint系统本身也……有点无趣?

评分

3-4……怎么说呢,这书名可以叫“观点训练法实用练习一本通”?!非常的'practical'……然而好像没有什么insight。如果觉得自己做了这些练习/跟别人做了这些练习就能成为下一个Anne Bogart那是不可能的……对我来说只有后面跨界对比的部分稍微有意思一点,其他大概只适合workshop master之类的实践者吧……另外就我参加过的workshop来说,viewpoint系统本身也……有点无趣?

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