In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.
看完这本书,想起了这篇文章 世人不信有因果,因果从未饶过谁。 从部队回到地方以后,被安排到一个执法机关工作。由于职责所在,与各种各样的案件和罪犯打交道就是每天的工作。当然,“死 刑监督”也是各种执法工作中的一件“日常工作”。 在许多人看来,对罪犯执行死 刑是一...
评分 评分 评分掩卷,沉思,我想,《死屋手记》一定是陀思妥耶夫斯基自己最难以忘怀的作品。 诚然,无论是之前的《白夜》还是之后的陀翁四大名著(我自己的命名????),《死屋手记》在其中,都显得不那么夺人眼球,但它却无疑是陀翁创作的重大拐点。西伯利亚风雪交加的四年,那个博学多...
评分又读完一本陀氏的书。 这本《死屋手记》实际上是陀氏对自己西伯利亚入狱及流放生活的回忆。算是纪实文学吧。 老天待陀氏不薄,《孟子》有言,“故天将降大任于是人也,必先苦其心志,劳其筋骨,饿其体肤,空乏其身,……” 陀氏也没辜负上天的这些安排,逆境中,独饮孤独与痛苦...
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