Travesties was born out of Stoppard's noting that in 1917 three of the twentieth century's most crucial revolutionaries -- James Joyce, the Dadaist founder Tristan Tzara, and Lenin -- were all living in Zurich. Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.
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TS的剧本好详尽，灯光转场都给你写好了，完全可以当小说看。我对俄罗斯那个时期的历史了解不多，觉得有一点点影响了阅读的体验，但也品尝得到这部剧的精彩，要是能在伦敦碰上这部剧的再排是肯定会去看的（也不知道猴年马月
评分Hilarious —— Tom Stoppard你这是在写RPS吧——Tzara/Joyce/Lenin + "Drive them Wilde"!
评分an intellectual & structural complexity, a harmonious whole
评分Hilarious —— Tom Stoppard你这是在写RPS吧——Tzara/Joyce/Lenin + "Drive them Wilde"!
评分I learned three things in Zurich during the war. I wrote them down. Firstly, you’re either a revolutionary or you’re not, and if you’re not you might as well be an artist as anything else. Secondly, if you can’t be an artist, you might as well be a revolutionary … I forget the third thing.
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