In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.
我喜欢他用自嘲和讽刺描写乐趣和苦难。十年监狱的生活能磨平一个人,能建起不能逃脱的围墙,当然也有压不住自由飞翔的雄鹰的时候。但是他拥有更为不同的特质:观察,不断地观察,在封闭中看到自由,在肮脏中窥视洁净,在罪恶中一觑善良;记录,缓慢地记录,将封闭和自由、肮脏...
评分 评分 评分 评分花个半个月不到看完了《死屋手记》,书才还了一个星期,却已开始思念了,那些夜晚我像个躲在死屋角落窥视他们生活的人,是陀思妥耶夫斯基给我提供了这个绝佳的角度。比起这本书,《肖申克的救赎》有点像部童话了,虽然我也很喜欢,写监狱的作品基本没有可能超越这本书,因为什...
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