For the past few decades Hal Foster's critical gaze has encompassed the increasingly complex machinery of the culture industry. His observations push the boundaries of cultural criticism to establish a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. Recodings has become the classic "primer in poststructuralist debate" (Village Voice). The essays present a constellation of concerns about the limits and myths of postmodernism, the uses and abuses of historicism, the connections of recent art and architecture with media spectacle and institutional power, and the transformations of the avant garde and of cultural politics generally.
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讀後感
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用戶評價
三星半！後結構主義的書真的讀不來! to cite foster's own word, it's "historical (isn't also linguistically, materialistically, stylistically and theoretically?) enigmatic".
评分identity
评分三星半！後結構主義的書真的讀不來! to cite foster's own word, it's "historical (isn't also linguistically, materialistically, stylistically and theoretically?) enigmatic".
评分identity
评分No clear boundaries, no clear styles, no standards. Everything cancels everything else if the pluralism continues to be the issue.
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