具體描述
SHANGHAI BABY is a beautiful novel. The language is poetic and sensual yet funny and brutally honest. Coco is frank in her confusions, frustrations, elations, and joys. She is joined by a bevy of interesting characters, including a former madam, a computer hacker, a bisexual fashion stylist, an avant-garde filmmaker, drug addicts, and artists, not to mention her parents who must overcome their traditional expectations in order to understand and support her artistic and personal choices. Each character is faced with the same issues as Coco and each attempts to make sense of relationships, sexuality, family, and life in a changing Chinese culture. While Hui implies the struggle between tradition and modernity is lessening (at least in cosmopolitan Shanghai) her forecast for a woman's chance to find both sexual and emotional fulfillment is less optimistic.
著者簡介
Wei Hui studied Chinese Language and Literature at Fudan University in Shanghai, after a year of military training. Her first short story published at the age of 21. Her first novel "Shanghai Baby", after being #1 best seller overnight in China, was banned due to its explicit sexual scenes and bold portrait of china's new generation, and the publishing house was closed down for 3 months. Shanghai Baby became instantly an international best seller published in 34 languages over 45 countries for over 6 millions copies,it is so far the most sold Chinese contemporary literature.
圖書目錄
讀後感
花了七个小时一口气读完了《上海宝贝》的电子版，深深陶醉在卫慧谱写在上个世纪末的上海风情画，也迷茫在coco挣扎着丝丝爱与痛的所谓“生活”。室友在我没看前看了这部书告诉我，写的是上海一伙时尚人士的糜烂生活。我在我看完这本书后告诉自己，如果上海时尚层真的遍地都...
評分在我的年代久远的记忆中，爱，曾经等同喜悦。 20世纪末，上海文坛出现了两个“宝贝”：安妮宝贝和卫慧的《上海宝贝》。《告别薇安》的晦暗和《上海宝贝》的放纵与歇斯底里，构成两道风景线，并且再次认证了“女作家不能写别人，只能写自己”的论据。 2000年的四月，我一个人，...
評分花了七个小时一口气读完了《上海宝贝》的电子版，深深陶醉在卫慧谱写在上个世纪末的上海风情画，也迷茫在coco挣扎着丝丝爱与痛的所谓“生活”。室友在我没看前看了这部书告诉我，写的是上海一伙时尚人士的糜烂生活。我在我看完这本书后告诉自己，如果上海时尚层真的遍地都...
評分好一本破书，从文本本身到市场运作真算是当代消费文化语境下的典范之作，文本内容充斥着小资阶级对后殖民的臣服，对消费主义文化的积极参与。通篇是对自我魅力的意淫、对全球化的可笑想象、小资的无病呻吟和对中产的谄媚嘴脸、伪装的先锋姿态，空洞、媚俗、无趣、矫揉造作，看...
評分在我的年代久远的记忆中，爱，曾经等同喜悦。 20世纪末，上海文坛出现了两个“宝贝”：安妮宝贝和卫慧的《上海宝贝》。《告别薇安》的晦暗和《上海宝贝》的放纵与歇斯底里，构成两道风景线，并且再次认证了“女作家不能写别人，只能写自己”的论据。 2000年的四月，我一个人，...
用戶評價
頭一次知道那麼多詩人，挺好
评分英國版，多年前購於福州路二手書店。
评分明白成為禁書的原因，看似在身體寫作，其實是思想束縛裏裂齣的一道口子，縱欲頹廢自戀卻現實
评分頭一次知道那麼多詩人，挺好
评分明白成為禁書的原因，看似在身體寫作，其實是思想束縛裏裂齣的一道口子，縱欲頹廢自戀卻現實
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